Con Licencia Para Matar (Review)

Con Licencia Para Matar

aka With License to Kill aka Las Tigresas
Con Licencia Para Matar
1969
Written by Alfredo Ruanova
Directed by Rafael Baledón

Con Licencia Para Matar
When danger rears it’s head, and the police are helpless, they call in Las Tigresas! A trio of fighting femmes donning black catsuits with leopard print collars who bust in and kick serious butt, then collect fat paychecks to live exciting jet-setting lives.

There are two Las Tigresas films, Con Licencia Para Matar (With License to Kill) is the second, following Muñecas Peligrosas (Dangerous Dolls), though according to some material I read, this one may have been filmed first. That’s not surprising, as both films appear to be filmed one after the other (they even share sets and actors, and Cazadores de Espias also shares sets and actors and was filmed at almost the same time in 1967!)
Con Licencia Para Matar
Las Tigresas are a mercenary group that contracts out to the IUS to do special missions (at a price!) Their liaison/mission boss is “Jefe”, Jim Morrison (who is now dating Emily, the leaders of Las Tigresas) They have a comic relief maid named Leonor who occasionally joins them for adventures, and in this film also get a comic relief butler named Hector who is sort of dating Leonor.

Las Tigresas are independent warrior women who don’t wait around for men to save them. Despite calling Morrison their boss, he barely does anything except give them assignments and take Emily out on dates (In a clear HR violation!) The ladies are independent role models, not only does Leonor spend both films wanting to be one of them, in this film Hector even tries to join their ranks.
Con Licencia Para Matar
Unlike the other Las Tigresas film, there are no English subtitles for Con Licencia Para Matar, but a TarsTarkas.NET, we don’t need no stinking subtitles! Con Licencia Para Matar is the much more enjoyable Las Tigresas film, and the lack of accessibility means it still lingers in the realm of obscurity despite the best efforts of world cinema fanatics. As this film is rather rare, enjoy the far too detailed plot synopsis review below. Or else!

Emily (Emily Cranz) – Code designation: T001. Leader of Las Tigresas. Emily is now dating Jim Morrison and gets a musical number in the club. Specializes in using the gun to kill enemies, though that’s not really a specialization because everyone uses guns. But she uses her gun and nothing else.
Diana (Maura Monti) – Code designation: T009. Diana returns with much more sensible hair, and also has a fiance and is planning to retire. But he disappears so no retirement just yet! Diana uses the bow and arrows.
Barbara (Barbara Angely) – Code designation: T002. Barbara spends much of her time not having much going on in this film, though she occasionally will show up to kill villains. Barbara uses her sword to dispatch her enemies.
Leonor (Leonorilda Ochoa) – Emily’s maid, who still wants to be a Tigress and is still actively involved in their missions. Gets a robot duplicate at one point.
Jim Morrison (Fernando Casanova) – Nicknamed Jefe. The boss of the Tigresas in that he is their liaison with IUS and assigns them missions. Gets a robot duplicate at one point.
Dr. Klux (Noé Murayama) – Evil villain who build invincible robots to do his bidding and to do awful stuff in the name of showing how awesome Dr. Klux is. This guy’s name is a little too close for comfort to a certain awful hate organization, which may or may not have been intentional. Who knows at this point?
Dr. Klux’s Robots (various) – Invincible super robots controlled by remote control and made out of green plastic. They feature huge Ks on their chests because Dr. Klux is sort of an arrogant jerk. Their only weakness is heat and destroying their control panel.

Con Licencia Para Matar
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Muñecas Peligrosas (Review)

Muñecas Peligrosas

aka Danger Dolls aka Operación Contraespionaje aka Operation Counter
Muñecas Peligrosas
1969
Written by Alfredo Ruanova
Directed by Rafael Baledón

Muñecas Peligrosas
Muñecas Peligrosas is the first of the two Las Tigresas films, featuring a trio of fighting femmes in black catsuits and leopard collars who fight evil (for a fee!) It fits right in with the established world of 1960s Mexican spy cinema, which borrows chunks from James Bond and Eurospy while keeping its own distinct flavor. There is a secret international spy agency, and all-powerful unknown villains who retain their mystery despite having advanced branding tactics. Muñecas Peligrosas is a more subtle affair then the sequel, which features the ladies battling green robots controlled by a mad scientist. Here, they battle an industrialist determined to steal a catalyst for solid fuel production by luring the maker to Mexico via sabotage. But the plot is just background distraction, the real draw of Muñecas Peligrosas is the female characters, the three fighting women and their comic relief maid.

