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Ragin Cajun Redneck Gators

Ragin Cajun Redneck Gators

Ragin Cajun Redneck Gators

aka Alligator Alley
Ragin Cajun Redneck Gators
2013
Story by Rafael Jordan Pujals
Screenplay by Delondra Williams and Keith Allan
Directed by Griff Furst (as Louis Myman)

I love it when they wiggle on the way down!

Cajun dudes, bayou creole accents, fancy blue moonshine, family rivalries, even a banjo player who can’t talk. Ragin’ Cajun Redneck Gators serves up the full buffet of bayou stereotypes. It also serves up a heaping load of killer mutant gators and some horrible body modification mess.

Ragin Cajun Redneck Gators differs in tone from a lot of SyFy’s pictures because it’s a lot more darker. The origin of the monsters turns into a tragedy, and the heroine Avery must reluctantly deal with the consequences and ending the terror. It’s actually horrifying what transpires, basically her entire family is transformed into mutant killer gators after eating the flesh of a slain mutant killer gator. Thus, to save the rest of the town and the planet from the threat of her relatives, who are now mindless killing machines, she has to destroy them. Worse yet, there are clues that the gators have at least some memories of their human lives.

Ragin Cajun Redneck Gators

I ate the blueberry Kool-Aid!


I give credit to the script for delivering the unexpected twist of being forced to slaughter your own family. Rafael Jordan came up with the story and Keith Allan and Delondra Williams turned it into the final film. Griff Furst helps breath life to it, directing under his pseudonym. I especially love how they turn the resident gator expert on it’s ear, you’re expecting a Steve Irwin clone, but instead you get a riff on The Dog Whisperer!

The Gator Whisperer being a complete wackjob is a humorous element needed as the film turns darker. His whole schtick of being an expert who can talk alligators into being docile creatures ends in the bloody way you imagine it will for him and his entire crew. I guess some time slots just opened up on his station!

Ragin Cajun Redneck Gators suffers from an obviously suffering budget, the mutant alligators are barely distinguishable from the standard crocodile models used in these SyFy films. After the Doucettes are all turned into alligators, there only seems to be like five people left in town. The urgency to save the rest of the town sort of goes away if there isn’t people in the town.

Ragin Cajun Redneck Gators

They will live happily ever after like Romeo and Juliet. Wait a minute…


Despite some innovations and some neat tricks, Ragin Cajun Redneck Gators fails to rise above the crop, instead languishing with the average SyFy creature features. While that is good enough for those who enjoy them, it’s not going to impress the viewers who are looking for the next gimmick creature feature to turn into a viral hashtag. That’s okay, because SyFy shouldn’t be making films just for viral hits, they should be making films that turn into good films. Ragin Cajun Redneck Gators just fills the status quo, a type of film that you’ll know before you watch whether you’ll find it interesting. I shall always push for films to be greater, no matter which network they originate from.

Avery Doucette (Jordan Hinson) – City girl who returns to the bayou community where she grew up to visit her family, ends up dealing with family feuds, mutant gators, and terrible tragedies.
Dathan Robichaud (John Chriss) – Robichaud heir who was childhood secret lovers with Avery, one of the few responsible people in town, though he’s still a jerk at times. Appointed to the police after they’re left shorthanded, but also bit by one of the gators that turns you into a gator. That spells trouble…
Lucien “Lou” Doucette (Ritchie Montgomery) – Avery’s dad and swamping expert. Lucien Doucette has a “boom stick” to help him hunt gators as gator season begins. His barbeque of the mutant gator ends up destroying his entire family as they’re all turned into mutant gators. Really hates the Robichauds.
Wade Robichaud (Thomas Francis Murphy) – Robichaud patriarch who also makes illegal moonshine, now with added mystery chemicals from the internet. Chemicals that are mutating gators. Whoops! Really hates the Doucettes.
Sheriff Landry (???) – Sheriff of this small town that has to deal with mutant gators and two rival families battling it out.
Tristan Sinclair (Victor Webster) – Known as The Gator Whisperer, Tristan Sinclair comes to town to try to solve the mutant gator problem. Instead, he becomes dinner.
The Ragin Cajun Redneck Gators (CGI) – Mutant gators with tail spikes and red necks. They can throw their tail spikes at victims. Bites or eating their flesh will turn you into one. This happens to a majority of the cast.
Ragin Cajun Redneck Gators

Hi! We’re mutant gators that hover 1 inch above the grass. Because we’re mutants.

