A Cookie Cutter Christmas (Review)

December 16, 2014ByTars Tarkas

A Cookie Cutter Christmas

2014
Written by Barbara Kymlicka
Directed by Christie Will Wolf

Hi, I’m the Thicke that doesn’t sing rapey songs! Watch me eat lots of cookies!

If you enjoy scenes of Alan Thicke eating various cookies, you will love A Cookie Cutter Christmas! For everyone who isn’t one of those four people, let me tell you about A Cookie Cutter Christmas. Hallmark delivers a tale of female rivalry that becomes a Christmas miracle because that’s just how they roll. Thus, A Cookie Cutter Christmas has us follow a woman who constantly loses to her rival in a battle for the only eligible guy in town as well as learning how to cook. The rival aspect might turn some people off, but it’s not that unusual for life. Some people are constantly comparing themselves to others and have to be better than them. The keeping up with the Jonses mentality can be self-destructive, cause financial ruin, and it’s also pretty annoying when someone keeps beating you again and again. That might not seem very Christmas, but like it or not, competition is a big part of Christmas. Displays, gifts, cards, arguing with relatives over Christmas dinner, the true meanings are often lost, and those with competitive streaks can get sucked right in.

Christie Reynolds (Erin Karkow) has been competing with Penny Miller (Miranda Frigon) since they were children, Penny stealing her verses in a Christmas pageant long ago and the rivalry living on decades later with both women as teachers at the same elementary school forever engaged in proxy battles. Penny Miller seems to win almost all of the conflicts, her students raise more money and she even organizes the big Christmas fund raiser now. Thus, Christie is in a down point in her life, forever stuck in second place.

Worst pot cookies ever!

Enter hunky single dad James Thompson (David Haydn-Jones), whose wife thoughtfully died off long enough ago that dating again is a possibility. His daughter Lily (Genea Charpentier) ends up enrolled in Christie’s class instead of Penny’s, but soon both women are working for the affection of the new hunk in town. James is super charity man, having moved to their small town specifically to start a charitable organization, thus now Penny alters the big fund raiser to help him out. Penny also organizes a bake off competition at the school, the winning teacher getting a fat sack of cash to use for a class trip. Christie enters the contest, both because her students would love a field trip and because it’s another thing to compete with Penny in. The only problem is that Christie cannot cook. At all. Her mom, Bev Reynolds (Laura Soltis), tells her point blank to her face that her food sucks. In the first round of the competition Christie doesn’t even get her food cooked before judging! Thus she’s going to need a crash course in baking, and guess which new hunky single dad in town once wanted to be a chef?

I like the Christmas lights in the shape of a hamburger in the background!

InMovie Reviews, Ugly

The Nine Lives of Christmas (Review)

December 15, 2014ByTars Tarkas

The Nine Lives of Christmas

2014
Written by Nancey Silvers
Based on the book by Sheila Roberts
Directed by Mark Jean

Hello? Morris auditions?

Christmas is that time of year when one thinks of cat based romance tales (or tails), and finally someone has made a film about the thoughts that every normal person has during the season. The Nine Lives of Christmas is a nice fun film that lets the charisma of the actors and lead cat overcome a weaker script. At points things come together a bit too easily, which lessens the impacts of the personal insecurities both Zachary and Marilee are feeling. But those objections are largely inconsequential as the film is charming enough to rise above that to deliver some holiday cheer.

The best part of The Nine Lives of Christmas is that it is pretty much a reverse Garfield movie. Instead of a sassy fat cat, Ambrose is a sweet friendly cat. Instead of a dorky cartoonist, Zachary Stone is a dreamy firefighter. Instead of a vet who constantly rejects his advances, Marilee White is a vet student whose life goals give her the excuses she needs to reject a social life. And the cat doesn’t talk. Before I knew anything about the film except for a rough plot outline, it was already the film from Hallmark’s 12 Movies of Christmas event that I was most interested in.

The Cat that Defeated Superman!

