Secret Undercover Agent: Honey & Bunny
aka Himitsu Sennyuu Sousakan: Honey & Bunny
Directed by Keiichi Kobayashi
Written by Yoshiyuki Morita
From the land of Japan comes the first of the Secret Undercover Agent films, what is basically a showcase for two gravure idols. For those of you who don’t speak Japanophile, gravure idols are models that pose almost naked, but not quite naked. Thus we have no nudity and have to make due with implied nudity. Don’t blame me for the lack of naked chicks, this is purely a Japanese phenomenon. The two gravure idols are Haruna Yabuki and Yuuri Morishita.
The plot of this and the sequel is there is a secret organization whose name I haven’t ever figured out that does James Bond-type work in the fashion industry. So I am guessing Zoolander was also an inspiration. This allows for the girls to wear lots of skimpy outfits, while at the same time there being action and other things happening. What makes the Secret Undercover Agent movies stand out is they are beautifully shot. They seriously have some of the best cinematography I have ever seen in what is essentially an exploitation film. The film was written by Yoshiyuki Morita and directed by Keiichi Kobayashi, so they get the majority of the credit and blame.
The DVDs come lacking English subtitles, so there will be certain things we are guessing at. At TarsTarkas.NET, we don’t need no stinking subtitles! Another guess is at some of the character names, our rudimentary translation skills were put to the test and found lacking (partially because I didn’t want to devote three times the amount of time trying to find out a character’s name than I was spending writing the whole review!)
Now, we must try not to let exploitation films speak for a culture as a whole, though it does speak for a subculture of the main culture. Do you want Japan judging us based solely on The Hills Have Eyes 2? As far as exploitation flicks go this is pretty tame and would barely even qualify, if it wasn’t so blatant on showing off the gravure girls it could even pass itself off as a comedy.