The Five (Review)

November 14, 2014ByTars Tarkas

The Five

aka 더 파이브 aka Deo Paibeu aka The Fives aka Deo pa-i-beu

2013
Based on The 5ive Hearts by Jeong Yeon-shik
Written and directed by Jeong Yeon-shik

The Five is a good example of Korean film’s ease of switching emotional tracks like Grand Central Feelings Station. It’s also a good crime film featuring normal people tracking a crazy killer, a good film to watch for fans of shows like Hannibal that regularly depict killers with complicated psychoses and the flawed and broken people who track them down.

The Five began life as a webtoon feature called The 5ive Hearts by Jeong Yeon-shik, who went on to write and direct this adaptation. It’s a tale of desperate people banding together to do a dark task that is much easier said than done.

A happy and idealic family is shattered by a brutal psychopathic killer. Film production team member (and fancy domino effects designer) Ko Eun-a (Kim Sun-a, She is on Duty) has a normal happy life in Korea, but we’d have no movie if bad things didn’t happen. Eun-a’s daughter recognizes the murderer from seeing him with his latest victim, a former classmate of hers, though she thinks he is the girl’s uncle and doesn’t know she’s been killed. Despite their ignorance, the family is now marked for death by killer Oh Jae-wook (On Joo-wan), who tracks them home and begins the slaughter.

By a sort of miracle, Ko Eun-a survives, though a desperate doctor, Cheol-min (Jung In-gi), is willing to declare her brain dead in order to use her organs on his sick daughter. She awakens just in time, but two years later she’s wheelchair bound, and most of her waking hours are spent trying to track down the person who destroyed her family by the only clue she has, her husband’s lighter that the killer stole. After buying boxes full of the specific lighter, there is finally a clue, and an IP address to track down

InMovie Reviews, Ugly

Return of Mr. Superman (Review)

November 10, 2014ByTars Tarkas

Return of Mr. Superman

1960
Written and directed by Manmohan Sabir

In 1960, India would release not just one, but two movies featuring the American super hero Superman. Neither film was authorized by DC Comics, and both films starred famed actor P. Jairaj as Superman. Yet weirdly enough, the two films were produced by competing production companies. Both films were originally going to be called Superman, but producers from Mukul Pictures wrote a letter to Manmohan Films (ran by writer/director Manmohan Sabir), which resulted in Manmohan changing the name of their production to Return of Mr. Superman. At least, that’s how the story goes, though the oft-repeated story doesn’t seem to have an actual origin beyond people repeating it. The 1960 Superman film is not available to watch, though some songs from the soundtrack still exist. The only listings I have seen of out of print VCDs or VHS tapes all seem to be about Return of Mr. Superman, so the chances of actually locating the missing Indian Superman film might be a lot closer to zero than I want. If the past few years of lost films arising from the ashes has taught me one thing, it’s to never give up hope. Superman may still be out there, but until he returns to Earth, let’s make do with Return of Mr. Superman!

India would return to Superman a few more times. There is a well-known Hindi version of Superman that has become a common grey-market trading item. There is also a Telugu-language Superman film starring NTR called Superman, which we’ve covered before. Superman’s costume has appeared in musical numbers as well. Let us not forget about the documentary Supermen of Malegaon, which covered the making of a micro-budget Superman bootleg film. Nor is India alone in their bootleg Supermen, he’s popped up in films from Turkey, Bangladesh, and Italy, with suspiciously similar characters appearing in dozens of films from many origins. Superman just has that universal appeal that everyone strives for.

Superman here isn’t the classic Superman costume we all know and love (nor is it the awful red and blue costumes from that forgetable story arc) Superman (or Mr. Superman if you’re nasty) looks like Commando Cody, complete with a crazy space goggles, mask, and cap over his head. He’s got a jumpsuit and a big cape, but still manages to not look like any other incarnation of the hero. My favorite aspect isn’t the goggles, but is his face mask that still has a hole cut for the mouth so he can smugly grin at his opponents as they land punch after useless punch against his chest, before he defeats them by lightly tossing them aside.