The lead Tigresa is Emily (code designation: T001), played by Emily Cranz. She was born Emma Cranz Cantillano in Arizona to a German mother and Mexican father. She had a string of film appearances in the 1960s, along with several albums (occasionally with a group called Los Black Jeans) and appearances on television variety shows. She eventually married and disappeared from public view in 1970.
Muñecas Peligrosas
Tigresa Diana (code designation: T009) is played by actress Maura Monti. She’s best known to genre fans as the star of the Mexican Batwoman movie, La Mujer Murciélago, as well as appearances in films such as S.O.S. Conspiracion Bikini, El Planeta de las Mujeres Invasoras, and Santo Contra la Invasion de los Marcianos. Maura Monti has gigantic hair in this movie.

The final Tigresas is Barbara (code designation: T002), played by Bárbara Angely. Her character sort of gets the shaft in both of the films, often supporting one of the other two characters. Bárbara Angely was born Barbara Mueller in Austria, both her and her twin sister Angelika became models in Italy and eventually moved to Mexico. Now being billed as Bárbara Angely, she appeared in films through the last 1960s, only to retire by 1970 (it was said she tired of the lifestyle.) She earned a Ph.D. and eventually became a triathlon athlete along with her sister. It was while competing in one such event that she suffered the injuries that claimed her life in 2008.
Muñecas Peligrosas
Despite Barbara being a real Tigresa, Emily’s maid Leonor (played by comedic actress Leonorilda Ochoa) gets much more screen time and plot development. Unlike the three import actresses above, Leonorilda Ochoa did not marry and vanish from public view in 1970 as the Mexican film industry depressed. She moved to television, gaining fame in Los Beverly de Peralvillo, a satire on life of rich Mexican City residents (and named in reverence to the US program Beverly Hillbillies). She has been absent in the public eye in recent years due to Alzheimer’s.

Villain Garrick is one of those villains who needs people to know who he is, so he has his big G logo plastered all over his hideout and on his troops. The design of the big G kept making me thing of Gizmonic Institute from Mystery Science Theater 3000. Maybe the Institute militarized and that’s why Dr. Forrester and TV’s Frank moved to Deep 13. Makes you think…
Muñecas Peligrosas
There is also a very unfunny running gag involving a karate instructor (played by Alejandro Suárez in yellowface) who speaks gibberish back and forth with Leonor while she hits on him. These scenes go on for far too long and are just awful.

The copy I have came complete with some fan subtitles. Some of the names might not match right up with other names you’ve seen, and I’ve compromised by what names sound correct. And as this is relatively obscure, please enjoy the more detailed than usual review. Or else!

Emily (Emily Cranz) – Codename: T001. Emily owns the headquarters and is the leader of Las Tigresas. She is dating Waldo, who turns out to be working for the enemy. So there is guilt and stuff going on.
Diana (Maura Monti) – Codename: T009. Diana is skilled in the bow and arrows. I don’t know if her number jumping from two to nine means there six inactive or deceased Las Tigresas out there. The film just doesn’t answer that pressing question. How dare you, film!
Barbara (Bárbara Angely) – Codename: T002. Barbara is mentioned as knowing Jim Morrison from her time in New York City, and returns there at one point for vacation, where she convinces the boss to less Jim pay their higher fee. She specializes in the swords. That’s also about all she does for both films.
Leonor (Leonorilda Ochoa) – Emily’s loyal maid. Her greatest wish is to be one of the Tigresas. She’s the comic relief, and there is a lot of relief. She’s almost the most seen character in the film!
Jim Morrison (Fernando Casanova) – The new boss, nicknamed “Jefe” by the Tigresses before he’s even officially their boss. Then he becomes their boss when IUS hires the ladies at the high fees. Is the only IUS agent in Mexico who doesn’t get killed easily by Garrick.
Garrick (Armando Silvestre) – Egotistical jerk who is trying to steal the K20 because of reasons not known, all you need to know is he is evil. That’s what the secretive international spy agency that assassinates hundreds off the books says, so it must be legitimate. Likes to put the letter “G” everywhere.

Muñecas Peligrosas
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El Planeta de las Mujeres Invasoras (Review)

El Planeta de las Mujeres Invasoras

aka Planet of the Female Invaders
El Planeta de las Mujeres Invasoras
1967
Written by Emilio Gómez Muriel and Alfredo Ruanova
Directed by Alfredo B. Crevenna

El Planeta de las Mujeres Invasoras

$47 in tickets and I finally won a $2 stuffed bear!


