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Roller Blade (Review)

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Roller Blade

Roller Blade Movie
1986
Story by Donald G. Jackson
Screenplay by Donald G. Jackson and Randall Frakes
Directed by Donald G. Jackson
Roller Blade Movie
A post-apocalyptic future where you live and die based on how well you roller blade. Yes, Roller Blade is a classic piece of b movie insanity from the mind of Donald G. Jackson. You might think that means there are roller blades in the film, but you would be wrong, everyone is using regular skates, as this was years before in-line skates or roller blades became popular.

Director Donald G. Jackson spent a whole $5000 making Roller Blade and it went on to become very successful, earning over a million dollars through video sales. He made several additional roller blade themed movies, some of which were funded by studios. Some drama happened that’s more appropriate to discuss in the relative films’ reviews, but needless to say it despite the increase in budget, it was not a pleasant experience for Jackson. The large amount of Roller Blade related films has ensured the films a cult following, even as Legend of the Roller Blade Seven has a reputation for being one of the worst films ever made.
Roller Blade Movie
Donald G. Jackson is known for being an advocate of Zen Filmmaking, a method of low-budget filmmaking that doesn’t use a script and focuses on using the energy of the cast and available resources to craft a film on the fly. Hence, many of Jackson’s films seem like they were made up by a group of friends on weekends, because they often are. Some of his more structured films such as Hell Comes to Frogtown are more focused, but you can see the roots of Zen Filmmaking here: The lack of focus or strong script, voice-overs instead of sync sound, characters that randomly become more important, and actors playing multiple roles.
Roller Blade Movie
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Song of the Thin Man (Review)

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Song of the Thin Man

Song of the Thin Man
1947
Screenplay by Steve Fisher and Nat Perrin
Story by Stanley Roberts
Additional dialogue by James O’Hanlon and Harry Crane
Directed by Edward Buzzell
Song of the Thin Man
Song of the Thin Man puts Nick and Nora in the secret world of jazz club singers in New York. It’s also a sort of pun, as this is the swan song of the series. Some of the charm is still there, William Powell and Myrna Loy can’t not be charming when together in a room. The film spends too much time on the jazz atmosphere to trust the actors to carry scenes. It can get a bit tedious when there is yet another jazz scene, yet another instance of Clinker using weird slang, and yet another instance of Nick and Nora trying to fit in and absorbing the language. The outside scenes where other things happen become breaths of fresh air, but there isn’t enough in this ecosystem to make it stand out.

We again get a new creative crew for this Thin Man entry. The direction is by Edward Buzzell, who had previously directed the Marx Brothers’ film At the Circus Stanley Roberts came up with the story, and Steve Fisher and Nat Perrin handle the script, with additional dialogue thanks to James O’Hanlon and Harry Crane (are they who came up with all the goofy slang?) Once again Nick and Nora become inserted in a more generic plot, something that could even be used as a plot for a comedy mystery tv show episode. Did Monk ever hang around with musicians? A large amount of writers is usually a bad sign for a film.
Song of the Thin Man
While this team realized they can’t ignore the Nick Jr. character, they don’t do one of the reoccurring gags of the series, the procession of former criminals Nick Charles knows because he busted them long ago. They’ve all been replaced by the jazz musicians, which don’t quite have the same stereotypical wackiness that nicknamed criminal types bring to the table. One weird thing is despite this entire entry being about jazz and musicians, almost every one is white. The lack of black jazz musicians in 1940s New York City is the most unbelievable thing about this entry, and I’m including the ridiculous jazz slang in the unbelievable things list.
Song of the Thin Man

