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Nobody’s Perfect (Review)

Nobody’s Perfect

aka Chut doi seung giu

2008
Directed by Patrick Kong Pak-Leung

So not every film I watch is filled with girls dressed as cats, giant monsters, or a Turkish take of American culture. Sometimes I end up watching many things that are just regular films. And even though Nobody’s Perfect is from Hong Kong, it is a pretty straightforward comedy involving body switching and learning life lessons that could easily have been churned out of the US in the late 80s when body switching movies like Big, 18 Again, Vice Versa, and the like were all the rage. Oddly enough, the title screen and credits effects also looks like it was straight out of late 1980’s Hong Kong. Somebody needs to update their title graphics, because it stood out pretty remarkably compared to most other recent Hong Kong films I have seen.


Stephy Tang and Kary Ng were both members of the Cookies, a 2002-era prefab Cantopop band that started out with nine girls, but was whittled downed to Kary Ng Ka-Wing, Miki Yeung, Theresa Fu Wing, and Stephy Tang and the group was renamed Mini-Cookies. Just watch out for the Mini-Cookie monster, as he will eat all your Cookies! Which one is more popular? Well, Kary Ng has huge images on Wikimedia Commons, while Stephy Tang only has very large images. Also Kary Ng has a cooler solo album cover, so Kary Ng wins.

Alexandra (Stephy Tang Lai-Yan) – is a high-powered entertainment industry insider Stephy Tang wrote a book in July 2009 that had numerous typos thanks to Chinese language phonetics. Then she caught Swine Flu (H1N1). Poor girl can’t catch a break.
Alexis (Kary Ng Yiu-Fei) – is completely opposite, as she is poor. She lives in a chicken coup! Luckily for her, there are no chickens living there. She and Alexandra hate each other. After Cookies, Kary Ng became lead vocalist for band Ping Pung, which has a cool name, in addition to her solo albums.
Norman (Sammy Leung Chi-Kin) –Alexis’s brother is dating the spoiled daughter of a family that runs a shop, where he has managed to get his sister a job. Both of them are orphans, so all they got is each other. He really puts up with a lot from his crazy girlfriend. Norman is comedian Sammy Leung Chi-Kin, who has finally gotten more popular in recent years.
Dad (Tin Kai-Man) –Dad is the leader of the family running the store and spends most of the film insulting everyone. Tin Kai-Man is probably best known in the west for parts in Shaolin Soccer and Kung Fu Hustle.

Thrilling Sword

Thrilling Sword (Review)

Thrilling Sword

aka Shen jian dong shan he

1981
Directed by Cheung San-Yee
Written by Shing-Ming Huang


This film rules!

It is a Taiwanese take on Snow White, which needed giant monsters, guys turned into bears, demon worship, and crystal swords. Take that, Disney! The film is filled with fantastic elements, just when you think the film has exhausted its supply of weird wonderness, it shows that Thrilling Sword has barely scratched the surface. Parts of the film remind me of He-Man, to the point where I suddenly became interested in He-Man again after years of not being interested and now know all sorts of new stuff about He-Man.

Thrilling Sword is one of many awesome fantasy films that came out of the Taiwanese film industry. At the time, they were competing with the Shaw Brothers and their elaborate and expensive productions. No Taiwanese company could compete in making their films look just as good, but that didn’t stop them from trying or from going over the top with the fantasy aspects. And that makes the films that came out of Taiwan from the 1970s and 80s some of the weirdest and most fun films. It is a shame that so many of the films are hard to find or even lost. Many of the surviving films are only found on fullscreen VHS tapes that are running on thirty years old (luckily, most have been archived digitally, so even if the film never is released again it won’t disappear.) This particular rip is taken from a TV broadcast, which is supposed to be more widescreen than the fullscreen VHS releases of Thrilling Sword, but then I saw a VCD case while looking up cast info on the film, so there is at least VCD copies around, which means there might be a DVD somewhere, but who knows how good that copy is. But this is one film I would put extra time into hunting down an upgrade for.

Thrilling Sword has also been released under the titles Heaven Sword and Thrilling Bloody Sword. So now you know. Director Cheung San Yee also directed a few classics such as Lady Constables and Snaky Knight Fights Against Mantis. He also wrote Island Warriors and came up with the story for Challenge of the Lady Ninja.

