Batman: Gotham by Gaslight (Review)

Batman: Gotham by Gaslight

Batman Gotham by Gaslight
2018
Written by Jim Krieg
Based on the graphic novel Gotham by Gaslight written by Brian Augustyn
Directed by Sam Liu

Batman Gotham by Gaslight
Jack the Ripper stalks the streets of 1880s Gotham City. As the murders pile up, the police are helpless to stop them. But there is a Batman in this world…

Batman: Gotham by Gaslight is based on one of the original alternate reality tales that would eventually become the Elseworlds brand at DC, though the story has been altered to better reflect the animated movie format and some modern sensibilities. Overall, we get something that feels closer to what would be produced from the 90s animated series than what some of the recent DC animated films have come out with. That’s a good thing, as the series is a high-water mark that all too often these films are unable to attain, despite some notable exceptions.

Gotham is easily transformed in style to a 19th century British city, it is sort of interesting how easily the pieces slide together. Bruce Wayne is still a rich playboy, but he also has connection to his orphan roots via Sister Leslie and her orphanage. This gives him another connection to the victims of the killer, as they are largely poorer women, some of which have gone through the same orphanage. Public outcry is muted because the victims are largely lower class women (mostly prostitutes), but actress Selina Kyle’s voice is one of the loudest to try to get the police to do anything. They are limited by the investigative tools of the time and by distractions of a World’s Fair preparation. An element not really used from historical accounts is the press whipping this up into a frenzy, besides deserted streets there is often nothing really indicating people are afraid (and the deserted streets might just be saving some animation budget!) The police presence is also lacking until it factors into the plot, at which point there are more police than grains of sand on the beach.
Batman Gotham by Gaslight
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Batman: Assault on Arkham (Review)

Batman: Assault on Arkham

Batman Assault on Arkham
2014
Written by Heath Corson
Directed by Jay Oliva and Ethan Spaulding

Batman Assault on Arkham
DC Animated has hit some sort of weird divergence where the films are either really good or really bad. Batman: Assault on Arkham fits in the really good category, even though it reduces Amanda Waller’s character to too simplistic of a bully villain. That’s a shame, as Waller is one of the greatest comic book characters, a high-ranking official who runs her own show outside of the normal good and evil duology, and is capable of standing up to the greatest heroes and villains.

Assault on Arkham becomes unlike a lot of the animated super hero fare because it features a team of scummy villains, who have no qualms about killing people and spend half the film trying to betray Waller and each other.

the Suicide Squad is a group of criminals with heavy sentences who are sent on dangerous missions in return for time being shaved off their terms. As the teams are largely made up of sociopaths, they don’t get along and have trouble working in teams. The fighting and backstabbing just adds to the fun of watching the villains work as they push towards their goal. Waller uses the team to take down threats that can’t be dealt with by normal means and need to be off the books, often ignoring what may be bigger problems to achieve her own goals.
Batman Assault on Arkham
This is as much a Batman film as a Suicide Squad film, so Batman runs around looking for a dirty bomb the Joker has to try to stop it from exploding. That means he crosses paths with the Squad more than once, especially since Harely Quinn is part of the team, despite her insistence that she and the Joker aren’t together any more. As the Squad has to break into Arkham to retrieve a flash disk and the Joker is interred in Arkham, he does end up becoming part of the story, especially when things begin to go haywire.

The Suicide Squad consists of Deadshot (who is concerned only with getting out so he can spend time with his young daughter), throwing expert Captain Boomerang, Harley Quinn, ninja Black Spider, ice queen Killer Frost, Killer Croc ripoff King Shark, and guy not to get too attached to KGBeast. Deadshot serves as the alternate main character, who keeps the team focused on the mission despite their various distractions like ex-boyfriends and marksmen rivalries. The Deadshot presented here is just professional enough to make a compelling main character. Captain Boomerang serves as his less moral counter and constant thorn in his side as Boomerang’s competitive and antisocial streak causes him to see Deadshot as an enemy.
Batman Assault on Arkham
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