Nick Charles (William Powell) – Nick can’t even have a good time gambling on a boat without being drawn into yet another murder mystery. As he needs to explore the weird world of jazz, Nick has Clinker Krause guide him and Nora around the town to the late night secret jazz parties that don’t even start until 2 am, as well as explaining all the jazz lingo.
Nora Charles (Myrna Loy) – Nora latches on as an integral part of the investigation, pushing Nick into investigating and accompanying him on the jazz excursions, as well as sneaking in to see Buddy Hollis.
Asta (Asta) – Asta helps Nick investigate and sneak around, but doesn’t have a huge role.
Nick Charles Jr. (Dean Stockwell) – It’s cool to see Al back before he was helping Sam leap through time…wait a minute! Dean Stockwell takes over as Nick Jr., and this was how I learned he was a child actor! Nick Jr. is picking up a lot of his dad’s traits, had the series gone on longer his character might have taken over. Nick Jr. has the special power to project visions of himself and his dad having sentimental times together whenever he’s threatened with spanking. It’s definitely that and not Nick Charles having regret that he’s about to spank his son, even though he spanked his wife just last film.
Clarence “Clinker” Krause (Keenan Wynn) – Jazz musician who becomes the guide for Nick and Nora to the jazz club afterparties nightlife, as well as explaining all the slang.
Phil Orval Brant (Bruce Cowling) – Accused of murder, Phil Brant owns a gambling boat that host charity functions and is in love with Janet Thayar. Her father disapproves because Phil isn’t old money, even though he must have some money to own a fancy gambling boat rich people hang out on. Gets eloped to Janet over her father’s objections, only to be immediately accused of murder.
Janet Thayar (Jayne Meadows) – Loves Phil and tries to get Nick to help him, only to get upset when Nick turns Phil in, not aware he’s doing it to protect Phil from the mob.
Mitchell Talbin (Leon Ames) – Famed music producer who has stolen away conductor Tommy Drake for his next tour, but doesn’t want to pay off Drake’s gambling debts or deal with all his other problems. Does do some things to try to help Drake to prevent the drama from landing in his own business, but Drake ends up too dead for it to matter.
Phyllis Talbin (Patricia Morison) – Mitchell’s longtime wife, their marriage isn’t as pleasant as it appears.
Buddy Hollis (Don Taylor) – A reed man (this means a guy who plays instruments that require a reed, specifically the clarinet) who starts to lose it because Fran Page likes Tommy Drake more than him. Is put away in a home, and has a powerful scene where we see the full scale effects of his illness.
Fran Ledue Page (Gloria Grahame) – Singer who is having a fling with Tommy Drake, though not happy with how he’s a jerk and stuff. She’s also not interested in Buddy Hollis, who is desperately in love with her.

Song of the Thin Man
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The Thin Man Goes Home (Review)

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The Thin Man Goes Home

The Thin Man Goes Home
1945
Story by Robert Riskin and Harry Kurnitz
Screenplay by Robert Riskin and Dwight Taylor
Directed by Richard Thorpe
The Thin Man Goes Home
The Thin Man Goes Home doesn’t feature the regular creative crew of the series. Regular director W. S. Van Dyke, had committed suicide in 1943, suffering from illness and unwilling to go seek treatment due to his Christian Scientist beliefs. Regular script writing team Albert Hackett and Frances Goodrich also didn’t return, nor did series creator Dashiell Hammett, who had worked with the writing pair to help develop the prior entries.

The new director was Richard Thorpe. Thorpe was the original director of the 1939 The Wizard of Oz, though most of his work was discarded when he was fired after two weeks. He directed several Tarzan flicks and a bunch of adventure dramas, many featuring Robert Taylor. The story for The Thin Man Goes Home was conceived by Harry Kurnitz and Robert Riskin, Riskin going on to write the screenplay with Dwight Taylor. The lack of continuity is easily apparent with the many small changes in the film.

Most importantly, this entry changes Nick’s family from Greek immigrants (Hammett had Nick’s father change their last name from Charalambides to Charles to fit on a photograph) to an upper class family headed by a respected community doctor. This switches Nick from an immigrant’s son who done good to a black sheep who left his family to find his own path. That craps on a lot of the class issues from the previous four films, and turns things into an attempt by Nick to finally impress his father.
The Thin Man Goes Home
The Thin Man Goes Home was a 1945 pictures, released while the US was in the midst of the Second World War. This is reflected in the film itself, and we see the Charles deal with wartime rationing. Their normally spacious private train cars are gone, replaced by packing in like sardines on the train, and even being forced into the baggage car because they bring Asta along with them. Nick Charles is forced to drop his usual 100 martinis a day habit due to alcohol rationing (explained in the film as abstaining from drinking because his father disapproves), and instead chugs cider. Many of the background actors are dressed as members of the armed forces.

