The Thin Man Goes Home (Review)
The Thin Man Goes Home
1945
Story by Robert Riskin and Harry Kurnitz
Screenplay by Robert Riskin and Dwight Taylor
Directed by Richard Thorpe
The Thin Man Goes Home doesn’t feature the regular creative crew of the series. Regular director W. S. Van Dyke, had committed suicide in 1943, suffering from illness and unwilling to go seek treatment due to his Christian Scientist beliefs. Regular script writing team Albert Hackett and Frances Goodrich also didn’t return, nor did series creator Dashiell Hammett, who had worked with the writing pair to help develop the prior entries.
The new director was Richard Thorpe. Thorpe was the original director of the 1939 The Wizard of Oz, though most of his work was discarded when he was fired after two weeks. He directed several Tarzan flicks and a bunch of adventure dramas, many featuring Robert Taylor. The story for The Thin Man Goes Home was conceived by Harry Kurnitz and Robert Riskin, Riskin going on to write the screenplay with Dwight Taylor. The lack of continuity is easily apparent with the many small changes in the film.
Most importantly, this entry changes Nick’s family from Greek immigrants (Hammett had Nick’s father change their last name from Charalambides to Charles to fit on a photograph) to an upper class family headed by a respected community doctor. This switches Nick from an immigrant’s son who done good to a black sheep who left his family to find his own path. That craps on a lot of the class issues from the previous four films, and turns things into an attempt by Nick to finally impress his father.
The Thin Man Goes Home was a 1945 pictures, released while the US was in the midst of the Second World War. This is reflected in the film itself, and we see the Charles deal with wartime rationing. Their normally spacious private train cars are gone, replaced by packing in like sardines on the train, and even being forced into the baggage car because they bring Asta along with them. Nick Charles is forced to drop his usual 100 martinis a day habit due to alcohol rationing (explained in the film as abstaining from drinking because his father disapproves), and instead chugs cider. Many of the background actors are dressed as members of the armed forces.
Myrna Loy actually stopped acting to get married and become a big booster during the war, working with the Red Cross and ticking off Hitler (a feather in anyone’s cap!) Shadow of the Thin Man was her last film before stopping, and The Thin Man Goes Home was her return. Rumor was they were trying to make the sequel earlier and bring in Irene Dunne as Nora Charles, but Dunne flatly refused, saying the chemistry between Powell and Loy was why the series worked (and she was subsequently no longer offered scripts by MGM!)
There is a nod to pulp detectives as Nick lounges in the hammock and reads a Nick Carter magazine.
Nick Charles Jr. isn’t in this entry, as explained he’s away at school, and pulling him out of school so the senior Charles family could meet their only grandson for the first time is just wand-waved away. That’s the sort of thing that if I pulled it off with my mom, she’d have sent me immediately away on a train to go get my son. He does return in the final film, which is good because it would just be too weird otherwise.
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Categories: Good, Movie Reviews Tags: Anita Sharp-Bolster, Anne Revere, Asta, Dashiell Hammett, Donald MacBride, Donald Meek, Dwight Taylor, Edward Brophy, Gloria DeHaven, Harry Davenport, Harry Kurnitz, Helen Vinson, Leon Ames, Lloyd Corrigan, Lucile Watson, Minor Watson, Morris Ankrum, Movies gone to the dogs, Myrna Loy, Nora Cecil, Ralph Brooks, Richard Thorpe, Robert Riskin, Thin Man, William Powell
Invaders From Mars (1953 – Review)
Invaders From Mars
1953
Starring
Jimmy Hunt as David Maclean
Helena Carter as Dr. Pat Blake, MD
Arthur Franz as Dr. Stuart Kelston
Morris Ankrum as Col. Fielding
Leif Erickson as George MacLean
Hillary Brooke as Mary MacLean
One of the first generation of 1950’s alien invasion movies. Almost a classic. Almost a failure. Almost
unforgettable. Almost Famous. Excuse me… This movie predates Invasion of the Body Snatchers, yet shares some of the same themes. Those themes seem to be paranoia and fear of Commies. Instead of dwelling on them, the movie changes course midstream and become a aliens kidnapping children and women movie, where the military might of the USA must destroy those dirty Martian Commies and make outer space safe to become the fifty-first state. The kid in this movie is one of the few non-annoying children in science fiction movies you will come across. That is a big plus, as science fiction children are the most annoying children ever to grace this planet of ours. I hope that the Earth is not judged one day by alien races that have only older science fiction movies as their sole source of information, they would destroy this planet before the second reel.
Categories: Movie Reviews, Ugly Tags: 1950s SciFi, Arthur Franz, Helena Carter, Hillary Brooke, Jimmy Hunt, Leif Erickson, Mars March, Morris Ankrum
