Tokyo Ballistic War Vol.1

Tokyo Ballistic War – Cyborg High School Girl VS. Cyborg Beautiful Athletes Vol.1

aka Tokyo Ballistic War Vol.1

2009
Written by Takashi Misumi
Directed by Eiji Kamikura


When last we reviewed a Zen Pictures‘ flick (the battle-tastic Sukeban Fighter Misaki), we discovered a whole world of cheap films cranked out filled with costumed heroines who then fight each other and get tortured in long sequences. Zen Pictures hasn’t changed, but they do follow the mantra of trying something new now and again. The latest craze in Japanese cinema that makes waves in the US is the super gory films from Sushi Typhoon and their allies, so that is a fertile ground for Zen Pictures to sweep into. And they do so with the Tokyo Ballistic War films, and do so with the same tiny budgets their normal films have. I have no problems with small budgets, they can lead to great creativity and use of resources. There is a reason that art via adversity is often better, why people complain about directors selling out, why the Star Wars prequels and their milquetoast characters and uninspired digital effects are considered lazy filmmaking, especially when compared to the fly by your pants budget and real models and sets and alien costumes Original Trilogy.

Zen Pictures have upped their presence in the global cinema scene, increasing the amount of films available with English subtitles and an enlarged English section on their website. But the subtitles are a bit hacky, with the names of people or organizations changing between films or even between sentences. And these films will never be more than a niche brand, even if there are a few breakouts like Tokyo Ballistic War.

Tokyo Ballistic War follows the Sushi Typhoon framework faithfully, even aping the opening action sequence that’s taken from the middle of the film teasers of their inspiration. But they can’t escape being Zen Pictures flicks, so both parts of Tokyo Ballistic War feature the required fan service, costumes, kidnapping, torture, torture with phallic stand-ins, splitting of the film into multiple parts for more sales, masked goons, and warehouses used as sets. The effects are crude, with computer graphics that will embarrass those not used to low quality. But there is some creative blood effects, and the director is smart enough to realize he needs to spray people with geysers of blood. There is even a couple of scenes that are creative, particularly a battle of flying fists. This is an interesting hybrid picture. It will not be everyone’s cup of tea, in fact, it’s probably so demographically targeted you are born knowing if it appeals to you.

In an alternate world where the superpower United Republic of Great Japan controls the planet, Japanese high school girl athletes are suddenly breaking records with exceptional domination. The secretive and evil corporation Dainippon is involved, bad things are happening, and no goods have been upped to. Doping? Hardly, Lance Armstrong! It’s cyborg enhancement! Dainippon has created Athlete-roids, which their director Koumoto plans to sell to the army. But do not despair, the JSA – Japanese Sports Association – is on the case! The JSA cannot let this threat to the integrity of sports stand, and must now create their own cyborg schoolgirls to fight back. Thus, begun the Tokyo Ballistic Wars have!

Ai Asaoka (Ayaka Noda) – Schoolgirl with a name similar to Megumi Asoaka, they become fast friends and Ai is then mistakenly turned into a fighting cyborg. She must get used to her new identity and learn to destroy the athletes she once admired.
Megumi Asaoka (Arisa Taki) – Schoolgirl member of the Japanese Sports Association who has a sense of honor and does not like what the Athlete-roids are doing to sports. Has volunteered to become the JSA’s fighting cyborg, but fate has other plans…
Chairman Gondo (???) – Chairman of the Japanese Sports Association, he takes the JSA seriously and cannot allow cyborg enhancements to ruin the purity of the games. He lost an eye, but like Nick Fury, it is never explained why… My guess is a chess match just went too far!
Koumoto (???) – Evil executive at Dainippon and main proponent of the Athlete-roid technology. Is arrogant enough in his creations to not worry about the JSA’s meddling.
Kozue Hara – DNJ-01 – (Yuka Inoue) – National volleyball member of the Republic of the United Japan, and famous throughout the Japanese schoolgirl community because she’s so awesome. But she’s also evil. EVIL!!! Because she’s a robot.
Ami Adachi – DNJ-02 – (Moe Aizawa) – Member of the National Swimming Team and certified lunatic. She will mer-make you dead! Moe Aizawa is an adult film star.
Kyoko Yamaguchi – DNJ-03 – (Serika Noda) – Member of the wrestling team and dominates her opponents on the mat.
Hitomi Oka – DNJ-04 – (Momo Kasuga) – Member of the tennis team who lobs bombs at her opponents. And I don’t mean tennis bombs! Momo Kasuga is an adult film star.

Godzilla Marvel 6

You're Gonna Be in Movies Again, Charlie Brown!

Peanuts Gang

November 2015 will be when an animated Peanuts film drops on America from Fox Animation and Blue Sky Studios. Steve Martino will direct, with the script written by Craig Schulz and Bryan Schulz & Cornelius Uliano (those two as a team.) Craig Schulz and Bryan Schulz are Schulz’s son and grandson, and will also produce along with Uliano.