Superman gets involved in a complicated smuggling plot, dealing with criminals who continue to operate despite some super-powered guy running around foiling all their plans. It’s not a real mystery as to why that is, the cops in the film are so incompetent at catching these criminals that they often don’t catch them despite Superman phoning them with specific instructions. The only one with any competence is the guy who keeps answering Superman’s calls, and the cops only get effective when he’s leading them in the final battle.

Despite the print being in relatively good condition for a 1960 Indian film, there are obviously some missing segments. At one point two women are captured and Superman goes to attack the villains, but there is no actual rescue of the women. In addition, the main villain who sports a beret suddenly has a black eye for reasons unknown, possibly due to said missing rescue. Another thin is the sudden appearance of a Random Hero Dog, who may not be so random if he is from another part of the film, but as that part does not seem to have made it to the VCD releases, who knows. Finally, Helen is featured in the credits, but does not appear in the film as far as I could determine. She is also listed in the credits for the other 1960 Superman film, so maybe something shady was going on, or maybe her big number has been lost to the sands of time.

As interesting as this movie sounds, it’s actually pretty close to terrible serials in quality. The chunks missing probably help the pacing a bit, though it looks like a few of those sequences were action parts, so maybe not. Definitely something to seek out for fans of obscure stuff, but Return of Mr. Superman isn’t going to make anyone’s bootleg super hero movie must-see list. It’s interesting for the obvious serial influences, but if you aren’t a fan of serials, you will get really annoyed really quickly.

As this film is obscure as heck, please enjoy the overly long film synopsis review. And there are no subtitles for Return of Mr. Superman, but at TarsTarkas.NET, we don’t need no stinking subtitles!

P. Jairaj was a Bollywood actor who dated back to the silent era, his first film being 1929’s Jagmugti Jawani. Born Paidypathy Jairula Naidu, Jairaj was the son of an accountant in a well-to-do family in Hyderabad which set up a life for him to follow, but Jairaj dropped out of college to find his own fortune in Bombay. A friend who worked for Mahavir Photoplays figured he would make a good screen actor, and gave him a supporting role. This was quickly followed by the lead in 1930’s Raseeli Rani, and a string of films followed. When sound was introduced to Indian film, Jairaj had an advantage of speaking Hindi and Urdu (Jairaj also spoke Telugu, but I don’t believe he starred in any Telugu language pictures), but had the disadvantage of not being able to sing. Luckily, the playback system saved his bacon, and he continued being an in-demand lead actor through the 1950s. By the 1960s, his star had faded a bit, and he was relegated to character roles, though managing appearances in classic cinema like Sholay, Toofan, and Don. Through the 1980s and 90s he made less and less frequent appearances. He died in relative obscurity in 2000. Jairaj had some directorial credits, was awarded the Dadasaheb Phalke Lifetime Achievement Award in 1980, and is even in the Guinness World Records for having the longest-spanning career of an actor at 70 years.

Sheila Ramani was a swinging leading lady in the 1950s, her best known role might be in 1954’s Taxi Driver. She was the niece of Pakistani producer Sheikh Latif (Lachchu), who not only got her some roles in Indian cinema, but some Pakistani films as well (such as Anokhi (1956)). By the end of the 50s, her star was on decline and she appeared in B pictures such as this one and 1959’s Tarzan-inspired Jungle King. She retired from film after getting married.

Filling the supporting/comic relief role here is Majnu. He was born Harold Lewis, a Punjabi actor who debuted in 1935’s Majnu, an action comedy that satirized the story of Layla and Majnun (and provided him with the nickname he’s use for the rest of his career!) Though he started in lead roles, he did a lot of supporting/comedic roles through his long career.

