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Rusty Knife 錆びたナイフ

Rusty Knife (Review)

Rusty Knife

aka 錆びたナイフ aka Sabita Naifu
Rusty Knife 錆びたナイフ
1958
Written by Shintaro Ishihara
Directed by Toshio Masuda

Rusty Knife 錆びたナイフ
Yukihiko Tachibana (Yujiro Ishihara) is released from prison and trying to go straight, after spending time for killing the man who raped and murdered his girlfriend. But the crime of what happened to her still haunts him. Meanwhile, the cops look for witnesses to murders committed by the local yakuza boss, something Tachibana unwittingly became during his time as a thug. But when he and fellow witness Makoto Terada (Akira Kobayashi) get approached by the cops, they get pulled back into the underworld, and soon there will be a whole lot more murders as the yakuza moves to silence everyone and Tachibana discovers his girl was attacked by more people when she was killed.

The debut picture of future hitmaker Toshio Masuda, Rusty Knife weaves a believable web of police seeking justice through the courts, yakuza bribing and murdering their way clear, and the people caught in the middle. It’s only really handicapped by the too obvious reveal of who the real villain is, his character existing entirely to be a big reveal and contributing little else. The Nikkatsu action format still had a few kinks to work out, but the overall style is coming along nicely.
Rusty Knife 錆びたナイフ
Mie Kitahara clocks in another appearance alongside frequent costar and future husband Yujiro Ishihara as Keiko Nishida, a daughter of a politician who killed himself, until information comes to light that it was staged and he was murdered. Tachibana and Terada are two of the witnesses to the staging, but despite knowing Nishida, he doesn’t realize it was her father he saw being killed until much later. Unfortunately, she seems largely an extraneous character, only sharing a few scenes with Ishihara. While it is nice from a world building stand point, it becomes a negative ding in the film on the emotional front.
Rusty Knife 錆びたナイフ

I Am Waiting 俺は待ってるぜ

I Am Waiting (Review)

I Am Waiting

aka 俺は待ってるぜ aka Ore wa matteru ze
I Am Waiting 俺は待ってるぜ
1957
Written by Shintaro Ishihara
Directed by Koreyoshi Kurahara

I Am Waiting 俺は待ってるぜ
Japan’s cinematic output in the 50s and 60s was astounding, and the quality of films from that period form a reputation that is hard to match. It is no wonder that huge swaths of them got festival coverage over the years, and many get released in the US under premium labels. Nikkatsu Studios produced a whole series of “borderless action” films (as a response to US and French film box office success) and is where Seijun Suzuki made his fantastic flicks, at least until he got fired after constant clashes with the studio head and Nikkatsu later turned into a roman porno factory. But those hundreds of films still exist, and are still awesome. And while many haven’t been seen outside of Japan in forever, the growing appreciation means more and more get releases over time. Hence, I Am Waiting popping up in 2009.
I Am Waiting 俺は待ってるぜ
I Am Waiting is a tale in two acts. Joji Shimaki (Yujiro Ishihara) meets a mysterious woman at the pier who calls herself Saeko (Mie Kitahara) – we find out later her name is Reiko. It’s clear she’s on the run from something traumatic, and we slowly learn that she is a cabaret singer at a yakuza club and one of the gang members got too frisky, so she bashed his head and ran, thinking him dead. Her dreams of being a singer soured after he vocal chords were ruined by an illness, and now she’s trapped in a contract at the yakuza nightclub. Her time with Joji helps her to briefly escape that life, working as his waitress and hanging out in town with Joji. But she’s recognized, and the yakuza come to reclaim her, until she finishes her contract. She spends the last half of the film again working in the nightclub, which Joji returns to occasionally as part of his story.

While the yakuza are confronting Joji, Joji gets a clue into his big mystery, the whereabouts of his brother. His brother was supposed to go to Brazil a year ago to buy land for a farm, but hasn’t contacted him since the boat left port, and Joji’s letters were returned. But one of the yakuza had a medallion that Joji’s bother carried, and the focus switches to Joji’s mystery as he works to unravel just what happened to his brother, and the culprits work to try to cover up their deeds.
I Am Waiting 俺は待ってるぜ

Pale Flower 乾いた花 Mariko Kaga

Pale Flower (Review)

Pale Flower

aka 乾いた花 aka Kawaita Hana
Pale Flower 乾いた花
1964
Written by Masaru Baba and Masahiro Shinoda
Based on the book by Shintaro Ishihara
Directed by Masahiro Shinoda

Pale Flower 乾いた花
Pale Flower starts out slow and continues the leisurely pace, building up the complex web of characters and simmering gang drama. Muraki (Ryo Ikebe) is newly released from prison, after serving a few years for killing a rival gang member. By now the gangs are in a loose confederation as a third power has become a threat to both. The two former rival leaders spend part of their time arguing like old bickering lovers. Muraki is brought back into the swing of things, but kept out of any heavy action because of his recent release status. The reacquaintance with underworld activities results in one exciting point, a striking young woman (Mariko Kaga) who shows up at one of the local gambling houses, bets big, seems bored, and speaks to no one. Muraki manages to attract a scrap of attention from her when he matches one of her large bets.

