The Woman Knight of Mirror Lake
The Woman Knight of Mirror Lake
aka 競雄女俠秋瑾 aka Jian hu nu xia Qiu Jin
2011
Written by Erica Li Man and Checkley Sin Kwok-Lam
Directed by Herman Yau Lai-To
To say that The Woman Knight of Mirror Lake was a disappointment would be a sad understatement. The biopic of famed femme revolutionary Qiu Jin is about a remarkable woman in a dangerous time, but the entire narrative suffers through flashbacks and a lack of establishing just what the heck is going on. I am familiar with the history of Qiu Jin because she’s interesting, but I still had trouble following the historical who’s who of revolutionaries, both real and consolidated/fake. Unfocused and scattered, The Woman Knight of Mirror Lake jumps from revolutionary speak to scenes trying to depict how women got it tough to speeches about Chinese patriotism to battle scenes involving people the audience has never met. The zig-zagging prevents a good narrative that we can follow, and the flashbacks serve no purpose and don’t correspond to what is happening in the present. It’s like they read about the narrative technique in a book and decided to do it just because it sounded cool. Herman Yau Lai-To has directed some cult classics in years gone by, but his extreme nature seems to have been neutered for bigger paychecks, and along with that, any attempts to do things creatively.
The Woman Knight of Mirror Lake is a very patriotic film. Most discussions on the ills of society end up running into the narrative that China is lead by weaklings, so that’s why everything sucks. And at this time, China was essentially carved up by foreign powers, humiliated, and reform attempts had just ended in disaster. But instead of showing how the failures justify the repeated revolution attempts (there were literally dozens over the years before they took), we just jump to the next problem of women not being able to travel due to children, or Japan restricting what students can say, or Qiu Jin’s husband being an entitled douche.
Beyond the script not following a story arc that makes it easy to follow, the individual scenes themselves are messes at times. The most notable is near the end of the film where there is an attempted assassination of a local governor. The setup and subsequent fight seems to last forever, and it’s filled with unknown people fighting unknown people. Worst of all, we all know the conclusion, because it was in the beginning of the film! This is like worrying if Obi-Won Kenobi is in any trouble in a Star Wars prequel.
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Million Dollar Crocodile
Barbie Hsu is Million Dollar Crocodile! Looks like SyFy Channel is leaking again, and got some of their radioactive goo into China! And why is Million Dollar Crocodile always running? He’s like Forrest Gump during the time he was running around America for years, except he’s constantly eating while on the go. Guo Tao and Lam Suet also enjoy getting money to appear in films like this. And, yes, someone already bought the worldwide sales rights. Li Sheng Lin wrote and directed it. The plot:
Xiao Xing, a general little boy lives in little town, Mei Jia Wu, is his in grade four. He has a best friend named Amao, who is an eight-meters long crocodile. They get alone with each other, peacefully.
Many years, Amao has been living in a local crocodile farm ran by tough Bald Liu who caught Amao from Thailand. But this year, Bald Liu has to sell all the crocodiles cause the poor management. Unfortunately, the notorious tricky businessman Zhao Da Zui bought them all for developing a series crocodile meals. When the crocodiles are going to be killed by slaughters, Amao pulled apart the ropes angrily, and lead all crocodiles fighting for their lives and killed the chef and escaped.
This incident breaks the little town, Mei Jia Wu’s quiet and easy life. Xiao Xing and his father Da Wei Wang were all involved.
I like the concept of a juggernaut crocodile much better than that plot…
via @TheGoldenRock
The heck was this doing on Google Image Search? It's on here now, cause I can't afford a Million Dollar Crocodile. This is Dollar Menu Crocodile!
Categories: Movie News Tags: Barbie Hsu, China, Guo Tao, Lam Suet, Million Dollar Crocodile
The Sorcerer and the White Snake
The Legend of the White Snake lives again in movie form with the upcoming The Sorcerer and the White Snake (白蛇傳說), which hits theaters in China in September. The Legend of the White Snake is a story older than writing, and has been the basis for countless stories, books, operas, tv shows, and films. The version probably most familiar in the west is Tsui Hark’s 1993 Green Snake, with Maggie Cheung and Joey Wong. White Snake and Green Snake are two snakes that have taken human female form, and the basic story usually involves White Snake and a young scholar falling in love, until a monk comes along and throws White Snake into a well. Later versions sometimes change things to a more happy ending.
The Sorcerer and the White Snake has Jet Li as the Monk Fa Hai, and it will feature many martial arts battles. Eva Huang is White Snake, and Charlene Choi is Green Snake. The scholar Xu Xian is Raymond Lam, and the Monk’s understudy is played by Wen Zhang. Several others have been cast as various demon characters, including Jiang Wu as Turtle Devil, Vivian Hsu as Snow Goblin, Miriam Yeung as Rabbit Devil, Chapman To as Toad Monster and Lam Suet as Chicken Devil. So it will be a huge zoo of fairy monster people!
The Sorcerer and the White Snake has had a few English titles, originally Madame White Snake and then It’s Love. But It’s Love is a lame name, thus the distributor changed it to The Sorcerer and the White Snake to pull in Harry Potter fans. I’m kidding, they actually did it to get fans of the Sorcerer’s Apprentice franchise! But will it have the “mocha mocha” song? Because you need the “mocha mocha” song!
Ching Siu-tung (1987’s A Chinese Ghost Story) directs.