Robocroc

Robocroc

Robocroc

Robocroc
2013
Written by Berkeley Anderson
Directed by Arthur Sinclair

Robocroc gets some hang time!

Robocroc! So much promise in that title, and yet what we get is a complete mess saved only by the high caliber actors being awesome. But sadly they are not awesome enough, and Robocroc becomes less worthy of your time. Recent SyFy films have focused on gimmick kills and ridiculous premises. Robocroc doesn’t really feature either of them, but they wouldn’t have helped, as the real problem is the confusion as to how the film is brought together. Minus commercials, it’s almost 29 minutes before we get a confirmed kill by Robocroc (though dialogue later establishes that other characters died. Characters we don’t see get killed!) One of the great pieces for advice for storytelling is “show, don’t tell”, and we should have seen the soldiers getting killed. Even if you avoided that, you could imply things enough that we knew the soldiers were getting killed. Instead, all that is shown is what looks like someone injured.

Robocroc

This film is a crock!


There was a famous story years ago about the formula for SyFy films (back when they were SciFi Channel films), and the rules included that we see the monster all the time and there needed to be a kill every few minutes to keep the audience interested. Robocroc violates the second rule, which is surprising for what looks like a film especially made for SyFy. I don’t fault a film for deviating from the established guidelines, but I prefer when films do, that they do so because it makes the film better. And while I was surprised several characters lived, the story didn’t really take any risks. But maybe I’m being too hard on Robocroc.

It’s fun watching Corin Nemec, Steven Hartley, and Dee Wallace act the crap around everyone else. What looks like a good chunk of the cast was hired locally wherever it was film (Bulgaria?), and a few of them are dubbed over and have the acting skills of paint drying. Yeah, I don’t know what that expression means, either, but it fits. Corin Nemec is awesome, obviously having a fun time being a cool zookeeper and completely avoids becoming a Steve Irwin clone, despite the hints from the script that it is what the writers had in mind. It is a good choice, allowing the character to be unique. Dee Wallace’s sinister scientist character makes you wonder just how far she’s willing to go to test her weapon. Then you watch her blow right past that and get even more evil. All she needed to be the most evil was to feed babies to Robocroc. Steven Hartley was just awesome, acting like a grizzled military commander who has probably fought all sorts of random robot monsters doing retrieval work.

Robocroc does get some props for calling out of the behavior of the creepy guy who is friends with Rob Duffy, every other character (except Rob) treats him like a horrible person, and Rob isn’t very fond of how Creepy Guy keeps getting him in trouble. Creepy Guy’s attempt to perv on some bikini babes gets him dunked into the pool. Later he gets grabby on the dance floor and that gets him locked in the bathroom. Creepy Guy is just a character you want to die. And the film teases and teases and then… Well, sometimes life ain’t fair!

Robocroc has a bit of social commentary on the use of drones/automated weapons. It seems to be against them, because they’ll turn into killing machines that will kill anyone.

Robocroc

Seeing Sydney’s boyfriend get killed is so hot! ::smooch smooch smooch::


Part of Robocroc‘s confusion is just what kind of park they are at. It looks like a random zoo, which is usually just a zoo. But in fact it’s part of a huge entertainment complex that is largely a water park and ATV range. We aren’t told this, we just suddenly cut to those things and wonder why Robocroc is running around there, until later in the film explaining it’s all part of the same complex. I guess they did show, not tell. But this could have been explained in a simple line of dialogue or even a voice announcement! Gah! Robogah!