Space ladies have come to Earth, and they’ve come for our m- lungs. They’ve come for our lungs. Not just our lungs, but the lungs of tiny tots, because kid lungs are the best, having not been ruined by decades of smoking (Hey, this is the 1960s!) Once full of Earth Kid Lungs, the Space Ladies will then take over the planet, because what else are you going to do after you steal lungs from a bunch of kids, open an accounting office? Please, like you would get any business, and you’d have to deal with angry mom groups protesting all the time. At least until you blast them with your satellite-directed murder ray. But I digress, the important thing is we got us a cool film with Space Ladies and it’s funky and amazing and direct from Mexico.

El Planeta de las Mujeres Invasoras is a direct sequel to Gigantes Planetarios, including the same main cast, and even being slightly mirrored to its predecessor (as discussed in the review of Gigantes Planetarios!) But El Planeta de las Mujeres Invasoras is more fun, has cooler alien enemies, cooler costumes, cooler threats, and even is better written. The ladies do their deeds under the orders of an evil queen, but she has her own problems, a good identical twin who acts as a moral taunt. The Queen cannot bring herself to kill her sister, because of an old superstition that twins share the same soul, and if one is killed, the other will die. So Alburnia gets to be free, much to the annoyance of Queen Adastrea.

Lorena Velázquez El Planeta de las Mujeres Invasoras

The Olson Twins prepare to break out the knives


El Planeta de las Mujeres Invasoras is much more well known than its predecessor, largely due to the presence of Lorena Velázquez, Elizabeth Campbell, and Maura Monti as Space Ladies walking around in short shorts and wearing funktacular space helmets that make Daft Punk wish they were cool. The eye candy helped boost the film’s prominence both at home and outside Mexico as it became a cult title.

Part of the fun of El Planeta de las Mujeres Invasoras comes from the goal of the Space Ladies not being anything releated to finding husbands or needing men in order to repopulate their all-female society. They just want some body parts so they can take over the planet. The men are barely an afterthought. Daniel Wolf and the criminal vie for Queen Adastrea’s feelings (Daniel Wolf doing so while under cover), but her interest in them is partially business related (they will aide the invasion) and she only shows feelings towards Wolf’s character. It could be excised entirely with only a few changed lines.

Lorena Velázquez El Planeta de las Mujeres Invasoras

What do you mean you have less ridiculous head gear for us?


If you only have time to watch one of the pair, El Planeta de las Mujeres Invasoras is the better choice, but you should make time for La Nave de los Monstruos/Ship of Monsters as it manages to out crazy both of these films, in the best possible way.

Alfredo B. Crevenna was a German director who left Germany in 1938, and at first attempted to get work in the US. After being unable to secure a visa, he immigrated to Mexico and worked on film there, though not without interference from the US. He went on to work on over 150 films, covering a wide variety of genres, from dramas to comedies to lucha libre to horror. Some of his more fantastic works include Santo Contra la Invasion de los Marcianos, Neutron vs. the Maniac, and Adventure at the Center of the Earth. A cool biography about him can be found here.

El Planeta de las Mujeres Invasoras

Real Queens love Deep Space Nine!


Queen Adastrea (Lorena Velázquez) – Queen of Sibila who is preparing an expedition to Earth to take over and leave their dying world. To do so they need the lungs of healthy children. Has a twin sister Alburnia, who she doesn’t kill due to an ancient belief that twins share the same soul and if one dies, so does the other.
Alburnia (Lorena Velázquez) – The good twin in that she’s not doing evil things and acts as Adastrea’s conscience. Both parts are played by Lorena Velázquez, but she gives each one distinct slight mannerisms to where you can tell them apart even after they’ve switched clothes. Lorena Velázquez, a former Miss Mexico (second place in 1958, winning in 1960), who refused to represent Mexico in the Miss Universe pageant (I could not find out why!) She is a second generation film performer, the daughter of actor Víctor Velázquez (and older sister of actress Teresa Velázquez.) Lorena Velázquez was also one of Las Luchadoras (appearing inThe Wrestling Women vs. The Aztec Mummy), as well as Santo Contra los Zombies, Santo vs. las Mujeres Vampiro, and La Nave de los Monstruos.
Martesia (Elizabeth Campbell) – One of the first wave of Space Ladies sent to Earth, captures the initial batch of humans that includes Silvia and Marcos. Helps abduct a school full of children.
Elizabeth Campbell was an actress who gained fame in the Mexican film industry in the 1960s. There is a lack of information on her before she entered the Mexican film industry in 1961, and what happened after she departed in 1968. Elizabeth Campbell was one of Las Luchadoras, known in the US as the Wrestling Women, in films like The Wrestling Women vs. The Aztec Mummy. She can also be seen in Operación 67, and Peligro…Mujeres en Acción.
Eritrea (Maura Monti) – One of the first wave of Space Ladies sent to Earth, captures the initial batch of humans that includes Silvia and Marcos. Helps abduct a school full of children.
Maura Monti was an Italian model/actress who gained fame in the Mexican cinema scene during the 1960s. She’s probably best known for her role as Batwoman in La Mujer Murciélago, as well as appearances in Santo Contra la Invasion de los Marcianos, The Vampires, La Muerte en Bikini, Con Licencia Para Matar, and SOS Conspiracion Bikini
Professor Daniel Wolf (Guillermo Murray) – The famous professor is back, now more famous than ever. He’s once again tricking space women into trusting him with his fake bad boy persona, and defeating alien invasion threats.
Silvia (Adriana Roel) – Daniel Wolf’s secretary is still his secretary, but now she’s dating Marcos. But their first date results in them both being kidnapped by aliens! That’s like the fifth worst first date I’ve seen.
Marcos Godoy (Rogelio Guerra) – Marcos has restarted his boxing career, but now instead of throwing fights, he just takes money for throwing fights and scams the scammers. This is sort of dumb, as now they want him dead. But at least he gets a date with Silvia, before that whole being kidnapped by aliens thing happens.
Rey Taquito (José Ángel Espinosa “Ferrusquilla”) – The manager is slightly more respectful now, in that he’s still doing bad stuff but feels guilty about it. Alerts Professor Wolf to Marcos and Silvia’s kidnapping and joins the trip to go rescue them.
The terrible truth on where migraines come from!