Yaur-gi (Fong Fong-Fong) – It’s Snow White! The daughter of King Gau-shien who is sent down the river when she is born as a giant lump of flesh, returning 18 years later after being raised by seven dwarf generals. See more of Fong Fong-Fong in Island Warriors.
Prince Yur-juhn (Lau Seung-Him) – Yur-Juhn is a prince of the Yur Chin Kingdom/Yur Min Nation. The name changes as the film goes on, so don’t blame me. Maybe his country should choose a name and stick with it! Prince Yur-juhn falls in love with Yaur-gi and does lots of heroic stuff for the king before he is turned into a bear and has to go get crystal armor. Just your average Thursday night. Lau Seung-Him was Monkey in Monkey War and New Pilgrims to the West.
Gi-err (Elsa Yeung Wai-San) – Gi-err is from Wu Shien Kingdom is said to be a powerful exorcist. The King has her go and kill lots of demons. She also worships demons and is plotting to overthrow the king thanks to all the demons she is letting loose in the country. The King trusts her completely. Elsa Yeung has been seen on TarsTarkas.NET in Island Warriors and Challenge of the Lady Ninja.
Shiah-ker (Chang Yi) – Gi-err’s partner who also has magic powers and also worships a demon master, and he’s totally evil and even looks horribly evil and his name even sounds horribly evil. The King trusts him completely. I think the King would trust Hitler if he knew how to pull a rabbit out of his hat.
The Little Fairy of the Forest (Ha Ling-Ling) – She used to be a rabbit that Yaur-gi was nice to and then turned into a fairy to be a friend and ally. All fairy tales need fairies, which is a rule or something. I think you can go to jail. So be sure to follow that rule, okay?
Magic Master (???) – Magic Master was trapped in a box by Gi-err and Shaih-ker long ago, probably because he has a butt on his head. A butt on his head. And a nose ring. AND A BUTT ON HIS HEAD! Magic Master also has a sweet skull staff, but there is not butt on the skull. Magic Master is let loose by Prince Yur-juhn and heads off to fight the ones who trapped him.

The Dwarves!

Leader Dwarf (???) – Is the leader, and is also an archer. All of the dwarves are former generals who have been shrunk in size. All of the dwarves raise Yaur-gi when they find her in the river as an infant. Like most of the dwarves, I am not sure who played him. None of the dwarves are given names, so I named them based on their traits.
Vain (???) – He’s so vain, he probably thinks this Roll Call entry is about him.
Drunky (???) – Are these the Seven Dwarfs or the Seven Duffs? I guess Drunky parties hard to hide his crippling lack of self-esteem, his fast-living lifestyle heading towards a colision course with reality one day soon.
Sleepy (???) – He’s sleepy, thus his name. He’s also the only dwarf whose seems to correlate to one of the classic dwarves besides the Leader Dwarf.
Farty (Hui Bat-Liu) – Guess how Farty got his name! Yep, toilet humor isn’t just the realm of modern day PG-13 comedies. Hui Bat-Liu is in the greatest movie of all time, Fantasy Mission Force, as well as Island Warriors
Mohawk (???) – I know if I was a dwarf, I would have a mohawk. Because why not? Mohawk is not the brightest of bulbs, but does help sneak Princess Yaur-gi into the castle to meet Prince Yur-juhn again.
Screechy (???) – Screechy has a screechy voice, thus his name. Yep. Good times.
Raising the roof!

Spy With My Face (Review)

Spy With My Face

aka Black Rose vs. Black Rose aka Hei mei gui yu hei mei gui aka 黑玫瑰與黑玫瑰

1966
Directed by Chor Yuen
Written by Poon Faan

Spy With My Face
The sequel to 1965’s Black Rose has a greatly expanded scope, as the Chan sisters go from being champions of the poor to outright superheroes who take down a sinister secret gang intent on robbing jewelry from all over the city. The James Bond influence is very heavy, as there are a lot of gadgets, microbombs, disguises, and hidden identities. The film also has what sounds like an original score that is rather well done as well (and also Bond influenced).
Spy With My Face
The review of Black Rose has miniprofiles of Nam Hung, Connie Chan, Patrick Tse, and Chor Yuen, so we don’t have to do it here! Hooray for laziness! We also have the overviews of the Jane Bond genre and other interesting links there so we don’t have to link it again here. Spy With My Face is notable because this film was where Connie Chan eclipsed Nam Hung and became a bona fide Hong Kong superstar.

Spy With My Face
A color print does survive in the HKFA vault, but the VCD release is a black and white dub probably made for TV. This sucks, because it would be great to see all the funky colors. At this point in time Cantonese cinema was on the decline as the Shaw Brothers were becoming the standard with their high production values and massive use of color. Shaw was also putting out their own spy films at this time, some with female leads as well.