Jim Duffy (Corin Nemec) – Biologist who takes care of the reptiles at this aquatic park/zoo. Was long ago on a tv reality show related to his crocodiles. Spends his nights getting drunk and coming to work hung over. Rob’s father. Check out the awesome Corin Nemec battling more SyFY beasts in Sea Beast and Raging Sharks
Colonel Montgomery (Steven Hartley) – Military commander in charge of retrieving the space nanobots. Despite all that, Dr. Riley seems to outrank him on some decisions. Is not fond of these experiments, but gets the job done (at least until he’s eaten!) (Spoilers)
Jane Spencer (Lisa McAllister) – new biologist at the marine park hired on the very day that things go crazy. Is a daughter of one of the board trustees, and also was a big fan of Jim Duffy’s tv show, even though she doesn’t admit it until the end of the film. Spoilers.
Dr. Riley (Dee Wallace) – Designer of the space nanobots that were just supposed to go to space and survive, and are now eating people while in crocodile form. A field test is a field test, and Dr. Riley wants the space nanobots to succeed at all costs.
Rob Duffy (Jackson Bews) – Son of Jim Duffy, hangs around at his dad’s workplace with his creepy friend Hud so they can hit on hot chicks. Eventually recruited to help get a band of teens he’s part of out of the park safely, though Rob keeps leading them into danger because the body count has to be higher!
Sydney (Florence Brudenell-Bruce) – Bikini-clad girl who Rob is crushing on and helps save from the Robocroc. Her presumable boyfriend gets chomped, but despite being broken up about it, Sydney is totally into Rob by the end of the film. Nicknamed Flee, Florence Brudenell-Bruce is a model/actress who briefly dated Prince Harry and appeared in the Bollywood film Love Aaj Kal
Robocroc (CGI) – Formerly a docile Australian saltwater crocodile named Stella, the addition of space nanobots turned her into a robotic hardcore killer.
Robocroc

Still better than Transformers 2!

Girl vs Monster

Girl vs. Monster

Girl vs. Monster

Girl vs Monster
2012
Written by Annie DeYoung
Teleplay by Annie DeYoung and Ron McGee
Directed by Stuart Gillard

Girl vs Monster

This song goes out to all the Disney stars who didn’t have a meltdown.


Take a little bit from Hocus Pocus, a little bit from Ghostbusters, and a scandalously unused title, mix it all up, and out pops a kids vs ghosts adventure that deals with the nature of fear. Disney Channel Original Movie Girl vs. Monster features children standing against the fears that cripple and control their lives, preventing them from becoming their full potential. Of course, all these fears are just simple things represented by ghosts/monsters making fun of them, but to a teenager, that’s totally the worst thing ever. Sometimes, it’s the simple things that are the biggest problems.

The monsters/ghosts are technically manifestations of fear of the living, though they essentially act like ghosts as far as the plot is concerned. They haunt you in your lives, making you more scared, from which they grow their powers. Yeah, it’s a sort of weird Monsters Inc. thing going on, and it doesn’t really make much sense when you think about it too hard. In fact, the lead character Skylar Lewis’ fear monster is the queen evil witch Deimata, and because she’s been trapped for the past 15 years, Skylar knows no fear. Like Daredevil. But then Deimata is released and Skylar is suddenly afraid and the witch is looking to possess her soul. Like Ben Affleck.

The fear equation seems like it is some sort of statement about not having fear control your life. Skylar’s friends are all cowards of various degrees, thanks to their own monsters who haunt them, controlling their lives by making them to afraid to try much of anything. The handsome boy Skylar is crushing on knows no fear, thus he’s popular. Eventually, the scared kids learn to fight back, confronting and conquering their fears by bullying them in turn. Luckily, all their fears are easily deflected, and the ghosts that haunt them dumber than a wet bag of rocks, so the worm turns quickly. There is no real fear, no real horrors, no kids shocked so traumatically they desire to end their lives or live forever entombed in their own minds. This is an entirely fictitious representation of fear, which makes it ring hollow. I understand that they were trying to make a point, but they end up just making a blunt object. Yet blunt objects can still drive in nails.