So here’s the full scale Roll Call:

	Jaikumar R. Dayal (P. Jairaj) – A mild-mannered reporter at the newspaper Azad Desh, Jaikumar uses his super powers to listen for crimes, then beats up the criminals, calls the cops, and writes stories about the crimes.
	Mr. Superman (P. Jairaj) – Mr. Superman aka Superman who cosplays as Commando Cody fights villains and stands and grins at his opponents as they inflict zero damage on him. The only way to beat Mr. Superman is to damage his reputation, which he then fights by punching even harder.
	Usha (Sheila Ramani) – Usha types up a lot at Azad Desh, and is possibly also a reporter, as she seems to go out and investigate stuff. Maybe she gets two paychecks this way! Or, more likely, it’s just assumed that women do all the typing in 1960.
	Johnny Braganza (Majnu) – Jaikumar’s best buddy guy, sort of like Jimmy Olson. He’s dating Stella but always hitting on typist Shammi.
	Stella (Naazi) – Johnny’s girlfriend, which occasionally gets her in trouble when Johnny and Jaikumar make enemies and she gets kidnapped. Naazi generally appeared in supporting roles in B-level pictures, including the Dara Singh Hercules (1964). Unfortunately there doesn’t seem to be much more about her online (unless she is also the actress Naaz?), and Google keeps thinking I mean “Nazi”, which means I’m now on a bunch of lists.
	Typist (Shammi) – Shammi has a small role as a typist at the Azad Desh office, where she usually has to put up with Johnny Braganza hitting on her all day. This is especially alarming, because nowadays she’d win a million dollar lawsuit and own the Azad Desh. All hail Boss Shammi! Shammi started work in film in 1949 while she was still working at a pharmaceutical company. Taking a large variety of roles, from comedic to supporting to vamp to mythological, it’s said her willingness to take any part cost her big budget starring roles, but Shammi wanted to work more than anything else.
	Inspector Dilip Desai (Ram Mohan) – The cop who does nothing but investigate tips sent in by Superman all day. Which works out pretty well, until the fake Superman starts robbing people. Then he teams up with the real Superman to finally bust the bad guys he keeps missing by a few minutes.
	Boss (David) – The boss at the Azad Desh newspaper. Somehow puts up with Jaikumar and Johnny. David Abraham Cheulkar was a popular character actor from the 40s through the 70s. He died of a heart attack in 1981.
	The Villain (Jagdish Kanwal) – The beret-wearing villain is played by Jagdish Kanwal. He’s the leader of the smuggling gang, and mastermind of all the evil things going on. Which means he spends the entire film getting foiled again and again before he’s finally defeated. Try not to be a loser next time, villain guy!
	Shashi (Heera Sawant) – The bad girl who is part of the evil gang, and tries to kill Superman in between her seductive dancing for the members of the gang (which drives the members mad with fits!) Heera Sawant had a career as a featured dancer in many Indian B pictures.
	Fake Superman (???) – It is a mystery who this could be! (Not really!)
	Ram Dayal (???) – A local nice guy farmer who finds the alien baby child and raises him as his own son, Jaikumar. Raises his son almost too honest.
	Random Hero Dog (???) – In the greatest sequence ever filmed, the exciting conclusion of Return of Mr. Superman features a random brave heroic dog who fights the villains. Where does he come from? Who is he? Questions you will ask forever, because the film doesn’t bother to tell us! Just enjoy the Random Hero Dog, and try to live your life as good as him/her.

InMovie Reviews, Ugly

Iron Swallow (Review)

October 17, 2014ByTars Tarkas

Iron Swallow

aka 鐵燕 aka Tie Yan aka Shaolin Iron Eagle

1978
Story by Chu Yu
Directed by Cheung Pooi-Shing (as Chang Pay-Cherng)

Revenge is a dish best served cold. That’s what some Klingon guy told me, anyway. Iron Swallow is basically a kung fu version of I Know What You Did Last Summer, except it’s a decade later and the children of the slain are the ones having revenge. Revenge is the topic of discussion, because it’s the topic everyone is talking about.

The elders did a horrible crime they refuse to talk about to anyone or even each other. It quickly becomes obvious that it involves rape, murder, and bribes to cover up their deeds. Many of them spent years worrying about the crimes, some throwing themselves into philanthropy out of guilt. None of the characters will call the authorities when attacked, because they don’t want to drag up their sordid histories. This leaves their younger relatives confused and frustrated, knowing something bad is happening and seeing their parents unwilling to do anything about it.

The revenge plot is so much the sole focus that there isn’t some of the usual kung fu tropes. No one seeks out a great master, there is no training montage. There isn’t a gallant knight hanging out in disguise to set things right. It is just pure revenge. The purity of the focus of Iron Swallow is welcome, sometimes films try to do too much and end up accomplishing nothing, while Iron Swallow does what it is supposed to do and does it well.