Once again we have no subtitles, but TarsTarkas.NET doesn’t need no stinking subtitles! And the wife translated about half of the film before deciding it was time for bed, so the rest I just followed along the story as best I could. It all works out fine.

Spy With My Face

Chan Mei-Yi (Nam Hung) – The older Chan sister, who is freed from the constant attention of rich bachelors because she spends the whole film helping her friend Cheung. Is Black Rose along with her younger sister.
Chan Mei-Ling (Connie Chan Po-Chu) – The younger Chan sister who is sassy and tough. She doesn’t put up with bad guys’ crap and would just as soon beat the tar out of them as look at them.
Black Rose (Nam Hung and Connie Chan Po-Chu) – Black Rose moves up from Robin Hood thief to gangbuster as the Black Roses save an entire city from an evil criminal element while saving their friend at the same time. Remember, it is only good to steal if you steal from those who deserve to lose it.
Cheung Man Fu (Patrick Tse Yin) – Insurance investigator and subject of Chan Mei-Yi’s attraction. Gets himself caught up in a nasty situation and replaced with an evil duplicate.
Gold Boss (Cheung Wood-Yau) – All my wife could translate of his name was Gold _____ – so we will call him Gold Boss. If he doesn’t like it, he can get bent. Gold Boss runs the secret society that kidnaps Cheung to rob all sorts of rich people. He’s also a refugee from a Mexican Wrestling film. Cheung Wood-Yau was in film for almost thirty years at this point, and only made a few more films before retiring in 1969 (with one later appearance in 1980’s Duel of Death.)
Fake Cheung Man Fu / #1 (Patrick Tse Yin) – Fake Cheung is the most worthless gang member on the team. Had he not undergone surgery to look like Cheung he would be #0 as he would have been fired. Was saving your job really worth the pain? Despite looking like Cheung, he totally doesn’t act like Cheung at all and dresses in dark shirts and sunglasses in order to look like a gangster, thus keeping his innocent insurance investigator cover. Fake Cheung is not the sharpest of tacks.
#2 (Fung Ngai) – The mute gang member. Only a mute guy would put up with being named #2, because that means you can’t hear him complain! Fung Ngai also played #1 in fellow 1966 spy film The Golden Buddha. Among his many other film appearances is Come Drink With Me.
#3 (Wong Hon) – The nerdy gang member who is fourth in charge and has confidence problems. Wong Hon was a Chor Yuen regular, appearing as a policeman in Black Rose, a doctor in Intimate Confessions of a Chinese Courtesan, and many other Chor Yuen films.

Spy With My Face

Black Rose (Review)

Black Rose

aka Hei mei gui aka 黑玫瑰

1965
Directed by Chor Yuen
Written by Hoh Bik-Gin

Black Rose
Welcome to a trip to some classic Cantonese cinema. Not only are we going to review Black Rose, but we’ll be hitting the sequel, The Spy With My Face, as well as one entry from the 1990’s, and an eventual rewrite of our review of Protege De La Rose Noire. Yes, that previous sentence will get edited as the other reviews appear here. Eventually. Maybe.

Black Rose was basically the beginning of the Jane Bond films. It did not start the strong female character/super hero genre, but popularized it to the point where Black Rose is known as the standard bearer of the genre. This blog entry going over some of the wonderful films featured on the SoftFilm blog features a cornucopia of films with strong female leads.

Connie Chan Po-Chu was born in 1947 and is the daughter of two Beijing opera stars (Chan Fei-nung and Kung Fan-hung) She was not only trained in classical opera style (specializing in male roles) but also trained in both Southern and Northern martial arts styles. Connie made her film debut in 1959’s The Scout Master, and became a breakout star in the 1960s. Her last film was 1972’s The Lizard (also her only film for Shaw Brothers and one of the few that still survives in color, The Spy With My Face was filmed in color even if it doesn’t seem to have survived that way.)

Black Rose
Unlike her fellow teen queen Josephine Siao, Connie Chan stepped out of the limelight after her retirement, though she does emerge from time to time in stage presentations on TV (much to the excitement of my in-laws, who spend a frightenly long time trying to capture just her performance from a TV special onto a DVDR despite barely knowing how to turn the computer on.) More information on Connie Chan can be found on Movie Fan Princess. The site is run by duriandave of SoftFilm, who also supplied me with the vcds used to review the two Black Rose films. Check her out in action in Lady Black Cat and The Furious Buddha’s Palm.
Black Rose
Nam Hung was born as Su Manmei. Her mother and sister were also stage actresses, but I don’t think they were in films. The stage name Nam Hung means “fame of the south”. She began stage performing in 1950 and moved to films in 1953. She set up the Rose Film Company in 1962 with future husband Chor Yuen (also the director of this film) She starred in many Chor Yuen and Chan Wan films, and was a coproducer of Black Rose and its sequel. She was also in the original House of 72 Tenants, which was remade and then both inspired Steve Chow’s Kung Fu Hustle. Nam Hung moved to tv in 1976.