Girl vs Monster

I have devoured all the scenery and will now work on the actors!


The squeaky clean world of Disney would never allow the horrors of reality to scar their channel and their audience of pre-tweens. Their Official Disney Kid Replicant Factory is hard at work churning out the next generation of clean upper-class California cool kids, all magically ethnically diverse yet having identical faces. This entry’s model is Oliva Hold, who looks the part so well it is as if Disney crafted her from the bodies of the failed earlier models. She’s joined by Brendan Meyer and Kerris Dorsey, who stand out for not fitting the normal Disney profiles, but they only deviate enough to be In Universe acceptable as the target of bullies. The love interest shares no such deviations, he’s Ryan Dean (Luke Benward), and not only is girl melting handsome, but also the leader of the bland rock band that everyone goes gaga for. And his character is saddled with a low-rent Sharpay from High School Musical as a girlfriend. Katherine McNamara rises above her role, but she has little to work with. Until she’s taken over by the evil Deimata, at which point things become cool for a brief period. McNamara is the break out star in my opinion, which is the correct opinion.

Skylar’s ultimate ambition is to sing with Ryan in his band, a chance she has, though the monsters come to ruin things. OMG, what will Skylar do if Ryan thinks she’s not the coolest girl in the universe? Probably just die.

None of this rich kid problems talk is really what Girl Vs. Monster should be remembered for. The simple fact is the villains make the story, and Deimata is a formidable opponent. Her looks and her story makes the Hocus Pocus comparison’s inevitable, so let’s just get it out of the way and say she doesn’t compare to the three sisters from that flick. Her character is different, as is her interactions with her two ghost pals, Anna Galvan as bitter old school marm Theadosia and Stefano Giulianetti as a creepy scarecrow Bobb (neither are credited with their names, I had to pull them from dialogue!) Just why those two work with her is a mystery, perhaps Deimata has great power and they like being around that. Or maybe they’re old friends and have been together for countless child hauntings. In any event, it’s lucky that the children they haunt are friends with Skylar. Or maybe its more than a coincidence. Maybe it’s destiny. Or maybe this whole thing was a setup by Skylar’s mom to teach her about her destiny as a monster hunter by putting the entire town in danger. Always bet on conspiracy!

Girl vs Monster

I’m here to audition for the new Mask reboot!


Skylar Lewis (Oliva Hold) – Daughter of Steve(Brian Palmero) and Julie(Jennifer Aspen), Skylar is unaware that she is the latest in a long line of monster hunters, and that her lack of fear is due to her fear monster being imprisoned. But all that changes one fateful Halloween. Like usual.
Sadie (Kerris Dorsey) – Skylar’s nerdy friend who is totally afraid of not doing well at school. I blame her parents, who are so horrible of parents they don’t even appear in this movie.
Henry (Brendan Meyer) – Skylar’s dorky male friend, completing her pair of unlikely friends. Everyone makes fun of Henry, because kids are jerks. We learned this from Cyberbu//y
Cobb (Adam Chambers) – Cobb works for for Skylar’s parents and is training to hunt monsters, which somehow involves dressing like a hipster. Helps clean up Skylar’s mess and tell her how to save the day after her parents get ganked.
Ryan Dean (Luke Benward) – Skylar’s cute boy crush, who plays in a band so there can be song tie-ins for additional digital download revenue for Disney. Expect the Avengers to also be in a band by the next movie. He’s hella popular, which is why he dates Myra Santelli instead of Skylar Lewis. Take that, Skylar!
Deimata (Tracy Dawson) – The very powerful leader of the local group of fear monsters that wants to possesses Skylar’s soul. It’s also implied she killed Skylar’s grandfather (or maybe was also his fear monster)
Theadosia (Anna Galvan) – A fear monster that manifests as an evil school marm and luckily is Sadie’s fear monster.
Bobb (Stefano Giulianetti) – A fear monster who manifests as a creepy scarecrow, becoming a literal straw man fallacy when his attempts to bully Henry are torn down.
Myra Santelli (Katherine McNamara) – Henry’s girlfriend, who is bad because she’s sort of snotty against Skylar after correctly deducing Skylar is trying to move in on her man. Gets injured emulating Skylar, then possessed by Deimata, at which point Katherine McNamara steals the film.
Girl vs Monster