After a few weeks of gambling together in silence, Muraki scores a conversation with her. She goes by Saeko, and the small time bets no longer excite her. Muraki says he can get her bigger action, he just needs to ask around for where the games are played now. They agree to meet up later in the week, and a partnership is born. Saeko is a thrill-seeker, zipping around in her sports car, betting big. She senses the danger in Muraki and it attracts her, but not in a sexual lust way. Simply being around him is enough. One look at Saeko answers all questions of why any guy would hang with her.
Pale Flower 乾いた花 Mariko Kaga
The increasing bets and Saeko’s danger chasing mirror the increasing threats from the real world. A cryptic guard at one of the games Muraki pegs for a maniac, and soon Muraki is being talked down dark alleys by a hidden killer. The upstart gang kills an important gang figure, and there must be a response of killing their leader. Muraki volunteers, his stretch of freedom growing sour at the same time his relationship with Saeko seems to be going south. But she reunites with him as he prepares to go off to do his job, seeing someone be murdered is a thrill she hasn’t experienced yet.

Muraki is a low-key gangster who seems bored with life in general and justifies his killing by talking down on mankind as a whole. His relationship with Saeko isn’t overtly sexual, but is two people at a similar point in life that come together because they click, and tension boils beneath the surface. Muraki has a woman who waited for him while he was away, she sleeps in the clock shop her family owns, the scenes there punctuated by the ticking of hundreds of clocks, a reminder of the limited length of life. She can’t stay away from Muraki even though he’s no good, and follows him, observing his relationship with Saeko.
Pale Flower 乾いた花

Intimidation ある脅迫

Intimidation (Review)

Intimidation

aka ある脅迫 aka Aru Kyohaku
Intimidation
1960
Story by Kyo Takigawa
Screenplay by Osamu Kawase
Directed by Koreyoshi Kurahara

Intimidation ある脅迫
An arrogant bank manager named Kyosuke Takita (Nobuo Kaneko – The Magic Serpent) is about to move on to the executive board, but gets enveloped in a blackmail scheme and must try to rob his own bank in a desperate attempt to come up with the funds. His sad sack childhood friend Matakichi Nakaike (Ko Nishimura), who Takita has used and degraded, becomes a scapegoat, and soon things devolve into a murderous mess. Intimidation serves up a slow-burning lesson of treating people well, but aside from the tense robbery sequence in the middle, there are few high points to recommend hunting Intimidation down immediately.

You can’t examine Intimidation without seeing the obvious class consciousness of the film. Takita is in the upper echelon of society, who married into money and is set for easy street. His friend Nakaike is stuck on the lower rung, his few opportunities were snatched away by Takita, or twisted around to make it seem Takita was solely responsible for them. Nakaike’s lack of confidence doesn’t help him, and much of his time is spent making excuses for his friend and doing things in the background like warming sake. The bank manager sees Nakaike as an unmotivated chump who they keep around only for Takita’s benefit, sort of ironic due to the manager’s later confession that he doesn’t understand all the loan paperwork that Takita has been handling for him.
Intimidation ある脅迫
Despite the class struggles, Takita’s downfall is he is an arrogant bastard. He’s so used to getting his way and shooting up the ladder of success that he doesn’t care at all whoever he steps on during his climb. Even people who are loyal friends that would have made great companions he treats with disdain, only using them for his own ends. His childhood friend Nakaike seems a complete tool, Takita talking down to him in front of the bank manager. Takita talks like Nakaike owes him everything, and he’s such a screw-up that he’d be on the streets if it wasn’t for Takita. Nakaike’s lack of confidence doomed him to forever be in Takita’s shadow. When Takita’s around, Nakaike fades away and Takita gets all the focus.
Intimidation ある脅迫

Underwolrd Beauty 暗黒街の美女

Underworld Beauty (Review)

Underworld Beauty

aka 暗黒街の美女 aka Ankokugai no Bijo
Underwolrd Beauty 暗黒街の美女
1958
Written by Susumu Saji
Directed by Seijun Suzuki

Underwolrd Beauty 暗黒街の美女
One of Seijun Suzuki’s first films (and the first credited as his pseudonym Seijun Suzuki!), Underworld Beauty shows hints of the creative sparks that would soon gain Suzuki a cult following in Japan and the ire of his studio bosses. But it’s mostly a straightforward and entertaining noir, elevated by the cast, so don’t be too disappointed when it goes by the numbers. It seems you can’t talk about Suzuki without using the term “fever dream”, so I’ll just use it in this sentence complaining about the term in this film that has among the lowest amounts of fever dreamness.