I love Peanuts, so I am cautiously optimistic, especially since the Schulz family is heavily involved. But I can’t leave well enough alone, so here are 5 obscure Peanuts characters that we should demand be featured in the new movie:

5, aka 555 95472 – 5 is a character introduced in 1963, whose father became frazzled over the increased use of numbers in peoples’ lives, and signaled his giving in by renaming his entire family numbers. 5 has twin sisters, 3 and 4, who appear briefly and sort of look like Peppermint Patty. Beyond his introduction, 5 was there as a major minor character through the 1970s, and then faded away in the early 80s. As far as I remember, he didn’t do anything significant after being introduced in the strip. On TV, he’s best known for his rocking dance moves:
Peanuts Dance
seen here with one of his twin sisters, either 3 or 4.

Patty – No, not Peppermint Patty, this is the OG Patty. The original Patty. the first female character in the strip. She was a background player for years but eventually faded away as she had no real personality and was overshadowed by Lucy, Sally, Peppermint Patty, Marcie, and even Violet (who also got overshadowed by Lucy!). Patty had a role in the You’re a Good Man, Charlie Brown musical, but that was later changed to Sally Brown (who wasn’t born yet when the musical was written, IIRC.) Patty was the prototype strong female character, which meant she occasionally punched boys, but it took the more advanced Lucy models to threaten to knock their blocks off.
Patty Peanuts

Charlotte Braun – Originally a joke character that was an extreme female version of Charlie Brown, Charlotte Braun barely appeared in the 1950s and then vanished into the ether. No one would have remembered her until in 2000 a letter surfaced that showed a fan wrote to Charles Schulz and demanded to remove Charlotte Braun from the strip. Schulz replied, agreeing to do so, but the fan was now responsible for “the death of an innocent child”, including with the letter a drawing of Charlotte Braun literally getting “the ax”! This letter rules, is now part of the Library of Congress, and you can see it online here. Thanks to @rwmead for reminding me of that story!
Charlotte Braun

Lydia – Lydia is a girl who would occasionally bug Linus, both because she referred to him as an older man (he was a whopping two months older than her) and she constantly changed her name. I had to look up what her original name was, as all I recalled was her changing her name again and again. Lydia was probably one of the last major cast additions. It’s hard to find any pictures of her.
Lydia Peanuts

Olaf – Snoopy’s brother isn’t as famous as his brother Spike, but played a pretty major role in the strips near the end. Olaf first appeared with a bag over his body, and for the longest time the joke was he was so ugly that he was entering an ugly dog contest. he eventually proved his staying power with his sharp wit.
Olaf Snoopy

Of course, characters like Miss Othmar or Charlie Brown’s Pencil Pan were never scene, but it would be fun to mention them as well. Or else!

via Deadline

Godzilla Marvel 5

Big Business is the new Hays Code

The documentary Tapped was scheduled to run during Guelph Water Services’ Documentary Nights in September as part of a series of films on water conservation. Then John Challinor, director of corporate affairs at Nestle Waters Canada sent them an angry letter and mentioned the many jobs his company provided. Suddenly, Documentary Nights in September was looking for a new film to play…

Tapped is a documentary that looks at the bottled water industry. It is particularly critical of the ecological problems associated with bottled water, since 40% of it is just tap water bottled up and shipped elsewhere. Companies such as Coca-Cola, Pepsi, and Guelph’s favorite company, Nestle, get particularly criticized for their roles in the issue. The fact that Guelph caved so fast when the mayor got an angry letter is a sad state of affairs. Nestle is also weighing in on other bottled water documentaries, like FLOW: For the Love of Water.

But it’s not just random towns in Canada where corporate power is flexing its muscles at the big screen…

Matt Damon’s new film Promised Land isn’t even out yet, and it’s already got the energy industry in a panicked uproar. The main concern is the film deals with the controversial process of fracking, which has become a big environmental concern in the past few years. Fracking is not just a swear word on Battlestar Galactica, it is the technique of inducing hydraulic fracturing at a natural gas deposit in order to get more of the hydrocarbons than other methods. But it also has a nasty side effect of contaminating groundwater (sometimes even turning the water flammable!) and polluting the air. There is the added problem that most of this happens in small isolated towns and then the companies move on, leaving ruin in their wake.

The energy industry is worried that it will be presented in a critical light and is preparing possible responses, such as providing film reviewers with scientific studies, distributing leaflets to moviegoers and launching a “truth squad” initiative on Twitter and Facebook

The energy industry previously had a problem with the documentary Gasland, and went so far as to have a huge PR blitz when it was heading to theaters. They even made their own documentary called Truthland, which has started screening in June. If you think this is starting to sound a bit scary, welcome to the world of giant media companies making long documentaries about how their poison is good for you. So grab a heaping spoonful, people!