Trailer:
English subs trailer:
Effects work video:
Imagebomb:
via HKMDB
I Love Hong Kong
I Love Hong Kong
aka Ngo oi Heung Gong: Hoi sum man seoi aka 我愛香港
2011
Directed by Chung Shu-Kai and Eric Tsang Chi-Wai
I Love Hong Kong is another Shaw/TVB backed Lunar New Year comedy coming on the heals of 2010’s 72 Tenants of Prosperity. It is also deeply tied to Hong Kong nostalgia, and growing up in Hong Kong. Thus, a lot of the charm of the film does not translate well to overseas markets. And while parts of the film are funny and interesting, it feels like you are at your roommate’s family reunion. This isn’t to say that I Love Hong Kong is a bad film, but if you didn’t spend time living in Hong Kong, it is probably impossible to fully appreciate it. And I say that as someone who’s never lived in Hong Kong.
During the Lunar New Year in Hong Kong, it has become tradition for the studios to release comedy films. And that tradition dates back to 1937’s Bloom and Prosper, a film that doesn’t exist any more. Lunar New Year’s films generally have huge casts bursting to the brims with everyone famous they can cram in, wacky plots, romance, and lampooning cultural targets. And while the modern age may have lessened the impact of the box office, the tradition is alive and well. Besides starring a whole host of people, I Love Hong Kong has two directors, three script writers (Chung Shu-Kai, Heiward Mak Hei-Yan, Wong Yeung-Tat), and is based on an original story by 8 people (Eric Tsang, Chung Shu Kai, Heiward Mak, Wong Yeung Tat, Manho Mok, Chan Cheuk Wah, Ming Wong, and Louis Ng)! That’s almost as many people as who write the average terrible Hollywood blockbuster. Some of the cameos include Tenky Tin Kai-Man, Michelle Lo Mik-Suet, and even Maggie Cheung!
The theme song repeats the “I Love Hong Kong” phrase a lot, and by the end of the song you are reassured that everyone on the planet loves Hong Kong. So get with the program! There are several other songs in the films, usually during flashback sequences, and they are classic songs well enough known that my wife was singing along.
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Out of the Dark (Review)
Out of the Dark
aka Wui wan yeh
1995
Written and directed by Jeff Lau Chun-Wai
Stephen Chow is known as one of the funniest people to come out of the Hong Kong film industry. His films have become favorites around the globe and he has legions of fans. Chow’s mo lei tau films cross all sorts of genres, from spies to action to historical to gambling to sports. People argue over which of his films are the best. But one film that rarely is brought up is Out of the Dark, and here at TarsTarkas.NET we believe that is a crime. In fact, I’ve come to the conclusion that Out of the Dark is my favorite Stephen Chow film. But it isn’t a non-stop wacky film, it’s a comedy that’s also a pretty spooky ghost film with a very high body count. Most of the look, costumes, and even a few character names are ganked from Besson’s Leon: The Professional. Heck, there’s even a plant! Director Jeff Lau previously directed several ghost movies, and Chow in the Chinese Odyssey flicks. He moved on to Metallic Attraction: Kung Fu Cyborg among other films.
Out of the Dark doesn’t fit the mold of the normal mo lei tau films, it spends time transcending the genre of wackiness while simultaneously embracing it (yes, that’s possible!) Out of the Dark shows much of the genius later captured by Kung Fu Hustle as a mo lei tau that is more. But instead of following a hero arc, we instead follow a group of people caught up in the sins of an evil family and their revenges from beyond the grave. There are kids brandishing knives, creepy old ladies, possessions, and the one man crazy enough to not be scared of this crap. Someone’s gotta bust ghosts and take up where Lam Ching-Ying left off! So let’s get our Dark on!
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Categories: Bad, Movie Reviews Tags: ghosts, Hong Kong, Jeff Lau Chun-Wai, Karen Mok Man-Wai, Lam Suet, Lee Kin-Yan, mo lei tau, Stephen Chow Sing-Chi, Wong Yat-Fei
Hustle and Flow – Human Nature and Kung Fu Hustle
Hustle and Flow – Human Nature and Kung Fu Hustle
A review of Kung Fu Hustle aka Gong Fu
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Fig. 1 – Title credit for Kung Fu Hustle
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2004
Directed by Stephen Chow Sing-Chi
Action Directors Yuen Woo-Ping and Sammo Hung Kam-Bo
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Fig. 2 – Axe Gang members dance in a downward triangle representing their subscribing to baser emotions
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Abstract
Gong Fu (hereafter Kung Fu Hustle), is a perfect representation of human nature, complete with characters representing the ego, the super-ego, and the id. The setting and characters are mired in the secret world of Jiang Hu. Characters grow and evolve through the film, throwing off their layers of subterfuge and revealing their true selves.
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Fig. 3 – Pig Sty Alley
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Introduction
As the opening credits of Kung Fu Hustle play, a butterfly flutters through a canyon that is a winding, twisting maze. A pullback reveals the canyon forms the characters of the title of the film, Gong Fu/Kung Fu Hustle. The butterfly’s presence foreshadows the final act, subconsciously readying the viewers for the change they will see. The canyon walls becoming the title let the viewers know that everything we need to see is there, we just have to look in the proper way.
Kung Fu Hustle is a martial arts comedy. At time the action becomes deliberately cartoony and over the top, those instances serving both comedic elements and further exaggerating the underlying role of the nature of humanity. Kung Fu Hustle‘s cartoonishness comes partially from it being among the last of the mo lei tau films, Stephen Chow growing as an artist and expanding his films’ reach to use things beyond sheer ridiculousness to get points across.
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Fig. 4 – Cartoonish violence stylizes Landlord’s cover of having no martial skills
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Characters:
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Fig. 5 – Sing traumatizes children subconsciously repeating his own tragic life-altering childhood
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