Director Chor Yuen was born in 1934 as Cheung Bo-kin, the son of Cheung Wood-yau, a Cantonese cinema actor. After studying chemistry in college, Chor Yuen joined the cinema world, first as a screenwriter (under pen name Chun Yu) and then worked as assistant director to Chun Kim. His directorial debut was The Natural Son in 1959. He helmed all sorts of films over the years. Notable films include 1963’s Tear-laden Rose, 1968’s Winter Love, and 1968’s Young, Pregnant and Unmarried, a comedy capitalizing on the youth craze in Hong Kong (also starring Connie Chan). Chor Yuen joined Cathay in 1969 and started focusing on wuxia films. Then he moved to Shaw Brothers in 1971. Intimate Confessions of a Chinese Courtesan was one of his films there (he later remade it as Lust For Love Of A Chinese Courtesan) Besides the Rose Film Company with Nam Hung, Chor Yuen formed his own company Ligao Film in 1985
Black Rose

Patrick Tse Yin is probably best known to Western film fans as the evil guy in Shaolin Soccer, but he was a huge star in Cantonese film in the 1960s and is a pretty cool dude and leading man. But for people like me who were first exposed to him playing a jerk, we will always have that image stuck in the back of our minds when we see him play good guys. Patrick Tse Yin is the father of Nicholas Tse (seen here with his wife Cecilia Cheung in The Promise.)

The Black Rose series of films goes like so: The 1960’s had the first two entries, Black Rose and The Spy With My Face/Who is That Rose? in 1966. Then there was nothing until a revival in the 1990’s with homage films that are basically love stories to 1950s and 1960s Cantonese cinema. There are three films in this set, 1992’s 92 Legendary La Rose Noire (written and directed by Jeff Lau), 1993’s Rose, Rose, I Love You (directed by Jacky Pang and produced by Jeff Lau), and 1997’s Black Rose 2 (directed by Jeff Lau and Corey Yuen Kwai). The series was recently revived as a vehicle for the pop duo The Twins in 2004 for Protege de la Rose Noire. I doubt there will be any direct sequels to this due to the whole Edison Chen sex photo scandals which enveloped Twin Gillian Chung in its tentacles when she showed up naked online. Teresa Mo was the Black Rose in Protege, continuing the loose connections between the films (she was one of the apprentice Roses in 92 Legendary La Rose Noire.)

The VCDs we watched were without English subtitles, but we don’t need no stinking subtitles! And my lovely wife translated. So take that, not released on DVD film!
Black Rose

The Furious Buddha’s Palm (Review)

The Furious Buddha’s Palm

aka 如來神掌怒碎萬劍門

1965HKMDB Link
Directed by Ling Yun

Welcome to another adventure down 1960s Cantonese cinema lane! There are no subtitles, of course, unless you count the Chinese subtitles. But we don’t need no stinking subtitles! The character names are translated by my wife. They may not perfect, but all information about the film is in Chinese so this is the best you will get in English.

This is the 5th film in the Buddha’s Palm series, takes up right after the previous films (Buddha’s Palm 1-4.) For an overview of the Buddha’s Palm series, read this article I wrote that accompanies this review. That’s what happens when I get efficient and do research on the films, they spawn additional articles. The film is only sold in a vcd boxed set, but my wife’s parents managed to get a copy from a Chinatown video store that was selling off stock, thus they have this one but none of the other ones. Don’t ask me why, I have no idea. I should try to acquire the set, photos on the internet show that Buddha’s Palm (Part 2) has robot-looking guys, a bird character, and a guy with metallic paint on his face. There is not much other information on the other three parts so I don’t know if they have cool visuals as well.

One highlight of the film is it has both of the teen queen sensations of 1960s Cantonese cinema, Connie Chan Po-Chu and Josephine Siao Fong-Fong. We also have Sek Kin as his usual role as being the villain. This is a Cantonese film in the 1960s, mind you! The rest of the regular players from 1960s Cantonese cinema are present, many of which popped up in How the Ape Girl Stole the Lotus Lamp or Lady Black Cat. Since the last go-round with 1960’s Cantonese cinema, Sek Kin has passed on. He will not be forgotten, nor will this be the last thing he shows up on TarsTarkas.NET in (considering he made hundreds of films, we could be reviewing his films until the end of time!)