Myrna Loy actually stopped acting to get married and become a big booster during the war, working with the Red Cross and ticking off Hitler (a feather in anyone’s cap!) Shadow of the Thin Man was her last film before stopping, and The Thin Man Goes Home was her return. Rumor was they were trying to make the sequel earlier and bring in Irene Dunne as Nora Charles, but Dunne flatly refused, saying the chemistry between Powell and Loy was why the series worked (and she was subsequently no longer offered scripts by MGM!)

There is a nod to pulp detectives as Nick lounges in the hammock and reads a Nick Carter magazine.
The Thin Man Goes Home
Nick Charles Jr. isn’t in this entry, as explained he’s away at school, and pulling him out of school so the senior Charles family could meet their only grandson for the first time is just wand-waved away. That’s the sort of thing that if I pulled it off with my mom, she’d have sent me immediately away on a train to go get my son. He does return in the final film, which is good because it would just be too weird otherwise.

Nick Charles (William Powell) – Nick Charles returns to his hometown to visit his folks, only to have yet another murder happen literally at his doorstep. So it’s back to detecting again! Maybe this time he can finally impress his father…. ::sad eyes::
Nora Charles (Myrna Loy) – Nora spends part of the film trying to impress Nick’s dad with stories about Nick, and part of the film trying to help Nick only to get sent on a wild goose chase.
Asta (Asta) – Asta returns but doesn’t cause a whole bunch of trouble, just a small amount of trouble.
Dr. Bertram Charles (Harry Davenport) – Nick’s father, a respected physician who was disappointed when Nick quit medical school to become a detective. Has never been proud of his son since. Unless maybe Nick solved a murder mystery using medical knowledge…
Mrs. Charles (Lucile Watson) – Nick’s mother, who doesn’t get much characterization and is actually proud of her son, because moms are like that, proud of their children.
Brogan (Edward Brophy) – Yet another guy Nick Charles sent up the river and has returned as a reformed criminal, thankful to Nick for being so awesome and willing to help him out. Spends an inordinate amount of time hiding in the bushes outside Nick’s parents’ home. Sells greeting cards, and on Nick’s suggestion memorized many of their sayings, so he’ll randomly spout platitudes. Edward Brophy had a role in The Thin Man as Joe Morelli.
Dr. Bruce Clayworth (Lloyd Corrigan) – A childhood friend of Nick, who actually went into the medical field instead of quitting to become a detective.

The Thin Man Goes Home
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Shadow of the Thin Man (Review)

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Shadow of the Thin Man

Shadow of the Thin Man
1941
Story by Harry Kurnitz
Screenplay by Harry Kurnitz and Irving Brecher
Directed by W. S. Van Dyke
Shadow of the Thin Man
Shadow of the Thin Man is the last of the classic four Thin Man films before the large drop in quality of the final two flicks. Dashiell Hammett doesn’t help provide the story, and Frances Goodrich and Albert Hackett have also moved on, leaving the writing in the hands of Harry Kurnitz and Irving Brecher (Kurnitz also developing the story) Director W. S. Van Dyke returns for his last Thin Man entry.

Shadow of the Thin Man was released November 21, 1941, on the eve of the US’s entrance into World War II with the bombing of Pearl Harbor. None of the ongoing worldwide conflict is reflected in the film, which involves murder and horse gambling conspiracies. The only real acknowledgement of real world events seems to be the rolling back of displays of Nora’s wealth, though it is still obvious they are flushed with money.