	Zachary Stone (Brandon Routh) – Firefighter who lives the single lifestyle of not wanting to get married or even have a serious relationship. He’s the envy of some of his coworkers, but Zachary’s habit of doing good deeds results in him getting a stray cat that plants the seeds of responsibility, and spending all his time with Marilee plants the seeds of romance. Also, he’s freaking Superman!
	Marilee White (Kimberly Sustad) – Marilee White is a sleepy but brilliant vet school student who has no time for a love life, what with all the studying and the working at a pet supply store, where she is the designated employee that deals with the problem customers. Her apartment complex is run by one of those evil landlords who are all up in your business, and if you have a pet, you are immediately evicted, which probably violates the law but will be important for plot purposes. Marilee does have a clandestine cat named Queenie, and Marilee spends most of her down time dodging questions from her friends and sister about when she’s going to get herself a boyfriend.
	Ambrose (???) – Ambrose is a smart cat looking for a home, and Zachary saves him from a dog, so now he’s his new owner. That’s how it works in Ambrose’s world. Ambrose finds keys, understands complex human emotions, and gets adopted as the official firehouse cat. He’s also the catalist that cause Zachary to rethink his unattached lifestyle. Becomes best buds with Queenie.
	Queenie (???) – Marilee’s secret cat that she can talk to to unwind after a long day or work and study. Queenie is against her apartment rules, but once evicted she can move into a spare room Zachary has.
	Jaclyn (Stephanie Bennett) – Marilee’s sister, Marilee raised her after their parents died, Jaclyn is now a successful real estate agent along with her husband, and is now focused on finding her sister a man.
	Blair (Chelsea Hobbs) – Zachary’s spoiled model girlfriend who hates hates hates pets because they interfere with her lifestyle of pretending she’s going to leave the country for a few weeks. Gets people fired and tosses out Ambrose as well. As you can imagine, she’s not the heroine of the film. Chelsea Hobbs is also in Confessions of a Go-Go Girl
	Ray (Sean Tyson) – A goofy fireman who knows the score with regards to Zachary’s metamorphosis into being capable of love.
	Mark (Dalias Blake) – A married fireman who lives vicariously through Zachary’s lifestyle and becomes concerned when he starts showing actual feelings.
	Chief Sam (Gregory Harrison) – The wise mentor fireman who loves cats (his wife is allergic) and saved Zachary from a burning house when he was a kid.
	Sarah (Jen Cheon) – Marilee’s friend who also is obsessed with getting her a date, even though she can’t get a date.

Screw this, I’m driving to Vegas!

Justice League Flashpoint Paradox cyborg

InMovie Reviews, Ugly

Justice League: The Flashpoint Paradox (Review)

November 20, 2014ByTars Tarkas

Justice League: The Flashpoint Paradox

2013
Written by James Krieg
Based on Flashpoint by Geoff Johns and Andy Kubert
Directed by Jay Oliva

Flashpoint became the even that subsequently rebooted the DC universe into The New 52!, as the covers say. Basically, everything got rebooted, and was done so with less of a notice than you would like to wrap up storylines in dozens of comic books. This resulted in some things being a bit more rebooted than others, but all that continuity you knew and loved was once again thrown out the window by the latest DC reboot. Justice League: The Flashpoint Paradox doesn’t get into the continuity situation (except a brief costume change at the end), but deals with the storyline that causes it, leaving the actual fallout for the eventual sequels like Justice League: War. It lacks the excitement and fun of some of the animated DC flicks, though does have a few bright points to offer.

Flash is a character that, like Batman, is overshadowed by his villains. I say this not because I don’t really care for Flash, but because I find the dynamics of his villains far more interesting. Captain Cold and the Rogues are a cool team dynamic, working together for profit while avoiding excess casualties, even if they occasionally get sucked into more bloody affairs simply because they walk in the criminal underworld. Flash is potentially one of the most powerful heroes on the planet, and they regularly do battle with him. They even fight against other super-villain teams that try to control them. However, Professor Zoom/Reverse Flash/Eobard Thawne is simply an Evil Flash from the future who is a jerk. Sadly, the tale here turns the Rogues into petty thugs easily tricked by Professor Zoom, who then orchestrates manipulating Flash into altering history and continues to taunt Flash even as the future Professor Zoom comes from ceases to exist. C. Thomas Howell puts in a good performance letting the creepy sociopath shine through, but he’s stuck with what is there in the script to deliver, and Professor Zoom never becomes a classic villain.

The biggest problem with Flashpoint is that it was never really that good to begin with. The series wasn’t terrible, but it never really turned into a classic story that will survived through the ages. The only real continual allure is the alternate reality itself, and even some of that is a bit corny. We already had alternate versions of the Justice League members not that long ago with Justice League: Crisis on Two Earths, and despite the limited screen times, many of those characters felt more developed than the inhabitants of the Flashpoint world.

