Sexy Wives Sindrome (Review)
Sexy Wives Sindrome
2011
Written by Steve Goldenberg
Directed by Jim Wynorski (as Sam Pepperman)
Sexy Wives Sindrome IS a Jim Wynorski joint, baby! So it follows all the Wynorski touches that make his films unique, from camera angles that peer around womens’ bustlines to characters acknowledging the camera. That also means we got a whole host of Roobie Breastnut songs making up the soundtrack (and, yes, Pussy Pussy Bang Bang IS in the film!) Additional music is also done by Chuck Cirino, as some of the scenes that use a score to help enhance the mood or are more serious just wouldn’t play right with Roobie Breastnut songs blaring.
The core of Sexy Wives Sindrome is relationship therapists who conduct unorthodox fantasy solutions to couples’ problems, which usually involve a lot of sex, and usually involve the therapist herself in a lot of the sex. You would think this would be a gross violation of ethical practices and cause a whole host of legal issues, but it turns out things are even more weird and bizarre than you could possibly imagine, yet the solution also resolves all the lingering problems. I think it’s hilarious how everything worked out in the end, and how the conclusion basically destroys any long ethical argument I could bring up, hence there won’t really be one for this review. I know, I know, you are all disappointed. You better hope the next one doesn’t have a game-changing twist!
There is plenty of pseudopsychological mumbo jumbo going on to justify some of the relationship issues. It basically boils down to couples loving each other and trying to keep things interesting for each other. You could argue that letting other people into relationships can potentially cause lots of drama, but let’s face it, these couples are all pretty much swingers anyway, so they know the score.
The title Sexy Wives Sindrome comes from the made up syndrome discovered by one of the characters about how men become afraid of their attractive wives because they are so attractive and the men just can’t handle the possibility of losing them. None of that is really worked into the relationships in the film, but it’s the title so it’s important.
But enough about your Psych 101 class, it’s time for the Roll Call!

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Busty Coeds vs. Lusty Cheerleaders
Busty Coeds vs. Lusty Cheerleaders
2011
Written by Steve Goldenberg
Directed by Jim Wynorski (as Sam Pepperman)
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With a Double-D for an extra dose of killing you Deadd!
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The tagline for Aliens vs. Predators was “Whoever wins, we lose!” One could argue that the tagline for Busty Coeds vs. Lusty Cheerleaders could be “Whoever wins, we win!” Busty Coeds vs. Lusty Cheerleaders is another of the late night Cinemax classics that gave the network the nickname Skinimax. It’s also another feature from fab B-movie director Jim Wynorski (here directed as Sam Pepperman!) Wynorski never shines so bright as when he’s directing smut, and Busty Coeds vs. Lusty Cheerleaders is filled with camera tricks and creative narrative editing that you rarely see in cheaply made farce. It also makes a lot of his SyFy fare look bland by comparison.
Busty Coeds vs. Lusty Cheerleaders is a fun tale that’s about as realistic as those before-mentioned SyFy flicks. The Scholastic Hottie of the Year Contest is set up as some sort of reality show-styled event – but without cameras capturing all the action. Don’t worry, the film makes up for it with Angie’s narration, explaining everything as we go and even commenting upon action happening onscreen. The light-hearted tone help make BCxLC merry entertainment. I admit I don’t watch as much of Wynorski’s flicks as others, but his softcore films are often lively and witty. And believe me, we’ve seen some boring stinkers!
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Check out my levitation powers!
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From the B-movie Vs. title, we know that things will be treated with a sense of humor. BCxLC lampoons the cutthroat world of reality tv shows and pageant contests by displaying all the bribing, back stabbing, and general bitterness that goes on. But because we know it’s all a fantasy, it’s okay to end things on a high note. While being a mirror, it isn’t a broken mirror, and luckily BCxLC keeps itself separated from heading into dark territory.
Visual candy includes character pages, biographies, repeated breaking of the fourth wall, picture within picture for commentary, a laugh track, flashbacks and flashsideways, and answers to what happens to our heroes after the big event. The underwater camera usage is rare itself for these low budget flicks (though I think a few older, higher budgeted productions have used it before), and it increases the quality tenfold. While many of these films can begin to blur together (both due to repeated use of actresses, sets, and even tone), anything that helps distinguish is good. If BCxLC shows up on your late night cable TV schedule and you aren’t completely tired yet, it’s worth checking out.
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Directly ripped off from Aliens vs. Predators…
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SHHH! Don’t tell anyone the shocking ending of Busty Coeds vs. Lusty Cheerleaders!
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