Skylar, comin’ for YOU!

Golden Bat

The Golden Bat

The Golden Bat

aka 黄金バット aka Ogon batto
Golden Bat
1966
Written by Susumu Takaku
Directed by Hajime Sato

Ogon Batto
The Golden Bat is one of the best movies of all time. The Golden Bat is one of the craziest movies of all time. The Golden Bat is one of the funnest movies of all time. The Golden Bat is the reason movies were invented. You will watch The Golden Bat, or he will beat the tar out of you with his cane, laughing all the while!

A dreamlike haze of crazy costumes and duplications and maniac villains and monsters, The Golden Bat drags the tokusatsu genre to a surreal edge, pushing the boundaries of what a sane child would accept as proper plot progression while making great use of the black and white cinematography to give a gothic noir flavor. Sinister characters get shadows cast over them unnoticed by the good heroes. The set design is a wild 60s psychedelic take on pulp science fiction while using the light and dark contrasts to make the alien seem alien. Director Hajime Sato would later go on to direct the Bava-esque Goke – Bodysnatcher From Hell. Sato can take a straight scenario and bend it into a warped world, He would later put this pulp science fiction experience to work as a television director on Captain Ultra, which also features crazy surreal aliens that would be right at home in The Golden Bat.
Golden Bat
Ogon Bat/Golden Bat was created in 1930 by writer Ichiro Suzuki and artist Takeo Nagamatsu for use in Kamishibai, a storytelling device where an entertainer would narrate a story for children as sequential wooden cards illustrate the exciting things that are happening. The Kamishibai merchant would make money by selling candy to the children who attend his shows. Kamishibai declined after World War 2, but a few story tellers still exist in tourist zones. The practice is said to date back to Buddhist monks in the 12th century, but the modern version used to entertain kids has it’s roots during the depression as a cheap way to entertain and make money.

Golden Bat is considered the first Japanese super hero due to these tales, and many more were created over the years (including adaptations of American heroes) Some of the art is collection in a few Kamishibai books, and slides are available for download on specialty Kamishibai sites. Ogon Batto would then appear in manga tales.
Golden Bat

Golden Bat made his first film appearance with 1950’s Ogon bat: Matenro no kaijin (Golden Bat: Frankenstein Skyscraper). After thisThe Golden Bat film, 1967 saw an anime series, and the last official film adaptation was 1972’s Ogon Batto ga yattekuru (Golden Bat Shows Up), where a fat and stupid Golden Bat does presumably unfunny things. Neither of the other two films are easily available for watching, probably due to the lack of Sonny Chiba. There is an unofficial Korean Golden Bat film called Yong Gu and the Golden Bat (영구와 황금박쥐 – 1992) which is one of those awful awful Korean children’s films that you should never watch.
Ogon Batto

