Helldriver
Helldriver
aka ヘルドライバー aka Nihon bundan: Heru doraiba
2010
Written by Yoshihiro Nishimura & Daichi Nagisa
Directed by Yoshihiro Nishimura
Ah, Helldriver. How damn awesome are you? Pretty damn awesome! If you love the Japanese gore flicks where blood flows like an Old Faithful orgasm-quake covering everyone and everything as they scream, if you love films where zombies build things out of parts of other zombies like the world’s grossest Lego set, if you like chicks with chainsaw swords and cowboys in blade-covered trucks, if you like stories of loss and redemption and revenge, then Helldriver is a movie for you. Helldriver goes…FULL THROTTLE!! Ha! Okay, sorry, that will be the only car pun.
Another in the line of Sushi Typhoon crazed gore flicks, Helldriver features many of the repeat players along with some new leads. Yoshihiro Nishimura is the makeup effects wizard who also helmed Tokyo Gore Police, Vampire Girl vs. Frankenstein Girl, and a chapter in Mutant Girls Squad, along with a massive amount of makeup work in cult flicks. He keeps the tradition alive with Helldriver, and attempts to break new ground. Each of these features attempts to one-up the last one, going further and further over the top. But it’s important to be more than just gross. It must be entertaining. I’ve seen a few that haven’t been so hot. Helldriver is long, has a complicated back story, parts are redundant, and at least one part looks thrown in at the last minute just to add Asami to the cast list. But overall it is pretty cool and zips along.
Helldriver clocks in at almost 2 hours in length. Partially because they need to explain the setup, which is an alien zombie infestation that caused half of Japan to be walled off and the survivors forced to crowd into the remaining half, and the various cultural problems that it would result in (arguments over the rights of the infected, overcrowding and stranger families being forced to live together, lack of proper food, and an illicit drug trade based on the horns of the zombies, which can get you high but also randomly explode.) There is a brief bit of narration setting a lot of this up, then later Kika observes the same things herself after she’s revived.
Zombies play a major role in Helldriver, but Helldriver put some thought into their creation and mythos. This isn’t your standard Romero zombie where a brain shot kills them (thank goodness!), they are more of Return of the Living Dead zombies, but with one weak spot – a horn that grows out of their head. People were infected by breathing in an ash, which then dissipated after 6 million were infected. No one bitten becomes a zombie. Zombies are ripped apart and sewn together, creating new and horrible chimeras of destruction.
There is more than just the zombie element to Helldriver. There is a strong theme of family throughout the film. Many of the proponents of zombie rights have relatives who are infected. They even go so far as to bring body parts to their infected children to feed on. Kika has an adversarial relationship with her psychotic mother, Rikka, and her equally crazed brother Yasushi. Rikka literally becomes the zombie queen, and snatches away Kika’s heart just before she dies. Kika doesn’t die, both women are cocooned in space goo, Rikka becoming the queen while Kika being preserved until she’s revived by Japanese government and turned into an instrument of revenge. A generator is built into the hole in her chest, and it powers a chainsaw sword. She’s then abandoned until the powers that be can use her for their own ends to kill the queen. Her heart still lives in the chest of Rikka, cpnnecting the two together. Kika’s last memories are of her father being eaten and burned alive by her mother and uncle. Further flashbacks seem to imply that he was wheelchair bound as a result of their abuse, that everything the family ever had was taken by Rikka and Yasushi for their own. Rikka is so bad it is a wonder she ever even had a child, or a husband who is kind. But the family must have their reunion, Kika wants her heart back, wants to confront her mom for everything she’s done, and can’t ignore her because her mom can torture her through hurting her heart. Side characters deal with their own family issues, from missing relatives to ones that were killed by the zombies. These themes help build Helldriver into something bigger than it sounds like it would be, based on the title and premise.
And then it gets even more nuts when you figure out all the North/South Korea analogies!
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Categories: Bad, Movie Reviews Tags: Asami Sugiura, Cay Izumi, Daichi Nagisa, Demo Tanaka, Eihi Shiina, Guadalcanal Taka, Japan, Kazuki Namioka, Yoshihiro Nishimura, Yukihide Benny, Yumiko Hara, Yurei Yanagi, Yuya Ishikawa
Gothic & Lolita Psycho (Review)
Gothic & Lolita Psycho
aka Gosurori shokeinin
2010
Directed by Go Ohara
Written by Kuroki Hisakatsu
Go Ohara’s followup to Geisha vs. Ninjas delves into the genre of the splatter films that have become a popular export from Japan. To help he’s recruited Yoshihiro Nishimura of Tokyo Gore Police, Vampire Girl vs Frankenstein Girl, and Mutant Girls Squad fame to handle the gore effects and makeup. Ohara continues the general themes of Geisha vs. Ninjas, with a girl hunting down people responsible for the death of a parent, an episodic structure of bad guy fights, and secret truths being revealed at the end about the parent but it not making a difference in the quest for revenge.
There are only a few fight sequences in this film, though they are pretty long. Some of them are interesting, some of them are boring and overstay their welcome. As a rule, the only interesting fights are against female opponents, though the final fight does get interesting as well. But the guy opponents are either: a psychic who levitates around like a lunatic, a guy who cries for his life for like 5 minutes, or a generic gang of thugs. The final boss entertains an element of danger and risk, though having seen these films enough I knew what the danger would entail, but there was an additional feature of the final fight that made it different from the other ubergore films. It isn’t as wild and crazy as Noboru Iguchi splatter flick, but it does have it’s own charm.
We watched an unsubtitled DVD, so some names are just descriptions and plot points are guesses. At TarsTarkas.NET, we don’t need no stinking subtitles. There’s gonna be spoilers below, so if you aren’t cool with spoilers go read some other review.
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Categories: Movie Reviews, Ugly Tags: Asami Sugiura, Go Ohara, Masahito Okamoto, Minami Tsukui, Misaki Momose, Rina Akiyama, Ruito Aoyagi, Yoshihiro Nishimura, Yurei Yanagi