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Gigantes Planetarios (Review)

Gigantes Planetarios

aka Planetary Giants
Gigantes Planetarios
1967
Story by Alfredo Ruanova
Screenplay by Alfredo Ruanova and Emilio Gómez Muriel
Directed by Alfredo B. Crevenna

Gigantes Planetarios
Mexican science fiction was in a heyday in the 1960s, not only was the lucha libre genre doing strong work and showing masked wrestlers battling all sorts of beings, but there also was a nice batch of exploration scifi. These features would fit in nicely with the 1950s science fiction output in America, especially the many early rocket films that featured long sequences of astronauts preparing for their rocket missions, taking off in their rocket ships, and dealing with every day space annoyances like meteors, which usually meant an extended spacewalk sequence to repair the damage. These films became superseded in the 1960s by films where things don’t take 75 minutes for something to happen. Gigantes Planetarios (aka Planetary Giants) comes off as a nice hybrid of styles. There is still the homebrew science astronauts and slow build to actual rocket flight, but by then we got aliens and dictators and murder, so things are happening!
Gigantes Planetarios
Director Alfredo B. Crevenna and producer Emilio Gómez Muriel decided to save on money by producing two films at once, so Gigantes Planetarios is immediately followed by El Planeta de las Mujeres Invasoras. The films have a few mirror parallels, but end up being different in tone and quality. While Gigantes Planetarios features the Planet of Eternal Night, El Planeta de las Mujeres Invasoras goes to the Planet of Eternal Light. Gigantes Planetarios has a society dominated by a dictatorial male, while El Planeta de las Mujeres Invasoras has a society dominated by a dictatorial female (and is an all-woman society!) Both films feature Professor Daniel Wolf pretending to be a tough guy villain in order to fool the aliens. Both films feature an extended boxing match that ends with a character paid to throw the fight. Overall, El Planeta de las Mujeres Invasoras just ends up being more fun, because it fully embraces its campiness while still delivering a good story.

That isn’t to say Gigantes Planetarios is bad, it just takes a while to get going before running around on the alien planet begins. But ultimately, things don’t come together into a bunch of fun, it just goes along being average. And average doesn’t always cut it. There are some golden scenes, especially when the aliens are first invading Earth and blasting people at random. Those darn aliens, who will they blast next?
Gigantes Planetarios

Professor Daniel Wolf (Guillermo Murray) – Famous professor of knowing stuff, he gets involves in the whole aliens coming to Earth and doing sabotage business. Takes over the construction of Professor Walter’s rocketship and flies it to the invading planet to take the fight to the aliens.
Silvia (Adriana Roel) – Professor Wolf’s loyal assistant, she joins the space crew against his wishes and proves herself a valued member of the team as they fight the alien menace.
Marcos Godoy (Rogelio Guerra) – A boxer looking for a place to hid from the mob, he ends up accidentally joining the space mission when he steals the spacesuits of the real pilots.
Rey Taquito (José Ángel Espinosa “Ferrusquilla”) – The comic relief manager of Marcos who also accidentally joins the space mission. Is the older blue collar viewpoint.
El Protector (José Gálvez) – The nefarious dictator of The Planet of Eternal Darkness, bent on harassing Earth and has no regard for the life of his own men.

Gigantes Planetarios
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