Golden Bat (voice of Osamu Kobayashi, performer unknown) – Hero of Atlantis, Golden Bat took a nap because one day humanity would need him. It turns out they did, and thus he wakes up just in time to fight Nazo. Golden Bat beats people with his cane because that’s what cool people do.
Akira Kazahaya (Wataru Yamagawa) – Amateur astronomer who discovers that planet Icarus has gone off it’s course and will smash into the Earth. This is all you need to do to suddenly become invited to join the Pearl Research Institute and fight evil with science. Which Akira joins and does.
Bat (Himself) – Golden Bat’s bat, who lives as a pendant on Emily and acts as a calling device and spy for Golden Bat.
Nazo (Koji Sekiyama) – the self-proclaimed ruler of the universe, this four-eyed lunatic wants to destroy all other life in the universe so he will be the only life. Somehow that has given him followers who can’t put 2 and 2 together. Nazo’s latest target is the Earth. He hides out in his base, Nazo Tower, which can shoot lasers. Nazo can shoot lasers from his eyes and has a flying claw hand. In the pulp series, Dr. Erich Nazō (ナゾー) runs a crime syndicate based on world domination and wears a mask that resembles this alien form.
Keloid (Yoichi Numata) – Giggling maniac with a burnt face who likes torture. Is the chief goon of Nazo. At one point he impersonates Dr. Pearl. Yoichi Numata also appears in Female Prisoner #701 Scorpion and the first two Ring movies.
Piranha (Keiko Kuni) – Female goon of Nazo who impersonates Naomi for an extended period in an attempt of sabotage. She fails and is killed by Nazo. Keiko Kuni appears in Female Prisoner #701 Scorpion
Jackal (Keiichi Kitagawa) – A wolf man complete with hairy uniform, he is more of a shock troop of Nazo.
Nazo’s goons (various) – Dressed in all black, these faceless goons are disposable troops sent in service of their evil master.

Ogon Batto

Bunny Yeager's Nude Camera

Bunny Yeager’s Nude Camera

Bunny Yeager’s Nude Camera

Bunny Yeager's Nude Camera
1963
Directed by Barry Mahon

Bunny Yeager's Nude Camera

I was photographing naked women before Mary Tyler Moore ever threw her hat in the air!


Those of you unfamiliar with Bunny Yeager are probably at a loss as to why she has several films following her around on her job. Until you learn her job is taking cheesecake photos of naked women at a time when there were few photographers making a living at that job and even fewer women photographers making a living at that job.

Anyone who has spied an old old issue of Playboy (or a newer issue reprinting some of the old photos, or even random Tumblr reblogs) are probably familiar with her work without even knowing it. Though Bunny did spend a little bit of time in front of the camera, her fame came from being behind it and getting large supply of women taking tasteful photographs. Bunny’s strength was her womanhood, which made her 1000 times less creepy when she approached a girl to ask if she would model, as opposed to some greasy-looking old guy. The most famous of her many models was Bettie Page, and Yeager’s iconic photographs of her wearing a leopard print bikini (made by Yeager herself!) helped turn Page into one of the biggest pin-up models in history. Yeager is also credited with taking the famous shots of Ursula Andress in a white bikini on the set of Dr. No.

Bunny Yeager’s Nude Camera takes great pains to let us know that Bunny doesn’t consider what she’s doing exploiting women, but in fact elevating them and freeing them from set rules of society. They are able to slip free from their defined roles, given an opportunity to make money, and even their boyfriends who object to the idea often warm up when the pictures are shown or the money paid out. The threadbare plot involves convincing a young woman to pose, as she wants to earn extra money so her and her beau can get married quicker. The girl is given the ability to make her choice of marriage quicker than if she didn’t have the ability to get naked for money. One could argue that it is a shame that educational and employment opportunities for women in the 1960s were such that taking it off was the only real option for some, and I will not deny that. Nor will I deny that many of those problems still exist today. But I will not deny that women and men have the right to strip off if they so desire. As we see in the film, Yeager did all this with a family, able to go out and do photo shoots because her husband Bud worked at home as a print artist (magazine and album covers and such).

Bunny Yeager's Nude Camera

Director Barry Mahon spends 20 minutes of this nudie film showing how cool he is.