The problem with all these lovely dubbed kung fu features is it is impossible to get anyone’s name correct, so please excuse me if the character names I use don’t sound exactly like the ones you hear when you watch the film. There is rarely consensus on just how the characters’ names are said by the dubbers, changing depending on who is speaking or what accent the ex-pat in Hong Kong/Taiwan who is doing the part has. Occasionally, the dubbers pronounce the same name differently in two concurrent sentences. Thus, all references to Chia Ling’s character will just be Iron Swallow.

	Iron Swallow (Chia Ling) – Iron Swallow is the daughter of a murdered man, out to avenge his death by maiming those responsible for his death and the subsequent coverup. She arrives in town with her Aunt, who is also a victim of the incident that started everything. Iron Swallow has focused her entire life on getting revenge. She leaves trademark iron swallow darts with red tassels, which the enemy later uses to frame her. Iron Swallow’s actual name might be Chin Yeh.
	Ko Fang (Ting Wa-Chung) – A kung fu student being raised by his single father, who is marked as a target by Iron Swallow. Ko Fang soon learns that all he thought was true was a lie, and that he’s more involved in the revenge drama than he knows. He is best friends with Tu Lung, who is like a brother to him.
	Tu Lung (Don Wong Tao) – Son of Chu Hsaio Tien and best friend of Ko Fang. Tu Lung is the idyllic youth who soon learns that things weren’t as clear cut as he thought they would be when he was learning about the world. He’s soon dragged into the confrontations due to familiar and friendly connections, torn between the two sides and his reluctance to join in the violence.
	Wu (Wong Wing-Sang) – A Fortune Teller who is really a skilled kung fu assassin hired by Mr. Chu to kill everyone connected to the case before it comes back on him.
	Chu Hsiao Tien (Yee Yuen) – Kung Fu Master and local bigwig responsible for a horrible crime and the resulting cover up, which dooms everyone a decade later when it comes time for revenge. Even then, he refuses to take responsibility and tries to kill his way out of it.
	Mo Tu Ping (Hung Kin-Wing) – A Mystery Man who keeps popping up to aid Iron Swallow for reasons unknown. It is eventually revealed his father was Mo Shing Yee, Iron Swallow’s father’s best friend, and died alongside him in the original incident. Now the son continues his family’s legacy.

InMovie Reviews, Ugly

Lolita from Interstellar Space (Review)

September 29, 2014ByTars Tarkas

Lolita from Interstellar Space

2014
Written and directed by Dean McKendrick

This is the USS Vladimir Nabokov, we’re being chased by an unknown vessel and requesting assistance!

Lolita from Interstellar Space is yet another erotic parody softcore feature from Synthetic Filmwerx, complete with science-fiction elements and featuring a load of the familiar actors and song queues you know and love from the Retromedia bunch. Despite the reins being handed over fully to Dean McKendrick, the films are still recognizably from the same production group, and Lolita feels like a comfortable pair of slippers.

An alien comes to Earth to learn all about humanity, and humanity’s favorite pastime – sex! Or killing each other, but that wouldn’t make a good late night cable movie, so that’s all thrown out in favor of the bumping of uglies. A good decision, in my opinion. Who knew that softcore films are more progressive than prime time television?

This film just made a profit!

Lolita from Interstellar Space succeeds in having a group of characters who are flawed but still good people (except for Greg, who is just bad), lending some realism to their portrayals. Sarah, who likes fancy stuff, but likes honesty and not putting up with a bunch of crap more. Joe, who is aimlessly drifting through college, but stays away from dipping into the unscrupulous doings of his friend Greg. Brandy, who enjoys attention but is rather reserved. Lolita isn’t a super smart alien chosen for this unique mission, she’s a screw-up who goes because it’s a last-ditch effort to get a passing grade. And even then, she messes up and has to fix the problems.

