via HuffPo
Mr. Bean Kesurupan Depe (Review)
Mr. Bean Kesurupan Depe
2012
Directed by Yoyok Dumprink
He’s hopping his way to a lawsuit!
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Could it be true? Could Rowan Atkinson be reprising his role as Mr. Bean in an obscure Indonesian pocong comedy? This thought rattled around the internet for a few hours, perpetrated by the producer behind Mr. Bean Kesurupan Depe, until the hoax unraveled and everyone realized this was too crazy to be true, even though it was just crazy enough to maybe be true. After having finally watched Mr. Bean Kesurupan Depe, I am left to wonder why they even bothered with the whole Mr. Bean hoax. In fact, I’m wondering why they even bothered with the film at all! It’s a very quick and dirty half an hour of story stuffed with some pointless filler and jokes that aren’t funny even if you’re Indonesian. The Mr. Bean plot has almost nothing to do with the rest of the film, aside from Mr. Bean occasionally leering at DePe’s character. This is after they’re both dead and pocongs, and while she’s a very very pregnant pocong. But let’s first give a bit of background.
When you think Catwoman, you think skimpy-dressed schoolgirls!
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Pocongs are a type of Indonesian folklore, bodies that are wrapped up in their kain kafan (burial shrouds.) They cannot move their legs, so they get around by hopping (like certain other Asian movie monsters) and spend their time spooking people. Recently, there have been a bunch of pocong comedies that have invaded the theaters of Indonesia, the local audience treating them much like how we in America treat the Seltzerberg (Jason Friedberg and Aaron Seltzer) Movie “comedies”, by ignoring them as much as possible, but also wondering how they keep making enough money to justify more. Everyone from Indonesia I have mentioned these films to has had a reaction of utter disdain for the films and sad amazement that they’re beginning to get play outside of Indonesia.
Too late, this is already messed up!
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Besides using Mr. Bean for promotion, the main “plot” of the film centers on attending a concert by Catwoman, who in this universe is a famous Indonesian singer on par with Lady Gaga. She’s also played by DePe for added confusion, and also because DePe is an actress not afraid to run around in a skimpy Catwoman costume. As DePe was involved in some of the marketing without shooting down the rumor of Rowan Atkinson’s involvement, many consider her culpable in the fraud they accuse producer KK Dheeraj of. It’s also interesting that the most common comments on Indonesian movie blogs (besides calling this movie garbage) is saying not to blame Indonesian movie producers because KK Dheeraj is Indian. KK Dheeraj’s only attempt to keep from being sued seemed to be not including the title screen on the vcds and DVDs, even though the guy playing Mr. Bean is still credited as “Mister bean”! (Either that, or they just forgot to include the title!) The controversy did serve a purpose, as thousands of people who had never heard of the pocong comedy genre (or even pocongs!) now have a film to look out for. This review calling it awful will only increase the desire to watch it.
Make no mistake, Mr. Bean Kesurupan Depe is terrible. The plot is so thin, it is worshiped as an idol by those anorexia blogs. The actual “story” involving Marni and Parmin takes maybe 30 minutes total. To beef up the running time, Mr. Bean wanders around being “funny” for a bit. and even that wasn’t enough to fill up the running time so there is another pocong couple who add nothing to the film either. The entire movie is filler made to fill running time for filler. It’s like the Twilight Zone of pointless stories. I do give them props for being in focus.
Oh, Knockoff Pocong Bean, you can do one charming thing.
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Looks like someone saw the trailer for The Dark Knight Rises just in time for filming!
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Dredd (Review)
Dredd
2012
Written by Alex Garland
Based on characters created by John Wagner and Carlos Ezquerra
Directed by Pete Travis
If I hadn’t seen Eega, Dredd would be my favorite flick of 2012. Which not only surprised me, but surprised everyone who saw Dredd, from the small amount of people who saw it in theaters, to the increasingly loud amount of people just now discovering it on DVD. Dredd is awesome, a solid action vehicle that builds a believable world without drowning you in lots of back story.