The Thin Man flicks zigzag back and forth between New York and San Francisco, so we return to the Bay Area for good time Bay Area fun. Also returning is Lieutenant Abrams (Sam Levene) from After the Thin Man, because we’re back on his beat. Once again he needs Nick Charles’ help, because of mystery murders with lots of complications.
Shadow of the Thin Man
Murder victim “Whitey” Barrow (Alan Baxter) is one of those obvious murder victims. Baxter’s also ridiculously overacting when he’s playing the tough mobster guy, yet sounds like a normal person when he’s hiding his gangster persona. It’s a weird choice (and frankly a bit distracting), luckily he gets knocked off early enough it doesn’t become a big problem.

Nora keeps up with Nick’s investigations the most in this sequel, following him on his searches, showing him up when it comes to dealing with his son, and even luring him home with the siren song of a shaking martini mixer. There are bonus points added for Nora heroically leaping onto a gun during the climactic scene where the real murderer reveals themselves by grabbing the gun they always have.

Aside from Nora Charles, most of the female roles are pretty thankless, despite being filled with quality actresses. Stella Adler manages to turn the limited role of Claire Porter into something amazing. Porter is drenched in the casings of the upper class, appearing to be well-to-do despite her gangster boyfriend. But her money comes from a job not so well-to-do, a job they can only hint at (due to the Hays Code) by her switching up accents when flustered by Nick Charles. Donna Reed has the truly thankless role as the secretary girlfriend to the accused murderer Paul. Despite a hint that she might be more than she looks due to who she works for, her character is given little to do except worry about her man.

Louise Beavers’ character of Stella, the Charles’ maid, is the largest part for a black actor in the Thin Man series. Sadly it’s what I call a Mammy Whammy, in that it’s over the top servant character. Beavers is associated with that type of role, partially because those roles were the only roles available to black performers. She gained fame with a non-stereotypical black maid role, Delilah in 1934’s Imitation of Life.
Shadow of the Thin Man
This is the Thin Man entry with some of the funniest bits in the series – the wrestling scene, the merry-go-round, the brawl at the restaurant, Nick getting a speeding ticket, and Nick’s encounter with an old landlady obsessed with radio crime shows and police gazettes, who talks Nick’s lingo and then some.

One of the major criticisms is the film focuses on too much that isn’t the murder mystery, and the sequence of events that the mystery follows are practically spelled out. It is true that things seem almost designed to happen no matter what Nick and Nora do, they are practically swept up into the original murder and are present at every important event following it, complete with the police actively encouraging them. The killer is the most obvious of the whole series, but my view on the films are that it is about the journey, not the destination. After being raised on two decades of carbon-copy police procedurals where the real differences are the show’s characters and gimmicks, which quickly become the defining reason to watch. The old detective movies that are memorable have their own cool characters and gimmicks, of which the Thin Man flicks excels. I don’t think Shadow of the Thin Man is a shadow of the prior films (BOOOOO!!! to that pun!), instead standing tall with the original four despite a few flaws.
Shadow of the Thin Man

Nick Charles (William Powell) – The oft-retired Nick Charles drives right into another murder mystery, turning his day at the races into a day of investigating.
Nora Charles (Myrna Loy) – Nora follows along with Nick’s plans and manages to come along to a variety of locations. Is very into the wrestling event. Sneaks her way into the investigation as well.
Asta (Asta) – Asta is back causing lots and lots of chaos and fighting, when he isn’t hiding from kittens!
Nick Charles, Jr. (Richard Hall as Dickie Hall) – Old enough to actually talk, Nick Jr. becomes a character who helps push Nick to be more responsible, and to do things to impress his son.
Paul Clarke (Barry Nelson) – A good reporter who gets framed for Whitey Barrow’s murder. He’s trying to take down the mob interests that are running the track and several other operations.
Molly (Donna Reed) – Paul’s girlfriend, she works as mob boss Link Stephens’ secretary in a bid to pass information along to Paul.
Lieutenant Abrams (Sam Levene) – Lieutenant Abrams returns to the series, though the San Francisco detective is investigating murders in Oakland, not that the Thin Man movies have worried about jurisdiction before! Is practically begging Nick Charles to help with the case.
“Whitey” Barrow (Alan Baxter) – A shady reporter who extorts money from mob guys he helped cover up/fix stories for. Becomes a murder victim thanks to everyone wanting him dead, and someone granting that wish.
Claire Porter aka Clara Peters (Stella Adler) – Rich lady who is a former girl involved in all the mob business and some adult business we can’t discuss openly because of codes. Yes, this is THAT Stella Adler, the famed acting teacher, in one of her rare film roles.