This film does raise the question on if the aliens are sending students to different planets all the time for extra credit, and what are the long term consequences of this action? Could thousands of planets in the galaxy be receiving visits from this race in the form of students who are in danger of failing? And where to the advanced students go? Once again, the viewer must answer these questions for themselves. I am fully confident that this will be the main avenue of discussion for Lolita from Interstellar Space, and not the sex scenes. I’m also fully confident you knew I was kidding about that last sentence!

All your insurance covers is hypnotherapy!

You also need to know that Lolita from Interstellar Space is based on the classic tale by Jules Verne! Wait…WHAT??? Damn you, Jules Verne!

	Lolita (Anna Morna) – An alien student whose real name is Lo’Lee-tha (no one pronounces it that way on Earth), she is sent to Earth to learn about humanity to make up for her dismal grades. Lolita learns about humanity and a whole lot more, mostly stuff in the erotic category. Though she probably could have just googled all that.
	Sarah (Christine Nguyen) – A cocktail waitress who likes expensive stuff, but likes responsibility even more. Strong willed. Roommates with Brandy and Joe.
	Brandy (Karlie Montana) – A candy striper at the hospital, enjoys her patients and her roommates, Joe and Sarah. Enjoys Joe a bit more than Sarah.
	Joe (Seth Gamble) – Joe is on his third term as a senior, will he ever graduate? Who knows. He’s a bartender at the same bar Sarah works at, and is friends with Greg.
	Professor Zarren (Nick Manning) – Lo’Lee-tha’s teacher at graduate school, Professor Zarren sets up the special study course that allows her to still earn the credits she needs to finish with a degree. Nick Manning plays Professor Zarren stiffly and like he can’t open his mouth fully, giving him an alien feel. Because he’s an alien.
	Greg (Chad White) – Greg is Sarah’s no-good boyfriend, who lost his job while cheating on her (thus hasn’t told her that he’s fired), spends money he doesn’t have on her, then cheaps out and renegs on promises to her. Also, he’s a jerk, if you haven’t picked up on that yet.
	Mr. Reynolds (Alec Knight) – A patient at the hospital who hits on Brandy, because he’s so bored lying in a bed all day.

I think she knows we’re only in this chemistry class to learn how to break bad!

InMovie Reviews, Ugly

Atomic Hotel Erotica (Review)

September 26, 2014ByTars Tarkas

Atomic Hotel Erotica

2014
Written and directed by Dean McKendrick

Check it out, I told this telemarketer my name was Mr. Butts and now he keeps saying “Mr. Butts”!

A seemingly innocent hotel turns out to be the home of secret Satanists out to steal your soul in Atomic Hotel Erotica! There is also some drama about rival engineers after a big bonus and marital strife, but as that has little to do with worshiping Satan, let’s put that on the back burner for now.

Strangely, the film that Atomic Hotel Erotica might be closest to spiritually is Manos The Hands of Fate. Both feature a strange hotel with a mysterious master and guests that check in but don’t check out. Or maybe the closest relation is a roach motel. Or maybe the Hotel California, that hotel that you can never leave.

You seriously thought Beanie Babies would put your kids through college?

Remember that old believe by some tribes that taking a photograph would steal their souls and everyone laughed and felt culturally superior? Well, the smug is on the other foot here as souls are stolen using a camera! Dun dun DUN!

The hotel in Atomic Hotel Erotica is actually named Atomic Hotel Erotica, complete with sign that is totally not a cgi sign in front of someone’s house. The rooms look like they were decorated by children in the 1950s, and nothing has been updated since then, which fits in with the name of the hotel.

As Atomic Hotel Erotica is a softcore flick from Synthetic Filmwerx, it features a lot of the things we’ve come to expect from a Retromedia production. The familiar songs, familiar sets, and familiar casts. Heck, besides the mains, there are photograph cameos from Christine Nguyen, Voodoo, Chad White, and Karlie Montana!

Cowboys and rayguns? Perhaps this room is a commentary of how the space age destroyed the wild west in the hearts of children everywhere?

