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Justice League: The Flashpoint Paradox (Review)

Justice League: The Flashpoint Paradox

Justice League Flashpoint Paradox
2013
Written by James Krieg
Based on Flashpoint by Geoff Johns and Andy Kubert
Directed by Jay Oliva

Justice League Flashpoint Paradox
Flashpoint became the even that subsequently rebooted the DC universe into The New 52!, as the covers say. Basically, everything got rebooted, and was done so with less of a notice than you would like to wrap up storylines in dozens of comic books. This resulted in some things being a bit more rebooted than others, but all that continuity you knew and loved was once again thrown out the window by the latest DC reboot. Justice League: The Flashpoint Paradox doesn’t get into the continuity situation (except a brief costume change at the end), but deals with the storyline that causes it, leaving the actual fallout for the eventual sequels like Justice League: War. It lacks the excitement and fun of some of the animated DC flicks, though does have a few bright points to offer.

Flash is a character that, like Batman, is overshadowed by his villains. I say this not because I don’t really care for Flash, but because I find the dynamics of his villains far more interesting. Captain Cold and the Rogues are a cool team dynamic, working together for profit while avoiding excess casualties, even if they occasionally get sucked into more bloody affairs simply because they walk in the criminal underworld. Flash is potentially one of the most powerful heroes on the planet, and they regularly do battle with him. They even fight against other super-villain teams that try to control them. However, Professor Zoom/Reverse Flash/Eobard Thawne is simply an Evil Flash from the future who is a jerk. Sadly, the tale here turns the Rogues into petty thugs easily tricked by Professor Zoom, who then orchestrates manipulating Flash into altering history and continues to taunt Flash even as the future Professor Zoom comes from ceases to exist. C. Thomas Howell puts in a good performance letting the creepy sociopath shine through, but he’s stuck with what is there in the script to deliver, and Professor Zoom never becomes a classic villain.
Justice League Flashpoint Paradox
The biggest problem with Flashpoint is that it was never really that good to begin with. The series wasn’t terrible, but it never really turned into a classic story that will survived through the ages. The only real continual allure is the alternate reality itself, and even some of that is a bit corny. We already had alternate versions of the Justice League members not that long ago with Justice League: Crisis on Two Earths, and despite the limited screen times, many of those characters felt more developed than the inhabitants of the Flashpoint world.

The fact the event was used to justify the rebooting of all of DC continuity makes it a lightning point of controversy, as some of the rebooting caused arguments of their own (Superman’s marriage went kaput, many dead characters sprung back to life, a few established female characters suddenly became giant slores) in addition to the general idea of everything getting reset yet again in DC. One theory was the resetting was a ploy to gain new readers, though if that was true, it didn’t seem to pan out too well, but much digital ink was spilt as various factions argued throughout the internet.
Justice League Flashpoint Paradox
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Posted by Tars Tarkas - November 20, 2014 at 7:08 am

Categories: Movie Reviews, Ugly   Tags: , , , , , , , , , , , , , , , , , , , , , ,

Bunkaku trailer

Bunraku is….I don’t know what it is. It looks like some sort of hybrid fusion of Dark City and Sin City and Dick Tracy (Dark Dick City?), except the stylized sets look very empty and generic, like they were built that day on the stage and the paint isn’t even dry. The city doesn’t look lived in at all. The plot sounds nuts (synopsis below), and though the trailer is trying to sell me on the things that should appeal to me, it just isn’t working. I’ll think I’ll wait on this one. It hits VOD on September 1st, and a limited theatrical run begins September 30th.

SYNOPSIS:
A mysterious drifter (Josh Hartnett) and an ardent young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil “woodcutter” and his lady Alexandra (Demi Moore), a femme fatale with a secret past. This classic tale is re-vitalized and re-imagined in an entirely fresh visual context, set in a unique world that mixes skewed reality with shadow-play fantasy, a place where even the landscape can betray you. Heroes triumph here only because the force of their will transforms and transcends both space and time. The world of BUNRAKU is past and present, fantasy and reality, Samurai and Western all combined. Like SIN CITY and 300, it gives classic conflict a whole new graphically supercharged dynamic. Resonating through a wide range of cultures and showcasing a mind-blowing array of martial arts disciplines, BUNRAKU is a fresh arena for breathtaking fight action.

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Posted by Tars Tarkas - July 22, 2011 at 10:46 am

Categories: Movie News   Tags: , , , , , ,

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