I Am Waiting
aka 俺は待ってるぜ aka Ore wa matteru ze
Written by Shintaro Ishihara
Directed by Koreyoshi Kurahara
Japan’s cinematic output in the 50s and 60s was astounding, and the quality of films from that period form a reputation that is hard to match. It is no wonder that huge swaths of them got festival coverage over the years, and many get released in the US under premium labels. Nikkatsu Studios produced a whole series of “borderless action” films (as a response to US and French film box office success) and is where Seijun Suzuki made his fantastic flicks, at least until he got fired after constant clashes with the studio head and Nikkatsu later turned into a roman porno factory. But those hundreds of films still exist, and are still awesome. And while many haven’t been seen outside of Japan in forever, the growing appreciation means more and more get releases over time. Hence, I Am Waiting popping up in 2009.
I Am Waiting is a tale in two acts. Joji Shimaki (Yujiro Ishihara) meets a mysterious woman at the pier who calls herself Saeko (Mie Kitahara) – we find out later her name is Reiko. It’s clear she’s on the run from something traumatic, and we slowly learn that she is a cabaret singer at a yakuza club and one of the gang members got too frisky, so she bashed his head and ran, thinking him dead. Her dreams of being a singer soured after he vocal chords were ruined by an illness, and now she’s trapped in a contract at the yakuza nightclub. Her time with Joji helps her to briefly escape that life, working as his waitress and hanging out in town with Joji. But she’s recognized, and the yakuza come to reclaim her, until she finishes her contract. She spends the last half of the film again working in the nightclub, which Joji returns to occasionally as part of his story.
While the yakuza are confronting Joji, Joji gets a clue into his big mystery, the whereabouts of his brother. His brother was supposed to go to Brazil a year ago to buy land for a farm, but hasn’t contacted him since the boat left port, and Joji’s letters were returned. But one of the yakuza had a medallion that Joji’s bother carried, and the focus switches to Joji’s mystery as he works to unravel just what happened to his brother, and the culprits work to try to cover up their deeds.