A noir flick that gets enhanced by the black and white photography, Underworld Beauty features a jewel thief gang member named Miyamoto (Michitaro Mizushima) who has just gotten out of the joint. He retrieves a gun and stolen diamonds from a hiding spot in the sewer, and sets out finish the job. But prison has given him a change of perspective, and he wants to give the diamonds to the member of the gang who was injured during the job (and saved Miyamoto in the process), Mihara (Toru Abe). The third gang member, who is now a powerful boss named Chairman Oyane (Shinsuke Ashida), is not too happy with this sudden display of honor, but is smart enough to hide his disapproval.
Underwolrd Beauty 暗黒街の美女
Mihara is now working in a noodle stall and ostensibly taking care of his younger sister Akiko (Mari Shiraki), who is on a wild streak down a dark path. She earns money posing nude for the mannequin sculptures (done by her quasi-boyfriend Arita (Hiroshi Kondo)), and going out drinking is her hobby. The attempt to sell the diamonds to a fence ends when armed masked men burst in on the proceedings, and Mihara swallows the diamonds and leaps off the roof of a building, attracting attention. He stays alive long enough to explain to the police that he slipped, but then passes on. The criminals are concerned the diamonds will burn when he is cremated, and soon the various factions go all The Treasure of the Sierra Madre with diamond fever.
Underwolrd Beauty 暗黒街の美女

Rokto Pipasha Vampire Bangla Rubel

Rokto Pipasha (Review)

Rokto Pipasha

aka রক্ত পিপাসা aka The Vampire
Rokto Pipasha Vampire Bangla Rubel
2009BMDB Link
Written and Directed by Rubel

These vampires know how to have fun!

Bangladesh does their own version of Blade, all Bangla-ed up with plenty of fighting, yelling, dr4ama, people with giant swords, singing, child endangerment, ridiculous vehicles, cheap effects, scratched film, excitement, and only lacking in the budget. Rokto Pipasha is amazing cinema, and deserved a larger audience, especially in the West. Since the current audience in the West seems to be just me (There is currently literally nothing about this film written in English!), it’s time for TarsTarkas.NET to do what it does best, exposing obscure foreign fun to the masses. And as Rokto Pipasha is all over YouTube in a format where it doesn’t look too bad, there is really no excuse not to track it down. Rokto Pipasha does not have subtitles, but at TarsTarkas.NET, we don’t need no stinking subtitles! You also don’t really need them to figure out what is going on. There are some vampires, some vampire hunters, and a lot of fighting. The villains are obvious, the heroes spend much of their time tracking them down or arguing amongst themselves, and the action sequences are rather well choreographed.

For those of you uninitiated with Bangla cinema, their action movies feature a lot of the things common in action cinema in India, Pakistan, and the Middle East. There is a lot of yelling and boasting by heroes and villains before they fight. There are dramatic zooms. A lot of dramatic zooms. In one sequence, vampire hunter Mr. T argues with four other vampire hunters, and we get a reaction zoom to Mr. T, then the first hunter, then Mr. T, then the second hunter, repeating for all. This happens multiple times throughout the film. The action is over the top, bringing in elements of martial arts and super heroes. The characters do punches and kicks that would kill normal people, but because they fight others who are super powered, they often do little damage, except for on whichever character is slated to die in that fight. All the main vampire hunters have a huge weapon, either a ridiculous sword or a scythe or something, and they walk around carrying the giant hand weapon in a world where guns exist. The soundtrack is packed full of stolen music. Rokto Pipasha came out in 2007, so there is no excuse. It’s yet another movie with the James Bond theme, as a weird remix pops up randomly during scenes where characters are looking cool. I also recognized tracks from Gladiator, Star Wars, Jaws, and various Westerns.
Rokto Pipasha Vampire Bangla Rubel
Most of the action either takes place in the middle of nowhere or in giant warehouse studios with large hand painted murals as set decoration. There are one or two actual sets that might be part of a hotel or something, unsurprisingly some of the musical numbers also take place here (as those parts will have higher budgets than the rest of the film). And even those locations have walls covered in huge paintings. I would also wager that if I watched more low budget Bangladeshi films, I would recognize some of the paintings.