The fact the event was used to justify the rebooting of all of DC continuity makes it a lightning point of controversy, as some of the rebooting caused arguments of their own (Superman’s marriage went kaput, many dead characters sprung back to life, a few established female characters suddenly became giant slores) in addition to the general idea of everything getting reset yet again in DC. One theory was the resetting was a ploy to gain new readers, though if that was true, it didn’t seem to pan out too well, but much digital ink was spilt as various factions argued throughout the internet.

InMovie Reviews, Ugly

Return of Mr. Superman (Review)

November 10, 2014ByTars Tarkas

Return of Mr. Superman

1960
Written and directed by Manmohan Sabir

In 1960, India would release not just one, but two movies featuring the American super hero Superman. Neither film was authorized by DC Comics, and both films starred famed actor P. Jairaj as Superman. Yet weirdly enough, the two films were produced by competing production companies. Both films were originally going to be called Superman, but producers from Mukul Pictures wrote a letter to Manmohan Films (ran by writer/director Manmohan Sabir), which resulted in Manmohan changing the name of their production to Return of Mr. Superman. At least, that’s how the story goes, though the oft-repeated story doesn’t seem to have an actual origin beyond people repeating it. The 1960 Superman film is not available to watch, though some songs from the soundtrack still exist. The only listings I have seen of out of print VCDs or VHS tapes all seem to be about Return of Mr. Superman, so the chances of actually locating the missing Indian Superman film might be a lot closer to zero than I want. If the past few years of lost films arising from the ashes has taught me one thing, it’s to never give up hope. Superman may still be out there, but until he returns to Earth, let’s make do with Return of Mr. Superman!

India would return to Superman a few more times. There is a well-known Hindi version of Superman that has become a common grey-market trading item. There is also a Telugu-language Superman film starring NTR called Superman, which we’ve covered before. Superman’s costume has appeared in musical numbers as well. Let us not forget about the documentary Supermen of Malegaon, which covered the making of a micro-budget Superman bootleg film. Nor is India alone in their bootleg Supermen, he’s popped up in films from Turkey, Bangladesh, and Italy, with suspiciously similar characters appearing in dozens of films from many origins. Superman just has that universal appeal that everyone strives for.

Superman here isn’t the classic Superman costume we all know and love (nor is it the awful red and blue costumes from that forgetable story arc) Superman (or Mr. Superman if you’re nasty) looks like Commando Cody, complete with a crazy space goggles, mask, and cap over his head. He’s got a jumpsuit and a big cape, but still manages to not look like any other incarnation of the hero. My favorite aspect isn’t the goggles, but is his face mask that still has a hole cut for the mouth so he can smugly grin at his opponents as they land punch after useless punch against his chest, before he defeats them by lightly tossing them aside.

Superman gets involved in a complicated smuggling plot, dealing with criminals who continue to operate despite some super-powered guy running around foiling all their plans. It’s not a real mystery as to why that is, the cops in the film are so incompetent at catching these criminals that they often don’t catch them despite Superman phoning them with specific instructions. The only one with any competence is the guy who keeps answering Superman’s calls, and the cops only get effective when he’s leading them in the final battle.

Despite the print being in relatively good condition for a 1960 Indian film, there are obviously some missing segments. At one point two women are captured and Superman goes to attack the villains, but there is no actual rescue of the women. In addition, the main villain who sports a beret suddenly has a black eye for reasons unknown, possibly due to said missing rescue. Another thin is the sudden appearance of a Random Hero Dog, who may not be so random if he is from another part of the film, but as that part does not seem to have made it to the VCD releases, who knows. Finally, Helen is featured in the credits, but does not appear in the film as far as I could determine. She is also listed in the credits for the other 1960 Superman film, so maybe something shady was going on, or maybe her big number has been lost to the sands of time.

As interesting as this movie sounds, it’s actually pretty close to terrible serials in quality. The chunks missing probably help the pacing a bit, though it looks like a few of those sequences were action parts, so maybe not. Definitely something to seek out for fans of obscure stuff, but Return of Mr. Superman isn’t going to make anyone’s bootleg super hero movie must-see list. It’s interesting for the obvious serial influences, but if you aren’t a fan of serials, you will get really annoyed really quickly.