Shadow of the Thin Man
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Another Thin Man (Review)

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Another Thin Man

Another Thin Man
1939
Story by Dashiell Hammett
Screenplay by Albert Hackett and Frances Goodrich
Additional material by Anita Loos (uncredited)
Directed by W. S. Van Dyke
Another Thin Man
After taking a brief trip home to San Francisco for the prior film, the action returns to New York City with Another Thin Man. The third entry in the franchise features one of the best mysteries and a cool collection of the off-beat characters that help make the Thin Man films so endearing. If you can’t smile when a bunch of mugs and lowlifes sing an off-key rendition of Happy Birthday while each holding random screaming children, then you’re probably a boring person scared of life.

Another Thin Man is my favorite of the series, I feel it has the best mix of characters, humor, and mystery. There is a constant stream of characters both good and seedy, and often both. Another Thin Man picks some of the themes of the prior two films and then throws them on their ears – there is a love triangle with a rich girl, a rich father who becomes a murder victim, and secret identities. Nora’s father’s business partner Colonel Burr MacFay makes an unsympathetic murder victim with his dismissal of Church and admittance that things outside of the law were done to ensure the fortune. But the law isn’t about whether someone is worthy of being a target.
Another Thin Man
One delight is the Cuban dance number in the West Indies Club, working with the Cuban origin of Church while providing a follow up to the Chinese-themed nightclub from Another Thin Man. Nora had received a phone call promising a clue would be told to her there, and she rushes over so she can show up Nick. Nick manages to get to the club by other means, and finds his wife at a table swarmed by male suitors (one of the few turnabouts to Nick constantly finding the admiration of random ladies in the series), they trade some hilarious wordplay that send the men scattering, and Nora ends up dancing with a guy who she thinks is the man with the information, but is just a lovestruck random guy. Nick has his own adventure with a man who begins spilling the entire plot after a few drinks, and Phil Church’s goon Dum-Dum is there to continually tell the guy to shut up. Nick does end up saving his wife from dancing with the random lothario thanks to a well-time punch when the power goes out.

Another Thin Man is jammed packed with the character actors that gave the Thin Man films their goofy dangerous flavor. Harry Bellaver plays Creeps, a “reformed” criminal now working as a bellhop (and another of Nick’s busts back from his detective days) who is determined to throw the couple a party. Shemp Howard appears as another reformed criminal named Wacky, who borrows a baby to get into said party. Paragon of British upper crust C. Aubrey Smith is Colonel Burr MacFay, business partner to Nora’s father, and he turns out to have been involved in some very shady dealings. And let’s not forget Dum-Dum, the knife-welding member of Phil Church’s crew who projects an aura of intelligent danger, even if he’s occasionally deflated by Asta retrieving his knives. Assistant District Attorney Ben Van Slack (Otto Kruger) becomes very involved in the investigation, at first trying to flip it on Nick, then eventually chasing after any lead and making lots of exaggerated implications. There is also the welcome return of Nat Pendleton as Lieutenant John Guild, the New York detective more than happy to have Nick help on this case. Keep your eyes peeled for Marjorie Main (from the Ma and Pa Kettle movies) as Mrs. Dolley!

A seedy trio lead by Phil Church are threatening Colonel MacFay for compensation for the time Church spent in jail while working for the Colonel. Church is embittered over his time served, but also has a complicated plan to get money and cause problems. He speaks of dreaming of his enemies dying, and then they do so in real life. Church’s knife welding servant Dum-Dum is more than just a goon, he knows the plan and knows he needs to keep people quiet, but occasionally is even cordial to Nick despite his deadly undertone. His devotion to Church is total. The female quotient is Smitty, who has a few secrets of her own. There is even an unofficial fourth member of this trio, who at first appears to just be watching the group, but manages to weasel himself inside to give us an additional suspect.
Another Thin Man
The plot is among the more complicated of the series, red herrings flying around like Lew Zealand is performing. A good chunk of what happens seems to transpire just to lead us off course. There is a long-lost daughter, a mystery woman, and people who are more than they appear. Another Thin Man is the last of the films given a story by Dashiell Hammett, which were also worked on by Frances Goodrich and Albert Hackett (and Anita Loos is also credited with story work by online sources).