One thing that isn’t common in Bangla cinema is the characters drive around in ridiculous custom monster vehicles. The cars would be 1000% not street legal in the US, and the vehicle choices make you obvious targets for whoever is hunting you. They also look ridiculous, even though they are awesome. Just check out the wealth of images I took of these monstrosities and try not to instantly want to watch Rokto Pipasha! Another thing that is rare is Western-style monsters like vampires, though films “borrowing” plots from American cinema isn’t that rare in Bangla film. Rokto Pipasha has concepts lifted directly from the Blade movies, but follows enough of its own path that it isn’t a straight ripoff, it just owes a heavy debt.
Rokto Pipasha Vampire Bangla Rubel
As Rokto Pipasha is obscure as heck, this will be another classic TarsTarkas.NET longread where I go over everything. Those of you who hate reading will enjoy the large amount of photos and gifs, and everyone will have a good time. Or else I’ll stab you with my vampire sword! The lack of subtitles means the character names are guesses, though I’m pretty sure I’m right about the main vampire hunter Blade ripoff played by Rubel being named Mr. T. The villain vampire in love is definitely named Romeo.

Rubel aka Masum Parvez Rubel stars and also directed and co-wrote the film, along with some writers that I couldn’t find names for. He also delivers the explaination in the beginning and seems to be a big fan of the Blade series. According to a text blurb he put in the film, he “committer himself to give you a good commercial film”, so few films declare their intentions nowadays. Besides Rubel, actor Shakil Khan has a featured role as a villainous vampire in love. Actor names I couldn’t connect with roles include: Bipasha (is this Bipasha Hayat?), Moumita, and Elys Kobra. There is also a cameo appearance from Bangla action star Sohel Rana. The lack of English information in general on Bangla film is a big problem that I hope gets solved someday, and it is made exponentially harder by the few cast members that are mentioned in talk about the film just having a single name. I am eagerly awaiting someone to chime in down in the comments for who is who.
Rokto Pipasha Vampire Bangla Rubel

Mr. T (Rubel) – Mr. T is a loner, a rebel, a guy on a motorcycle who kills vampires all night and broods all day. So of course he hangs out with a ten year old girl that he kills vampires with. That makes logical sense. Carries a gigantic sword and is master of kung fu, wearing sunglasses, and shooting guns.
Karmila (???) – Karmila hangs out with the vampire fighting brothers and slays as many of the bloodsuckers as she can out of revenge. She also goes wandering off by herself at night all the time, often running into Mr. T and having long conversations that turn into romantic interests, though the vampire slaying comes first. Karmila seems to have the power to sense vampires. Karmila carries a big sword. She’s often called Mila.
Romeo (Shakil Khan) – A vampire lord who has discovered love, and his love for his Girlfriend has tempered his vampiric bloodlust, though he occasionally flashes fangs. Is served by the Four Snake Villains, and drives around in a giant monster car.
Scythe Brother (???) – Member of the vampire killing brothers who carries a big honking scythe as he kills vampires. Lives the longest of the brothers.
Sword Brother (???) – Member of the vampire killing brothers who carries a big honking sword as he kills vampires. The least developed of the main three brothers.
Arrow Brother (???) – Member of the vampire killing brothers who carries a big honking bow and arrow as he kills vampires. Also occasionally uses other weapons. The most rash of the brothers.
Random other Brother (???) – Member of the vampire killing brothers who spends most of the movie in bed and off screen, only occasionally jumping into battle to tackle a big opponent. Injects himself with some sort of drug, it seems like he was turned into a vampire and represses it or something, but isn’t on screen enough for this to make a difference in anything.
Girlfriend (???) – Romeo’s Girlfriend, who is still a human but loves her vampire boyfriend. Possibly named Karina. Mr. T is hired by her father to retrieve her from Romeo.
Partner (???) – Mr. T battles vampires with the help of a tiny girl, because bringing a young child into constant danger and murder scenarios will always end well. She ends up some vampire dinner! Oh, Partner, you were destined to die from the moment you appeared!
Three Idiots (???) – It’s not a movie unless three unfunny guys randomly show up to annoy characters.
Random Ghost (???) – Thankfully the Three Idiots are later harassed by this Random Ghost. Anyone who harasses the Three Idiots is a winner in my book!
Four Snake Villains (???) – The Four Snake Villains serve Romeo and battle the Vampire Fighting Brothers. I don’t think they are vampires, they are just fighting masters who may serve Romeo because they are evil or because they will get vampire powers at some later date. Or would, if they weren’t killed one by one as the movie progresses.
Dancing Villainess (???) – She starts out as the item girl for tiny vampire guy Lukanda, but ends up ruling his empire and attempts to destroy Romeo and Mr. T, possibly because they won’t date her.
Lukanda (???) – A partying vampire lord who spends most of his time dancing to his girlfriend singing, hanging out with scrawny guys, and being carried around and having weapons put into his hands. Often found on top of pedestals. Wears skull shirts, because of course he does. Has magic pelvis thrusting power. Do not stare directly at the pelvis!

Rokto Pipasha Vampire Bangla Rubel