Cazadores de Espías (Review)
Cazadores de Espías
aka Spy Hunter
1969
Story by Adolfo Torres Portillo
Screenplay by Rafael Baledón
Directed by Rafael Baledón
 |
|
Still more exciting than whenever Mantaur wrestled!
|
In 1969, Mexico had noticed the whole secret agents thing has gotten a little ridiculous and thus ripe for parody. Enter Cazadores de Espías, a comedic film filled with secret agents, double crosses, identical twins, a carnivorous plant, a masked villain, a seductive villainess, a luchador, a mad scientist, and even a robot. There is plenty of goofy action across the board, lending Cazadores de Espías the power to potentially be something bigger than it is. Unfortunately, there is no subtitled version at all, and the first half of the film leans heavily on verbal jokes, leaving people like me to be forced to lean on their rusty Spanish. At TarsTarkas.NET, we don’t need no stinking subtitles, but they probably would have come in handy here! Despite the lack of clear understanding of a few plot points, the general gist was easy to get, and no one needs subtitles when a robot is running around! Cazadores de Espías is fun, but thanks to the language veil it isn’t as fun as it should have been.
Cazadores de Espías was filmed around the same time as Muñecas Peligrosas and Con Licencia Para Matar, which is pretty obvious. It features familiar sets and cast members, and all are directed by Rafael Baledón (though this time the original story is by Adolfo Torres Portillo). The sets usually used at the villain’s lair is now a hotel, a control room is now a villain lair, and the familiar nightclub returns, though there is now a big wrestling ring in part of it. The goons of the mysterious Mr. X were big X’s on their uniforms (instead of G’s or K’s!) Mexican villains are all sponsored by the same letters that sponsor Sesame Street!
As the film is rather obscure, please enjoy the longer film synopsis review. But as the film is hard to follow at parts, please forgive any errors that creep in due to confusion or language barriers. As usual, I blame those nefarious Spider Gnomes of Jupiter, who cause me no end of troubles. I will defeat you one day, Spider Gnomes of Jupiter! Fans of random Mexican song interludes will enjoy the performances by Los Rockyn Devil’s, The Shadow of the Beast, Manolo Muñoz, Rubin “Penjamo” Mendez, and Jose Antonio Zevala. Non-fans will find a convenient time to go to the bathroom. Now on with the show!
|
Categories: Movie Reviews, Ugly Tags: Adolfo Torres Portillo, Carlos East, cool robots, Eleazar García "Chelelo", Héctor Andremar, Julián de Meriche, Leonorilda Ochoa, luchadores, Maura Monti, Mexico, Nathanael "Frankenstein" León, plants eating dudes, Rafael Baledón, Spies, We don't need no stinking subtitles
The Revenge of Dr. X (Review)
The Revenge of Dr. X
aka The Double Garden aka The Venus Flytrap
1970
Directed by Kenneth G. Crane
Written by Edward D. Wood Jr.
Ed Wood Jr. strikes again! One of his most creative scripts, due to the uniqueness of the monster, not the plot, which is just a Frankenstein rehash sans the hash. At this time Ed Wood was writing for films both insane and perverse (see the review of One Million AC/DC for more of his nutty writing) as he was unable to direct anymore films. Ed Wood loved filmmaking, even though he was terrible at it. That alone makes him stand out above the rest of the current crop of dime store directors, many lack the passion Ed Wood put into each and every movie he made. Even films involving a Venus Flytrap Man still had the traditional Ed Wood dialogue and wonky spirit that made his films cult classics decades later. Yes, a Venus Flytrap Man is created in this film, who predictably runs amok and eats people until destroyed. It is a take on the old Frankenstein story, except with plants and made in Japan. Produced with Toei, the film company probably best known here for the Gamera films and the Super Sentai series (the shows Power Rangers are based on.) The original opening credits have been lost on the public domain releases, mistakenly replaced with a revamped title sequence for The Mad Doctor of Blood Island. Thus we don’t even know any of the actors’ names! Luckily, James Craig is pretty well known, and people have figured out another actor and the director and writer. However, some of the other cast is totally left out in the dark. Part of the problem is they are most likely Japanese actors, and as I am not too familiar with Toei’s film library, I wouldn’t even know where to begin trying to track them down. We are going through Ultra Q and may hit another Japanese series soon in addition to movies, so maybe she’ll show up. Until then, I guess Noriko will have to remain anonymous for now.
The script for this film was originally written in the 1950’s, but dusted off and revamped to be sold during the period when Ed Wood was putting out pulp novels filled with sex and sleaze to make ends meet. Director Kenneth G. Crane had helmed a few prior B movies, including the US portions of Abominable Snowman as well as The Manster and Monster from Green Hell. He never directed again after this film. Lots of padding to fill up the film is Crane’s trademark. As for the cast, ROLL CALL!!!
Read more…
Categories: Movie Reviews, Ugly Tags: awful monster costumes, awful science, Ed Wood Jr, James Craig, James Yagi, Japan, Kenneth G. Crane, plants eating dudes, topless diving women
Ultra Q – Episodes 3 and 4 (Review)
Ultra Q Episodes 3 and 4
The Gift from Space and The Mammoth Flower
1966
Episode 3 The Gift from Space directed by Hajime Tsuburaya
Episode 4 The Mammoth Flower directed by Koji Kajita
Once again we dip into the world of Ultra Q, the Japanese TV series. A precursor to the Ultraman series, Ultra Q features many giant monsters that our plucky heroes have to deal with. Previously we have gone over the first two episodes, and now we deal with episodes 3 and 4. In addition to the 28 episodes of Ultra Q, a movie was produced in 1990 titledUltra Q: Star of Legend. A follow up series aired in 2004 titled Ultra Q: Dark Fantasy.
Tsuburaya Productions Co. created the TV series, which started to air in 1966. Before it became Ultra Q, however, it was known as Unbalance. As it became less Twilight Zone and more monsters, the name turned out to be a problem, but luckily a sports move called the Ultra C was gaining popularity, and thus Ultra Q was coined. Several artifacts of the original concept remain, including the very Twilight Zone-ish main title theme, as well as a narrator (but one used less frequently.) Several episodes would be somewhat independent stories that barely featured the main characters, and still other episodes would have ambiguous endings.
Thanks to recent Region 2 DVD release, these shows are now available to a whole new generation. However, they aren’t available to me in their entirety, as there are no English subtitles! But that’s where making up what we don’t understand comes in. Plot synopses and visual clues help us get the gist of the episodes, but the subtle parts we are just winging. That actually makes the show a bit better, as if we found out something was lamer than we though we might not like it as much. Such is the way of things.
Main Characters:
|
The main cast list is done, so we jump into the episodes!
Episode 3: The Gift from Space
Episode three of Ultra Q gives us a new main character and the most Twilight Zone ending so far. But it is still a solid episode, and the monster from Mars Natnegon has become one of the signature monsters from the series. This episode also is the first involving aliens in the Ultra-universe, who will turn out to be very pesky indeed with their constant monster attacks. Stupid aliens! I shake my fist at you! Invade some other planet for once. I hear Neptune is nice, or Krankor. First the guest cast, and then let’s get started with the episode.
Read more…
Categories: Television Reviews Tags: Hajime Tsuburaya, Hiroko Sakurai, Japan, Jun Tazaki, Junichiro Mukai, Juran, kaiju, Kenji Sahara, Koichi Sato, Koji Kajita, Minoru Takada, Natnegon, plants eating dudes, Sachio Sakai, Ultra Q, Ureo Egawa, We don't need no stinking subtitles, Yasuhiko Saijo, Yoshifumi Tajima, Yutaka Nakayama