As this film is obscure as heck, please enjoy the overly long film synopsis review. And there are no subtitles for Return of Mr. Superman, but at TarsTarkas.NET, we don’t need no stinking subtitles!

P. Jairaj was a Bollywood actor who dated back to the silent era, his first film being 1929’s Jagmugti Jawani. Born Paidypathy Jairula Naidu, Jairaj was the son of an accountant in a well-to-do family in Hyderabad which set up a life for him to follow, but Jairaj dropped out of college to find his own fortune in Bombay. A friend who worked for Mahavir Photoplays figured he would make a good screen actor, and gave him a supporting role. This was quickly followed by the lead in 1930’s Raseeli Rani, and a string of films followed. When sound was introduced to Indian film, Jairaj had an advantage of speaking Hindi and Urdu (Jairaj also spoke Telugu, but I don’t believe he starred in any Telugu language pictures), but had the disadvantage of not being able to sing. Luckily, the playback system saved his bacon, and he continued being an in-demand lead actor through the 1950s. By the 1960s, his star had faded a bit, and he was relegated to character roles, though managing appearances in classic cinema like Sholay, Toofan, and Don. Through the 1980s and 90s he made less and less frequent appearances. He died in relative obscurity in 2000. Jairaj had some directorial credits, was awarded the Dadasaheb Phalke Lifetime Achievement Award in 1980, and is even in the Guinness World Records for having the longest-spanning career of an actor at 70 years.

Sheila Ramani was a swinging leading lady in the 1950s, her best known role might be in 1954’s Taxi Driver. She was the niece of Pakistani producer Sheikh Latif (Lachchu), who not only got her some roles in Indian cinema, but some Pakistani films as well (such as Anokhi (1956)). By the end of the 50s, her star was on decline and she appeared in B pictures such as this one and 1959’s Tarzan-inspired Jungle King. She retired from film after getting married.

Filling the supporting/comic relief role here is Majnu. He was born Harold Lewis, a Punjabi actor who debuted in 1935’s Majnu, an action comedy that satirized the story of Layla and Majnun (and provided him with the nickname he’s use for the rest of his career!) Though he started in lead roles, he did a lot of supporting/comedic roles through his long career.

So here’s the full scale Roll Call:

	Jaikumar R. Dayal (P. Jairaj) – A mild-mannered reporter at the newspaper Azad Desh, Jaikumar uses his super powers to listen for crimes, then beats up the criminals, calls the cops, and writes stories about the crimes.
	Mr. Superman (P. Jairaj) – Mr. Superman aka Superman who cosplays as Commando Cody fights villains and stands and grins at his opponents as they inflict zero damage on him. The only way to beat Mr. Superman is to damage his reputation, which he then fights by punching even harder.
	Usha (Sheila Ramani) – Usha types up a lot at Azad Desh, and is possibly also a reporter, as she seems to go out and investigate stuff. Maybe she gets two paychecks this way! Or, more likely, it’s just assumed that women do all the typing in 1960.
	Johnny Braganza (Majnu) – Jaikumar’s best buddy guy, sort of like Jimmy Olson. He’s dating Stella but always hitting on typist Shammi.
	Stella (Naazi) – Johnny’s girlfriend, which occasionally gets her in trouble when Johnny and Jaikumar make enemies and she gets kidnapped. Naazi generally appeared in supporting roles in B-level pictures, including the Dara Singh Hercules (1964). Unfortunately there doesn’t seem to be much more about her online (unless she is also the actress Naaz?), and Google keeps thinking I mean “Nazi”, which means I’m now on a bunch of lists.
	Typist (Shammi) – Shammi has a small role as a typist at the Azad Desh office, where she usually has to put up with Johnny Braganza hitting on her all day. This is especially alarming, because nowadays she’d win a million dollar lawsuit and own the Azad Desh. All hail Boss Shammi! Shammi started work in film in 1949 while she was still working at a pharmaceutical company. Taking a large variety of roles, from comedic to supporting to vamp to mythological, it’s said her willingness to take any part cost her big budget starring roles, but Shammi wanted to work more than anything else.
	Inspector Dilip Desai (Ram Mohan) – The cop who does nothing but investigate tips sent in by Superman all day. Which works out pretty well, until the fake Superman starts robbing people. Then he teams up with the real Superman to finally bust the bad guys he keeps missing by a few minutes.
	Boss (David) – The boss at the Azad Desh newspaper. Somehow puts up with Jaikumar and Johnny. David Abraham Cheulkar was a popular character actor from the 40s through the 70s. He died of a heart attack in 1981.
	The Villain (Jagdish Kanwal) – The beret-wearing villain is played by Jagdish Kanwal. He’s the leader of the smuggling gang, and mastermind of all the evil things going on. Which means he spends the entire film getting foiled again and again before he’s finally defeated. Try not to be a loser next time, villain guy!
	Shashi (Heera Sawant) – The bad girl who is part of the evil gang, and tries to kill Superman in between her seductive dancing for the members of the gang (which drives the members mad with fits!) Heera Sawant had a career as a featured dancer in many Indian B pictures.
	Fake Superman (???) – It is a mystery who this could be! (Not really!)
	Ram Dayal (???) – A local nice guy farmer who finds the alien baby child and raises him as his own son, Jaikumar. Raises his son almost too honest.
	Random Hero Dog (???) – In the greatest sequence ever filmed, the exciting conclusion of Return of Mr. Superman features a random brave heroic dog who fights the villains. Where does he come from? Who is he? Questions you will ask forever, because the film doesn’t bother to tell us! Just enjoy the Random Hero Dog, and try to live your life as good as him/her.