Nick Charles (William Powell) – The retired detective is once again out of retirement with another murder mystery, this time involving more people he knows. Even a few of the secondary characters are starting to get suspicious.
Nora Charles (Myrna Loy) – Nick’s wife and now mother of Nick Jr, thus she won’t be keeping up with the drinking and must double down on quips.
Asta (Asta) – The Charles’ loyal dog is with them once again to help look for clues, retrieve knives, and to get into random mischief. This may still be Skippy, or may be one of the replacement Astas. I have conflicting information on that.
Lieutenant John Guild (Nat Pendleton) – Lt. John Guild returns to the series to try to figure out the case, even though the murder happened outside of New York City proper. Maybe he works for the state police?
Assistant District Attorney Ben Van Slack (Otto Kruger) – ADA who attaches himself to the case because someone high-profile was knocked off. Spends part of the film jumping to ridiculous conclusions and giving weird looks.
Colonel Burr MacFay (C. Aubrey Smith) – Friend and business partner of Nora’s father, and helped run the businesses after her father died. Did some shady stuff, though he insulated Nora’s dad from the bad stuff. Screwed over Phil Church and doesn’t want to pay out. Has a bajillion enemies, and then mysteriously dies in an empty room.
Phil Church (Sheldon Leonard) – Cuban ex-con who spent time in jail because he did off the book dirty deeds for Colonel MacFay, and now he wants to get paid for his troubles, or else! He threatens people by telling them he dreams of their deaths, and after the third time that they die in his dreams, they die in reality. Has a gang consisting of knife-thrower Dum-Dum (Abner Biberman) and female Smitty (Muriel Hutchison), who is his sort of love interest despite having a husband she doesn’t bother with.
Lois MacFay (Virginia Grey) – MacFay’s adopted daughter. She comes complete with a dog (Jesse), a fiancé (Dudley Horn, played by Patric Knowles), and Freddie Coleman’s interest. Of her admirers and family, only Freddie comes out of the first chunk of the movie with his life intact.
Freddie Coleman (Tom Neal) – MacFay’s secretary and lovelorn admirer of Lois MacFay, though she has other interests and is engaged.
“Creeps” (Harry Bellaver) – “Reformed” criminal who runs into Nick and insists on throwing him a party in celebration of the birth of his son. Responsible for bringing a lot of colorful characters into the climactic scenes.

Another Thin Man
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After the Thin Man (Review)

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After the Thin Man

After the Thin Man
1936
Story by Dashiell Hammett
Screenplay by Albert Hackett and Frances Goodrich
Directed by W. S. Van Dyke
After the Thin Man
Nick and Nora Charles return to San Francisco as heroes, their solving of a murder exploits big news as San Francisco has never had any crime, ever. Okay, maybe there were a few crimes in San Francisco, but the Charles are famous thanks to the power of media making heroes. Of course, the fun can’t last, and soon Nick and Nora are drawn into a brand new murder mystery. Never fret, there are plenty of wacky characters and real dangers along the way, with Nick and Nora quipping all the while.

It’s almost literally right after The Thin Man, which took place over Christmas, and it’s now New Year’s Eve. That keeps the festive atmosphere without retreading the Christmas theme. There is a surprise welcome home party happening at Nick and Nora’s house, which means the house is packed full of people who have no idea who Nick and Nora Charles even are, nor who recognize them when they come in. A guy hilariously welcomes them inside and explains he doesn’t know who the Charles are, and advises them to just fake it like he’s doing. They go along with it, dancing together to the kitchen, where the house staff actually does recognize the pair.