Director Barry Mahon is a story all to himself. The man who directed the Thumbelina’ portion of Santa Claus and the Ice Cream Bunny? Barry Mahon. Mahon was born in the US, but joined the Royal Air Force in 1941 and became an ace on his 98th mission, which also saw him getting shot down and captured. He was interned at the POW camp Stalag Luft III (the camp from The Great Escape) where he escaped twice and was recaptured twice. After he was rescued in 1945 and the war ended, he became the personal pilot for Errol Flynn, and then became involved in the entertainment industry as Flynn’s manager. Mahon’s commpany, The Production Machine, was on the forefront of modernizing production, pioneering use of spreadsheets and computers to handle production work. He also directed an amazing array of films: oddball pro-Cuban Revolution fake documentary Cuban Rebel Girls (featuring Errol Flynn narration!), awful nudist films such as The Beast That Killed Women, propaganda-fest Rocket Attack U.S.A., filmed children’s plays The Wonderful Land of Oz, Jack and the Beanstalk, and Santa and the Three Bears (through his Childhood Productions company), strange erotic films such as Fanny Hill Meets Dr. Erotico and Fanny Hill Meets the Red Baron, and this pseudo-documentary film about Bunny Yeager then puts himself and his airplane in the middle of it. It’s also interesting how he portrays himself as a jetsetting playboy when script girl Clelle Mahon is Barry Mahon’s wife. Mahon followed up Bunny Yeager’s Nude Camera with Bunny Yeager’s Nude Las Vegas.

The credits are a mix of models who have drifted to obscurity and pseudonyms that aren’t fooling anyone. Yanka Mann? Irish O’Brien? There is also a Rusty Allen credited, but if she is the famous Rusty Allen, I cannot say. Bunny operates out of Miami, which at that time was a mecca of the tiny but fierce adult entertainment industry. After the Supreme Court allowed filming of nudity on nudist colonies, Florida’s great weather year round and mock-vacation culture (people would work all summer up north, then use the money to live in Miami during the winter) was the perfect place to film and photograph. Like many of the nudie cutie flicks, Bunny Yeager’s Nude Camera is awash with padding. From long shots of various girls posting for photographs to a strange side quest to Key West, the script seems mostly improvised and then narrated over after the fact. Even the tiny bit of plot – the dilemma of if potential new girl Terry’s boyfriend will be okay with her posing in the buff – is a minuscule conflict at best.

The print is chopped up with sound samples missing, but it is probably the only copy left, so stop complaining!

Bunny Yeager (Bunny Yeager) – Our heroine. We follow a typical few days for Bunny as she picks up potential models, strives to take the perfect shots that will win her a fat purse, and spends time checking in on her husband Bud (I am guessing he is the Bud Erwin in the credits) and their kids.
Bunny Yeager's Nude Camera

Dudes in the 1960s were totally turned on by this. I guess. No wonder everyone did drugs!

Ironfinger 2 Golden Eye

Ironfinger 2: Golden Eye

Ironfinger 2: Golden Eye

aka 100発100中 黄金の眼 aka Hyappatsu hyakuchu: Ogon on me aka 100 Shot, 100 Killed: Golden Eye aka Booted Babe, Busted Boss
Ironfinger 2 Golden Eye
1968
Written by Jun Fukuda, Ei Ogawa, and Michio Tsuzuki
Directed by Jun Fukuda

Ironfinger 2 Golden Eye
Ironfinger 2: Golden Eye returns to the world of Ironfinger. We have international criminals, jet setting fun, and a hero who is invincible kicking butt. As usual, the title changed for overseas export. 100 Shot, 100 Killed: Golden Eye became Ironfinger 2: Golden Eye, though in some locales it was turned into Booted Babe, Busted Boss! Those poor saps… The “Golden Eye” of the title betrays more of the Bond influence, for the few who couldn’t figure it out from the Ironfinger part, or for the Japanese audience. This is the last outing of Andrew Hoshino, so cry your tears now and then read all about it.
Ironfinger 2 Golden Eye
The tone is slightly altered in that Andrew Hoshino’s organization is hinted to be more criminal in nature, though Andrew himself is given a few more noble things to do. He’s pulled in under the story of avenging the murder of a Japanese citizen upon request of his young daughter. It turns into a quest to find the missing rare Samanta Gold coin, though that is just part of a bigger economic criminal conspiracy.