Lung Kim-Fei (Walter Tso Tat-Wah) – His father was a great kung fu master who defeated Half-Metal Face and a bunch of other bad guys. He may be the subject of the other four films, I haven’t seen them. Husband knows the 9 Buddha Palm technique, but refuses to use it to harm people after an oath to his departed father/master. This oath gets tested when old family rival Half-Metal Face returns wanting revenge.
Kau Yuk-wah (Yu So-Chau) – wife of Lung Kim-Fei and master of magic rings. She can capture people and fight off flying swords with the rings. Doesn’t want her husband to be branded a coward. Is captured by the evil Half-Metal Face, but saved by Monkey Kid and Dragon Girl.
Monkey Kid (Connie Chan Po-Chu) – Connie Chan is the half-ape child Monkey Kid. We could not figure out if she was supposed to be a boy or a girl, but since no one in their right mind would think Connie Chan was a boy, we’re going to just use “she” as the pronoun. Monkey Kid likes causing trouble, eating fruit, and being loyal to her saviors, Husband and Wife, who adopt her after her parents die.
Dragon Girl (Josephine Siao Fong-Fong) – Student of Half-Metal Face who begins to realize her sifu is a very bad man. Her attempts to turn him good only result in her being tortured by centipedes in her body and sent to do even more evil stuff. Luckily she makes a friend in Monkey Kid and is helped to turn good. Dragon Girl is armed with magic swords that multiply and fly around under her command. Her kung fu powers are so good her master fears her.
Half-Metal Face (Sek Kin) – Sek Kin dons long white hair all over to be evil baddie Half-Metal Face. HMF (as his friends call him) lost a leg battling Husband’s father years ago, and has spent all this time planning his revenge. Now with a giant foot, Half-Metal Face will dominate the kung fu world, unless Husband stops him.

Star Wreck

Star Wreck: In the Pirkinning (Review)

Star Wreck: In the Pirkinning


2005
Directed by Timo Vuorensola
Written by Samuli Torssonen, Rudi Airisto, and Jarmo Puskala

Official site: StarWreck.com

From the icy depths of Finland comes a surprise, and I’m not talking about the country’s defined border after the Treaty of Tartu. This is something that’s actually interesting, and fulfills one of the long held dreams of Star Trek nerds everywhere. No, not the dream involving Counselor Troi, Jadzia Dax, and a pool filled with lime jello. The one where Star Trek and Babylon 5 fight to the death!

How do we get this dream? Thanks to the free fan film Star Wreck: In the Pirkinning, available at StarWreck.com.

Similar to the previously reviewed Star Wars Revelations, except it’s a full-length movie, and is by far the best fan film ever made, bar none. Does that mean it’s perfect? Of course not! Minor limitations include the fact it’s direct out of Finland, which means it is in Finnish, so it requires subtitles for people like me who have Finnish around number 37 on their list of languages to be learned. Therefore, several jokes fly right over my head, and most non-Finnish people’s heads. Though that would probably explain a few random things, overall, the quality of the film more than makes up for the language barrier.

Most of the effects were done on some home computers, with actors filmed in front of a makeshift blue screen and sets drawn around them. There are also outdoor shots and a few real sets, this also allows lots of extras to be seen during some of the outdoor shots. The entire process is really amazing, taking seven years to complete (and even revolving reshooting scenes as the actors and effects got better and better.) The result is one of the best looking fan films, and one that really catapulted fan films to a bigger audience. Sure, there were a few groups already making their own series, but other fan productions gained new publicity when people searched for similar work. We’ll visit some of those other fan productions in due time.

When I first wrote this review, the only available film was Star Wreck: In the Pirkinning, the numerous older films made by the crew were mentioned in passing but not available. Boy how things have changed! You can now order a DVD with all of the other films! Star Wreck: In the Pirkinning is the sixth film in the series. The others are Star Wreck I, Star Wreck II – The Old Shit, Star Wreck III – Wrath of the Romuclans, Star Wreck IV – The Kilpailu, and Star Wreck V: Lost Contact. Star Wreck V was the first film to use live action actors, the other films were done with cartoon characters. Check them out!

In addition, there are now two versions of Star Wreck: In the Pirkinning. We’re reviewing the version released on the internet for free in 2005, but there is a special edition (the Imperial Edition) done for a DVD release where all the visual effects are redone. The most noticeable difference is that all the starships are redesigned into a more “Russian” look. At the end of the review I’ve added in the wallpapers of the new ships so you can see what they look like

Scotty, beam me into this recap!