InMovie Reviews, Ugly

Iron Swallow (Review)

October 17, 2014ByTars Tarkas

Iron Swallow

aka 鐵燕 aka Tie Yan aka Shaolin Iron Eagle

1978
Story by Chu Yu
Directed by Cheung Pooi-Shing (as Chang Pay-Cherng)

Revenge is a dish best served cold. That’s what some Klingon guy told me, anyway. Iron Swallow is basically a kung fu version of I Know What You Did Last Summer, except it’s a decade later and the children of the slain are the ones having revenge. Revenge is the topic of discussion, because it’s the topic everyone is talking about.

The elders did a horrible crime they refuse to talk about to anyone or even each other. It quickly becomes obvious that it involves rape, murder, and bribes to cover up their deeds. Many of them spent years worrying about the crimes, some throwing themselves into philanthropy out of guilt. None of the characters will call the authorities when attacked, because they don’t want to drag up their sordid histories. This leaves their younger relatives confused and frustrated, knowing something bad is happening and seeing their parents unwilling to do anything about it.

The revenge plot is so much the sole focus that there isn’t some of the usual kung fu tropes. No one seeks out a great master, there is no training montage. There isn’t a gallant knight hanging out in disguise to set things right. It is just pure revenge. The purity of the focus of Iron Swallow is welcome, sometimes films try to do too much and end up accomplishing nothing, while Iron Swallow does what it is supposed to do and does it well.

The problem with all these lovely dubbed kung fu features is it is impossible to get anyone’s name correct, so please excuse me if the character names I use don’t sound exactly like the ones you hear when you watch the film. There is rarely consensus on just how the characters’ names are said by the dubbers, changing depending on who is speaking or what accent the ex-pat in Hong Kong/Taiwan who is doing the part has. Occasionally, the dubbers pronounce the same name differently in two concurrent sentences. Thus, all references to Chia Ling’s character will just be Iron Swallow.

	Iron Swallow (Chia Ling) – Iron Swallow is the daughter of a murdered man, out to avenge his death by maiming those responsible for his death and the subsequent coverup. She arrives in town with her Aunt, who is also a victim of the incident that started everything. Iron Swallow has focused her entire life on getting revenge. She leaves trademark iron swallow darts with red tassels, which the enemy later uses to frame her. Iron Swallow’s actual name might be Chin Yeh.
	Ko Fang (Ting Wa-Chung) – A kung fu student being raised by his single father, who is marked as a target by Iron Swallow. Ko Fang soon learns that all he thought was true was a lie, and that he’s more involved in the revenge drama than he knows. He is best friends with Tu Lung, who is like a brother to him.
	Tu Lung (Don Wong Tao) – Son of Chu Hsaio Tien and best friend of Ko Fang. Tu Lung is the idyllic youth who soon learns that things weren’t as clear cut as he thought they would be when he was learning about the world. He’s soon dragged into the confrontations due to familiar and friendly connections, torn between the two sides and his reluctance to join in the violence.
	Wu (Wong Wing-Sang) – A Fortune Teller who is really a skilled kung fu assassin hired by Mr. Chu to kill everyone connected to the case before it comes back on him.
	Chu Hsiao Tien (Yee Yuen) – Kung Fu Master and local bigwig responsible for a horrible crime and the resulting cover up, which dooms everyone a decade later when it comes time for revenge. Even then, he refuses to take responsibility and tries to kill his way out of it.
	Mo Tu Ping (Hung Kin-Wing) – A Mystery Man who keeps popping up to aid Iron Swallow for reasons unknown. It is eventually revealed his father was Mo Shing Yee, Iron Swallow’s father’s best friend, and died alongside him in the original incident. Now the son continues his family’s legacy.