More than any of the other films, After the Thin Man is aware of the class differences between Nick and Nora. Nora was born into wealth, while Nick married into it. Despite their differences, the pair are equally willing to hang out with anyone from any class strata. Nick has a constant stream of lower class reformed criminals that he runs into that are all wanting to be buddy-buddy, while Nora’s rich relatives treat Nick like a pariah, especially ironic considering the guy Aunt Katherine’s daughter Selma ended up married to.
After the Thin Man
One of the biggest draws to After the Thin Man is Jimmy Stewart, who knocks it out of the park and whose performance will be one of the main things you remember from this sequel. When I first watched the Thin Man flicks, it was because I was getting into older movies and became a big Jimmy Stewart fan. I also needed to watch the films in order, because that’s just how I roll. Luckily, they had just released all of the Thin Man flicks on VHS tape (remember those? Of course you do!) and so they were easy to find at the rental stores. Except for After the Thin Man. For some reason, none of the video stores in the St. Louis area seemed to have a copy. I finally found one at an independent video store on the way home from work, and that place became a regular stop due to a classics section that outdid much of the competitors (though the cheapo DTV action films I still rented from Schnucks!). Oddly enough, their copy of After the Thin Man was ancient, in a giant clamshell package, despite the other five films all being the new VHS versions. Whatever, I finally got to see Jimmy Stewart be awesome, and then could continue the series. I do remember the commercial in front of each movie for the whole Thin Man set, which is a nice dumb thing to remember when I can’t recall where I put my keys.

Asta has an expanded role, not only does he partially destroy a clue while attempting to play with the Charles, but there is a running gag with Mrs. Asta, who thanks to Asta’s long absences has take to accepting visits from a local black dog, including producing at least one puppy. Despite Asta chasing off the interloper, by the end of the film Asta is continuing to hang out with the Charles family, leaving his “wife” to her own devices. As she and his children are never seen again, we can deduce what her decision was. While the new dog being black might constitute a racial component, I’m thinking it’s more of a way to make the visual gag of a puppy that’s decidedly not Asta’s work the best in black and white. Still, this is the type of humor that has begun to dry up with enforcement of the Hays Code, and subsequent Thin Man features would have to resort to even more abstract metaphors to discuss infidelity and other issues.
After the Thin Man

Nick Charles (William Powell) – Former detective turned socialite who keeps detectiving because it keeps life exciting, he gets involved in the cases anyway, and because he’s darn good at it.
Nora Charles (Myrna Loy) – Socialite who continues to encourage her husband to take tough cases, especially when they involve their friends. And gets involved in the cases as well.
Asta (Skippy) – We find out here that Asta is an absentee father, so I expect one of his kids wrote a tell-all book about their life. Asta also enjoys mangling clues, like the note he thinks is a play thing. Oh, that Asta!
David Graham (James Stewart) – Friend of Nora and Selma’s for years, he’s always been in love with Selma, but then she goes and marries some jerk and he’s forever friend-zoned. But when she’s accused of Robert’s murder, he’s there to try to help her.
Selma Landis (Elissa Landi) – Nora’s cousin and daughter of the notorious Aunt Katherine Forrest (Jessie Ralph), whose hobbies include looking down on the poor and being shocked by everything. Selma married the no good Robert Landis despite David Graham holding a flame for her for decades, and now suffers before Robert’s indignity as well. Then she gets accused of his murder, and is so out of it she begins to doubt her own innocence.
Lieutenant Abrams (Sam Levene) – Lead detective on the case out in San Francisco, also enjoys Nick helping out. Is less of an outward tough guy than Lieutenant John Guild, but can be tough on the criminals if need be.
Polly Byrnes (Penny Singleton as Dorothy McNulty) – Lounge singer who is Robert’s new girl, except she’s really running a con on him along with her club owner boss, Dancer (Joseph Calleia). Her brother Phil Byrnes (Paul Fix) is a bottom dweller who sometimes almost spoils her plans.
Robert Landis (Alan Marshal) – Selma’s husband who spends his time and her money out at clubs hitting on other women. Is all set to leave her when he is gunned down, Selma found holding the gun.

After the Thin Man
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