The plot is a bit thin and the film is caught trying to compensate for the tiny budget and cast, which keeps it from exploring just what is going on too deeply. This leaves things unsatisfied when the film does conclude, dropping Atomic Hotel Erotica down a bit in the rankings. The cast tries to make up for it, but are unable to work miracles. While disappointing, there are still a few things to like about Atomic Hotel Erotica, and plenty of speculative questions that only TarsTarkas.NET will be bold enough to inquire about the plot, as everyone else is just here for the nude people doing nude things to each other.

	Rob (Ryan Driller) – Rob is married to Laura, and works hard for his family, though that means working long hours and somehow not making much money despite being a programmer in years where they are seeing record salaries. Gets invited to the Atomic Hotel Erotica seemingly at random.
	Laura (Krissy Lynn) – Married to Rob. Laura spends almost the entire film complaining. When she’s not doing that, she’s cheating on Rob. But she still loves him, she just wants more out of life than staying home while bored.
	Jason (Frankie Dell) – Works with Rob at the programming office, even sharing cubical space. Both are aiming to get a big bonus from work, Jason plans to steal Rob’s work and get the credit. If they worked together, they’d get done in like a day and still have a hefty bonus, but that requires not being jerks.
	Elena (Sophia Bella) – Married to Jason and approving of his nefarious theft schemes. Makes her husband late to work with all their sex having.
	Grismer (Michael Gaglio) – Grismer is the caretaker of the Atomic Hotel Erotica, and is secretly up to no good, which is obvious from the get-go. He lures in unsuspecting souls, and doesn’t stick to just a list of dumb people like he should have.
	Wilfred (Frankie Cullen) – The loyal butler for Grismer at the Atomic Hotel Erotica. Wilfred is not that gentle with bags, it’s almost as if being a butler is some sort of cover for what he’s really up to. The ladies love him like they love all butlers. It’s a fact, Jack!
	Susan (Mary Carey) – A stripper that Vince convinced to go along with him on his free vacation.
	Vince (Eric Masterson) – A Texan who got invited to the Atomic Hotel Erotica, and had to quickly find a date. It’s interesting to see how Eric Masterson has been stretching his acting muscles, before as a geeky nerd and now as a Texan with one of the most exaggerated Southern drawls you’ve ever heard.

How can you see anything with the sun’s glare shining right on the screen?

InMovie Reviews, Ugly

PopFan (Review)

September 23, 2014ByTars Tarkas

PopFan

aka Lighthouse

2014
Written by Dean Orion
Directed by Vanessa Parise

PopFan is an amazing Lifetime flick that gives a truly disturbing take on the obsessive fan. It rises far above being simply a gender-swapped Misery to become a twisted tale of mental illness, obsession, and a critique of pop stars sexing up their image in an attempt to escape a squeaky clean background.

Chelsea Kane plays the pop princess Ava Maclaine is a pop star who is Miley Cyrus. Her hobbies are living life and partying, which means getting drunk and getting crunk. Ava has just put out her latest video and song, featuring a sexed up music video (yet still far less racy than you’ll see in many pop star’s videos!) She still has her boyfriend from her child-friendly days, Curtis Flemming, who has gone on to become a boring investment banker. Curtis is not in the mood to put up with her crazy party antics anymore, so Ava decides to make him jealous by dancing with a hot guy. And a hot girl! All of this is filmed on multiple cell phones, including the resulting fight with Curtis. Curtis congratulates her on making a video that will top her music video in views.

Ava then takes a long drive in the country to try to relax and think and write songs. She eventually ends up in Maine, and pumping her own gas. Or at least attempting to, she has help from a friendly service employee named Xavier. He warns here there is a Nor’easter coming and driving soon won’t be safe, but she continues anyway. Soon it is pouring rain and her car spins out and off the road. She awakens in a bed, with Xavier bringing her food and explaining he pulled her out of her burning car.

This alone is obviously creepy. By the next day, Xavier reveals they are in a lighthouse, and there is no phone line, no cell phone reception, and no internet. And the weather is still terrible, so they are trapped there. Xavier seems friendly, showing off the lighthouse and the work he’s been doing to the place. But he still has a creepy vibe. It soon comes apparent that he’s not all together mentally. He is physically insistent she not go into a certain room. His mood changes suddenly and dramatically. He keeps making excuses as to why they can’t go somewhere so she can contact her family to let them know she’s okay.

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