InMovie Reviews, Ugly

Lolita from Interstellar Space (Review)

September 29, 2014ByTars Tarkas

Lolita from Interstellar Space

2014
Written and directed by Dean McKendrick

This is the USS Vladimir Nabokov, we’re being chased by an unknown vessel and requesting assistance!

Lolita from Interstellar Space is yet another erotic parody softcore feature from Synthetic Filmwerx, complete with science-fiction elements and featuring a load of the familiar actors and song queues you know and love from the Retromedia bunch. Despite the reins being handed over fully to Dean McKendrick, the films are still recognizably from the same production group, and Lolita feels like a comfortable pair of slippers.

An alien comes to Earth to learn all about humanity, and humanity’s favorite pastime – sex! Or killing each other, but that wouldn’t make a good late night cable movie, so that’s all thrown out in favor of the bumping of uglies. A good decision, in my opinion. Who knew that softcore films are more progressive than prime time television?

This film just made a profit!

Lolita from Interstellar Space succeeds in having a group of characters who are flawed but still good people (except for Greg, who is just bad), lending some realism to their portrayals. Sarah, who likes fancy stuff, but likes honesty and not putting up with a bunch of crap more. Joe, who is aimlessly drifting through college, but stays away from dipping into the unscrupulous doings of his friend Greg. Brandy, who enjoys attention but is rather reserved. Lolita isn’t a super smart alien chosen for this unique mission, she’s a screw-up who goes because it’s a last-ditch effort to get a passing grade. And even then, she messes up and has to fix the problems.

This film does raise the question on if the aliens are sending students to different planets all the time for extra credit, and what are the long term consequences of this action? Could thousands of planets in the galaxy be receiving visits from this race in the form of students who are in danger of failing? And where to the advanced students go? Once again, the viewer must answer these questions for themselves. I am fully confident that this will be the main avenue of discussion for Lolita from Interstellar Space, and not the sex scenes. I’m also fully confident you knew I was kidding about that last sentence!

All your insurance covers is hypnotherapy!

You also need to know that Lolita from Interstellar Space is based on the classic tale by Jules Verne! Wait…WHAT??? Damn you, Jules Verne!

	Lolita (Anna Morna) – An alien student whose real name is Lo’Lee-tha (no one pronounces it that way on Earth), she is sent to Earth to learn about humanity to make up for her dismal grades. Lolita learns about humanity and a whole lot more, mostly stuff in the erotic category. Though she probably could have just googled all that.
	Sarah (Christine Nguyen) – A cocktail waitress who likes expensive stuff, but likes responsibility even more. Strong willed. Roommates with Brandy and Joe.
	Brandy (Karlie Montana) – A candy striper at the hospital, enjoys her patients and her roommates, Joe and Sarah. Enjoys Joe a bit more than Sarah.
	Joe (Seth Gamble) – Joe is on his third term as a senior, will he ever graduate? Who knows. He’s a bartender at the same bar Sarah works at, and is friends with Greg.
	Professor Zarren (Nick Manning) – Lo’Lee-tha’s teacher at graduate school, Professor Zarren sets up the special study course that allows her to still earn the credits she needs to finish with a degree. Nick Manning plays Professor Zarren stiffly and like he can’t open his mouth fully, giving him an alien feel. Because he’s an alien.
	Greg (Chad White) – Greg is Sarah’s no-good boyfriend, who lost his job while cheating on her (thus hasn’t told her that he’s fired), spends money he doesn’t have on her, then cheaps out and renegs on promises to her. Also, he’s a jerk, if you haven’t picked up on that yet.
	Mr. Reynolds (Alec Knight) – A patient at the hospital who hits on Brandy, because he’s so bored lying in a bed all day.

I think she knows we’re only in this chemistry class to learn how to break bad!

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