Hey Everyone,
I’m in Paris, doing press for the French release of Hostel Part II, and tonight I’m off to Rome for the last leg of the press tour. After that I’m going to take a long overdue break, since I’ve gone from one film to the next without stopping, just to recharge my brain a bit.
I want to thank all of you for your kind e-mails and incredible support for the film. However, piracy has become worse than ever now, and a stolen workprint (with uninished music, no sound effects, and no VFX) leaked out on line before the release, and is really hurting us, especially internationally. Piracy will be the death of the film industry, as it killed the music industry, and while it makes a smaller dent in huge movies like Spider Man 3, it really hurts films like mine, which have far less of an advertising and production budget. Not only that, critics have actually been REVIEWING the film based off the pirated copy, which is inexcusable. Some of these critics I have actually known for a few years, and while I wouldn’t dignify them by mentioning them by name, I know who they are, as do the studios, and other filmmakers, and they will no longer have any access to any of my films.
What I’m saying is, this is your last chance to see one of my films for a while. If you haven’t seen it, go now, because after next weekend the film will be gone from theaters. There are too many other summer movies coming in, so basically we get two weeks in cinemas, and then the film will live on DVD. I am not directing CELL any time soon, and I most likely will take the rest of the year to write my other projects. Which means I wouldn’t shoot until the spring, and you wouldn’t see a film directed by me in the cinemas until at least next fall. If everyone on my friends list went to see the film this weekend and brought a friend, it would make a huge difference. Bring a non-horror fan – try to convert them. It’s the only way these films will live. But right now the R rated horror film is in serious jeopardy. Studios feel the public doesn’t want them any more, and so they are only putting PG-13 films into production. The only way to counter this perception is to get out there and support R rated horror. It’s the only message they’ll hear. People love the movie, and even though it only cost $10 million dollars (as opposed to the other summer tentpoles which cost $300 million), and has already earned its money back, if it’s not a massive money earner then they’ll just continue to make the same PG-13 films everyone complained about a few years ago.
To counter piracy, fans can flood file sharing services with fake Hostel II downloads just so no one can ever actually get the movie, but the only thing that really makes a difference is supporting the movie in the theaters. Also – the theater OWNERS know this as well. If horror movies aren’t bringing in customers, they’re not going to program them. If we are going to send them a message, we have to do it with our wallets, and we have to do it now. I’ve done all I can to make a great film for the fans, as violent and bloody and fun as possible. The rest is up to you guys…
Thanks again for all your support,
Eli
Boo-hoo-hoo, no one saw my crappy torture porn film! Oddly enough, this diatribe on how piracy destroyed his film (instead of it just being crappy) disappeared shortly thereafter. It is actually good for horror if this torture porn crap bombs, as it is nothing but brainless degenerative drivel.
Hey, if someone did put up fake Hostel II torrents, then the downloaders can’t possibly get anything worse than Hostel II.