It’s sad that I knew Dredd would fail at the box office before it was even released, the scars of Stallone’s Judge Dredd is still too fresh in the minds of the American public, a public that has zero knowledge of the comic inspiration. But Dredd is having a second life, bolstered by loud supporters and a shocked new audience that is keeping Dredd on the top of the rental and sales charts.
Dredd succeeds because of many reasons. By keeping the action largely confined to a single mega-block, it allows for saving on huge set costs and makes the action close and personal. The fighting becomes desperate as the characters are trapped. Dredd‘s score by Paul Leonard-Morgan is among my favorite scores, and is the first film album I’ve gotten in years. The operatic Slo-Mo segments based on a slowed down Justin Bieber song contrast wonderfully with the heavy-synth action tracks.
The integration of bullet-time 3D via the drug Slo-Mo is a creative way to put Matrix action into a film and make it feel natural, the first time since the Matrix movies where the slow-motion feels like it belongs and isn’t shoehorned in because some producer wanted to ape the Wachowskis.
Olivia Thirlby’s Anderson is not your typical female action sidekick. Though in training, she’s an equal partner. Even though at some point she’s taken prisoner, she doesn’t just sit back and wait for Dredd to rescue her. She’s in control, she rescues herself, and she even saves Dredd. Anderson stays in power while going through the minds of awful people who think awful things, getting what she wants while not leaving any marks (well, not marks you can see.) It’s an equality seldom seen in today’s action epics, and painfully missed. Even Rakie Ayola’s Chief Judge seems natural, she has a respect for Dredd as the best street judge, but also firmly gives him orders.
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The Man From Nowhere
The Man From Nowhere
aka 아저씨 aka Ajeossi
2010
Written and directed by Lee Jeong-beom
Korea embarks on a tale of kidnapping and revenge, as a former special ops officer hunts down the men who kidnapped his young neighbor, the only person left he has a connection with. The travel embarks on a quest through the Korean underworld, dealing with organ trafficking, child slave labor, drug dealing, and identity theft. In the grand Korean tradition, things are non-compromising, with a bleak and desperate situation getting increasingly both as time goes on.
The Man From Nowhere is a good film to throw on for everyone disappointed with Taken 2. It takes the similar style of the original Taken (and also Man on Fire) and ramps it up. Cha Tae-sik becomes mixed up not only in the kidnapping, but with a turf war between different gangsters and the police who are trying to take everyone down. While the police often get in the way, they realize quicker than the arrogant gangsters that Cha Tae-sik is someone more dangerous than he appears.
The fights become increasingly more awesome and brutal. At first, all you see is breaking windows and an unconscious goon. Then you begin to see Tae-sik beating up small numbers of people. By the end, there is one of the best knife fights I have ever seen in a movie, and Tae-sik becomes a savage force of nature carving his way through the criminal empire.
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Jurassic Attack trailer!
While returning from a military expedition a helicopter crash lands a commando unit in a dense, remote tropical jungle – a lost world populated by dinosaurs. Now they must find a way out of this isolated valley before becoming prey for prehistoric predators.
Anthony Fankhauser directs and the flick stars Gary Stretch, Alicia Ziegler, Israel Saez De Miguel, Natascha Berg, Vernon Wells, and Corin Nemec.
Corin Nemec also revealed on twitter he’s heading off to film Poseidon Rex, the other of the two Titan monster flicks, so expect more info about that film in a short while!
Fangoria via DreadCentral
I am So Undercover it hurts!
She may be a tough-as-nails, street-smart private investigator, but when total tomboy Molly (MILEY CYRUS) is drafted by the FBI to go undercover within a college sorority, she finds that she’s way out of her class among a sisterhood of snooty, high maintenance, materialistic college girls.
However, Molly accepts the pledge to protect one of the society debs, who holds key information that will be used at a trial where her father is about to turn State’s evidence and testify against the mob. Despite being the opposite of her new “sisters,” Molly has to suck it up and bond with obnoxious upper crust trust fund babies if she’s going to succeed in her top-secret mission, in Millennium Entertainment’s action/comedy, “So Undercover.”