Golden Eye features world locations,Besides Japan, the opening of the film is in Beirut! This may seem amazing to modern audiences that anyone would spend time in Beirut, but things weren’t always the way they are now. Another thing Ironfinger 2 has is sheiks in blackface (also seen in Yellow Line). The characters are played by Japanese actors, but are painted up dark brown and treated as if they’re foreign. Both a good police officer and several of the villains feature this treatment. Also both of the Ironfinger films feature big boss villains who are Caucasian, though both are European in origin. I would guess this is to show both that the Japanese hero can defeat anyone in the world, including what would be considered traditional Bond villains, and that Japanese people can’t be the big villain because they aren’t evil, and it’s people outside their culture affecting their life.

A highlight of these Ironfinger films is the killer 1960s clothing. Every outfit Bibari Maeda wears is spectacular. The cool clothes help make the fun lifestyle easier to accept, as they’re dressed just like cool people, so they would naturally do cool things.
Ironfinger 2 Golden Eye
Andrew Hoshino has a pair of women to deal with, though his darker affiliation is reveal again as bad girl Ruby is who he is paired with the most, Mistuko Saito functions as a catalyst to get the plot to the various locations, but she’s far too busy being a star to drop everything to run around with a playboy spy. Freelance bad girl Ruby easily slips into this role, her various connections with Andrew happening frequently

The far more complicated plot deals with economic problems of late 1960s Japan, hidden treasure, and even a hint of environmentalism thrown in. The whole thing hinges on a missing rare gold coin, but the real crime is wholesale precious metals smuggling used to hold hostage parts of Japan’s economy. It seems like it should be a modern film, the economic battle having played out in a modified form in real life. Golden Eye thankfully just uses that as backdrop and keeps the focus on the missing rare coin, giving audiences who don’t understand complex economic issues something to follow, while those who are aware have an insight into why the villains have so many high powered goons.

Andrew Hoshino (Akira Takarada) – The mystery man is back and just wanders into the big trouble this time. Little is explained of who he is or who the mysterious Mama is (and the subtitles didn’t realize it should be Mama and not mother!) If anything, less is known, because he’s still using the Andrew Hoshino identity that he picked up in the last film.
Ruby (Beverly/Bibari Maeda) – Information broker and knife expert hired by Stonefeller to assist, but she’s playing her own game. Continually runs into Andrew Hoshino. Beverly Maeda is best known in the West for her role in Son of Godzilla. She also put out albums and her son is Claude Maki, a surfer/actor/rapper.
Mitsuko Saito (Tomomi Sawa) – Singer and race enthusiast, returning to Japan in an attempt to gain fortune and glory. Instead, finds murder and rich killers, but somehow gets through it all with only a few scratches. Tomomi Sawa was a singer who was in a scattering of films and tv shows before disappearing into the ether.
Detective Ryuta Tezuka (Makoto Sato) – The good detective returns, now a member of an international police force and doing work in Beirut. Has been recast from Ichiro Arishima to Makato Sato, and he plays the part more as a tougher detective than the unassuming Tezuka of the prior film.
Stonefeller (Andrew Hughes) – The bad boss who in search of missing rare gold coin treasure in the midst of his other illegal activities. His precious mineral supply manipulation attracts the attention of international police, but it’s the rare gold coin that brings him down. Is blind, but uses a powerful microphone to know what is going on. Andrew Hughes pops up in more Japanese cinema than you would believe, including the amazing The Golden Bat.
Sinbad (A good doggy!) – Sinbad is Stonefeller’s loyal pooch, who is sadly left behind in Beirut and will have to find a new master as his meets an unfortunate ending. A sad tale for poor Sinbad.

Ironfinger 2 Golden Eye