No Censorship

The Canyons trailer has Lindsay Lohan go grindhouse


The trailer for Lindsay Lohan’s flick The Canyons has hit, and it’s all retro grindhouse seventies exploitation. This neonoir flick is directed by Paul Schrader and written by Bret Easton Ellis, but let’s be serious, people have only heard of The Canyons because Lindsay Lohan stars in it, and her costar is porn star James Deen. The only suspense is if it will be a trainwreck or not. I personally don’t have anything against Lindsay Lohan, but it is obvious to everyone that her life is on a downward spiral, and there is no one who can stop it except Lindsay Lohan. Watching the same thing happen over and over with various young actresses and singers becomes tiresome. But maybe something will happen that pulls Lohan away from the abyss. I am rooting for her in that aspect, but I think it’s best if she wasn’t starring in movies or doing anything fame related. Though I doubt that will ever happen by choice. Then again, she’s an adult and capable of making her own decisions in life. I’m not sure where I’m going with this, but check out the trailer, anyway.

Lindsay Lohan

Check out the canyons outside the window! Well, you could if the shades weren’t down. The Canyons!

Aladdin and the Death Lamp (Review)

Aladdin and the Death Lamp


2012
Written by Joe Morganella, Angela Mancuso, and Kevin Commins
Directed by Mario Azzopardi

Mister Aladdin Sir…BAAAAAAARRRRFFFF!!!

With the thematic elements of a heroic swashbuckling adventure in a faraway land, Aladdin and the Death Lamp swoops in and turns out to be an entertaining monster flick. Aladdin and the Death Lamp’s heroes are treasure hunters, the stakes are huge, and the evil monster runs around killing people regardless. Aladdin and the Death Lamp uses the plot to help keep the budget low, the treasure hunting lets them run around empty sets that don’t require a lot of extras running around to make it realistic. The quests keep you following along the story instead of questioning the plot direction. And everyone looks like they’re enjoying themselves, which is always fun.

Much as I liked how scenery chewing everyone was in Pegasus vs. Chimera, Aladdin and the Death Lamp has the opposite flavor, with all of the heroes playing their roles earnestly and seriously. This also works, and makes Aladdin and the Death Lamp a better film. And it helps that there is an evil guy being ridiculously evil as well. Aladdin is the most heroic man who ever lived, Khalil is the wisest man who ever lived, Shifa will deliver lines about nobility that would make you groan if they were delivered any less earnestly, Luca plays off his charmy and tempted halves well, and Sharira would threaten his own mother with death if she tried to ground him.

I’m a Death Eater! And now that Voldemort is back, we’re in charge!

The main problem is the unevenness of the monster. The Jinn is specifically stated to be trying to open a portal to let all the other Jinn into our world to cause trouble. But it’s also slaved to a lamp and must grant the wishes of the owner. And it also grants wishes to random people. And it is supposed to do so in an effort to kill the people by their own wishes, in a “careful what you wish for” type lesson. But the Jinn also just straight up murders people. All of these things sort of loose the focus of the monster’s motivation. And that is very important to me, a weirdo.

It’s an age of danger because it’s the age of Jinns!! Science and logic is ruled by magic. It’s the age of Insane Clown Posse??? Fucking magnets, I knew they’d cause trouble! Each of the heroes has a different element symbol: Earth, Wind, Water, Fire. But there is no Bruce Willis or Milla Jovovich running around. Only evil Genies!

You don’t want to know what word you say on You Can’t Do That on Television to make this happen!

Aladdin (Darren Shahlavi) – The heroic hero who is the best person on the planet. Aladdin robs graves for money for orphans. Darren Shahlavi plays him so amazingly heroic in a way that you rarely see outside of pulp novels. Which is sort of awesome, as these films are pulp cinema.
Luca (Noam Jenkins) – Luca is Aladdin’s best friend and fellow orphan brother. He’s sort of a lovable rogue, but he has high gambling debts and a greedy streak that leads to his downfall.
Shifa (Kandyse McClure) – The little sister of the orphan crew, Shifa is left behind, but returns with Khalil to save Aladdin and Luca when they get into trouble. She’s also crafty and thinks on her feet.
Khalil (Eugene Clark) – The wise old orphanage runner who knows the secret histories of the three main characters and what happened with the Jinn long ago. Plays the wise elder role.
Sharira (George Ghali) – Corrupt merchant trader who is also seeking ultimate power through controlling a Jinn. Uses debt leverage over Luca to worm his way into the adventure, but pays for his greed.
Jinn (CGI) – The evil Jinn looks like a smoke dinosaur alien. Trapped in a lamp for decade and now free to sucks on souls and turn into a tiger and unlock doors. This Jinn has some odd hobbies.
I’m not worthless! And I don’t have fleas!