Tag Archives: Bao Bei-Er

Li Bingbing is a snow demon in Zhong Kui: Snow Girl and the Dark Crystal

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Zhong Kui Snow Girl Dark Crystal Li BingBing
[adrotate banner=”1″]Production has becon on Zhong Kui: Snow Girl and the Dark Crystal (鍾馗伏魔　雪妖魔靈), a new 3D fantasy film from China starring Chen Kun (陳坤) and Li Bingbing (李冰冰). Zhong Kui will be directed by Zhao Tianyu (趙天宇), who is mainly known for the 2011 romance film The Law of Attraction.

Zhong Kui follows the story of Zhong Kui, a ghost whose job it is to keep other ghosts in line. So basically RIPD. Li Bingbing will play a snow demon, and expect appearances from Winston Chao, Bao Bei-Er, and Summer Jike Juanyi. There is no promotional shots yet as it is still filming, with a release date set for 2015’s Chinese New Year on February 19th.

I’ve had my reservations about some of the big budget Chinese films, as they’re track record is worse than America’s big budget films, but some productions look neat, and Li Bingbing is always amazing in whatever she does. So at worst this will be sort of entertaining, and at best this is either going to be awesome or going to be so campy it becomes awesome by reverse opposite reaction, or something. It’s a Newton Law, it can’t be avoided.

via FilmBizAsia
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The Four

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The Four

aka 四大名捕

2012
Script by Gordon Chan Ka-Seung, Frankie Tam Gong-Yuen, and Maria Wong Si-Man
Directed by Gordon Chan Ka-Seung and Janet Chun Siu-Jan

Emotionless spends 99% of the film looking at people like this

What if X-Men was a confusing mess with too many characters, little character development, and an over-reliance on visual effects vs. telling a good story? Besides X-Men 3, you’d also get The Four! Gordon Chan trades mutant powers for qigong skills in this big budget production that follows the trend of Mainland cinema relying far too much on visual effects to carry weak scripts and bland characters. While The Four does deliver some nice looking sequences, overall it fails to achieve its goal of being entertaining, and even fails to wrap up any plot lines in the film. The Four seems to go out of its way to make sure nothing happens.

Don’t worry, the obligatory scene where all the main characters fight for no reason still happens.

The latest update of prolific (and troubled) Malaysian writer Wen Ruian’s work, The Four has been adapted numerous times for television in Hong Kong, Taiwan and Mainland China. Featuring four male detectives with special powers who work directly for the Emperor and solve problems, this version is distinct for two reasons: It is the first big budget film adaptation, and one of the male characters has been made female. Even China is changing characters around to try to attract broader demographics! In general, I have no problem with that practice. But this specific case causes some problems, as discussed below.

I’ll show them, I’ll build a real clockwork orange!

Emotionless (Liu Yi-Fei) – Emotionless can read minds/souls, has telekinesis, in a wheelchair…but she’s not a Roman numeral professor or anything! The most powerful and smart member of the Divine Constabulary, but also has handicaps because why else would there need to be three more of them? In the original stories, Emotionless is a man.
Cold Blood (Deng Chao) – Cold Blood has a demon trapped inside him that comes out when he’s angry and a sword that glows green, but he’s totally not a rip off of the Hulk. Don’t think like that! Cold Blood has legendary sword skills, and legendary puppy finding skills. He worked for Department Six Constabulary until he was fired and then got a job with Divine Constabulary, but he still reports to his old Department Six Constabulary boss.
Iron Hand (Ngai Sing) – Despite the fact he’s named Iron Hand, he seems to be a bit closer to stark copy of a Marvel hero, thanks to his great ability to built things in the forge. Electrical powered things. Including wheelshairs. In ancient China.
Life Snatcher (Ronald Cheng Chung-Kei) – A bounty hunter who specializes in tracking down people who have debts for a price. He gets mixed up in the mess in the beginning of the film, but Zhengwo recognizes his skills and offers him a job. He’s reluctant at first to join up due to it interferring with his criminal underworld connections, but ends up becoming one of their best agents (he is one of The Four, after all!)
Zhuge Zhengwo (Anthony Wong Chau-Sang) – Leader of Divine Constabulary working directly under the Emperor. His unorthodox working styles is often criticized for not showing the proper respect, usually by stuffy-shirt nobles who are up to no good. It is sort of funny to see the star of films such as Ebola Syndrome given the wise and respected leader role.
Ji Yaohua (Jiang Yi-Yan) – The leader of a new crew of female constables that were hired by Division Six Constabulary. She starts crap from the moment of her introduction, and is working for the bad guy. A Penglai kung fu master with questionable loyalties… aka she’s evil!
I’ve heard of the Bride with White Hair, but this is ridiculous!

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Mural (Review)

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Mural

aka 畫壁

2011
Written by Gordon Chan Ka-Seung, Lau Ho-Leung, Frankie Tam Gong-Yuen, and Maria Wong Si-Man
Directed by Gordon Chan Ka-Seung and Danny Go Lam-Paau
Mural
Mural is another attempt from China to make bigger Hollywood-style pictures, which is both a good and a bad thing. It is good that money is being brought into make epic films. It is bad because the films being produced are all generic garbage. And as the money flows away from Hong Kong into the pack of upstart Mainland production companies, things are changing rapidly in both Hong Kong and Chinese cinema. But this review isn’t about that, it’s about Mural, a story about a guy who goes into a painting full of fairy women.
Mural
While Mural certainly looks nice, the story doesn’t hold up to the visuals and things become very bland. The visuals of creatures and monsters make good spectacles, even if the CGI isn’t up to par with Western films yet. Monsters and beauties are the two main attractions to Mural, there is enough of both you can let some things slide. Some good scenes and creativity in monster design help make certain points more memorable, but the underlying uninteresting characters and the obvious conclusion of the main love story cause things to not be so much a journey as just a trip through a museum.
Mural
Like Gordan Chan’s prior film Painted Skin, it is a tale from Pu Songling’s story collection Strange Stories from a Chinese Studio. The tomb contains nearly 500 tales, and has been the basis for dozens of films and tv series, including the Chinese Ghost Story films.

There are far too many of the models/actresses/singers playing the fariy women to list them all in the Roll Call, but I should name drop a few, like model-actress Monica Mok Xiao-Qi, Xia Yi-Yao, and Bao Wen-Jing. And now we will never mention them again! Even Eric Tsang Chi-Wai shows up with ear extensions as a goofy monk.
Mural

Zhu Xiaolian (Deng Chao) – A scholar studying for government exams at the capital who runs into adventure while on his journey there. Zhu likes to speak big talk of responsibility and becoming a good person, his sense of justice propelling part of the plot. Deng Chao is also in Detective Dee.
Meng Longtan (Ngai Sing) – A thief who is caught trying to rob Zhu and his servant. Ends up joining him on his trip into the painting and marrying a good chunk of the fairies.
Hou Xia (Bao Bei-Er) – Zhu’s servant who spends most of the film following Zhu around like a puppy, though he does manage to grow a tad as a character.
Queen (Yan Ni) – The nameless vain Queen of the fairy realm. Her rants against men hint at a greater insanity and bitterness, living in a world of her own creation for years. Her dress is reminiscent of evil queens from Disney films. Yan Ni is also in All’s Well Ends Well 2011.
Shaoyao (Betty Sun Li) – The Queen’s main servant, who is disliked by the rest of the fairies due to her closeness with the Queen. Suffers from self-esteem issues. Betty Sun Li can also be seen in Kung Fu Cyborg.
Mudan (Zheng Shuang) – Carefree childish fairy who travels to the human world briefly and encounters Zhu, and is then punished for what she did. Zheng Shuang is a Mainland newcomer to film who graduated from the Beijing Film Academy in 2011. Since 2009, she has starred in several tv series and has been releasing albums.
Yunmei (Ada Liu Yan) – Fairy lady who both dates Rock Monsters and is married 2 times to Meng and then Hou Xia, both really without her consent. Ada Liu Yan (主播柳岩) is a tv hostess turned actress/singer who will look completely different if you find some of her old pageant photos, and is one of the few actresses honest about it.
Cuizhu (Xie Nan) – Mudan’s best friend and a carefree spirit, Zhu pretends marriage to her in order to stay in the fairy world and find out what happened to Mudan. Xie Nan is a TV host and anchorwoman turn Mandopop singer who debuted in 2010. She’s briefly in All’s Well Ends Well 2011
Golden Warrior (Andy On Chi-Kit) – Golden Warrior is the only male-looking character allowed in the fairy world, he transforms from a bronze owl to defend the realm. Has a longing for Shaoyao that is not reciprocated. Totally isn’t He-Man.

Mural
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