Buddha’s Palm (Part 2)

Buddha’s Palm (Part 2)

aka 如來神掌(二集) aka The Young Swordsman Lung Kim Fei Part 2 aka 如來神掌(下集大結局)

1964HKMDB Link
Written by Sze-To On
Story by Shangguan Hong
Directed by Ling Yun

Buddha's Palm
Buddha’s Palm Part 2, the adventure continues! When last we left our intrepid travelers, Lung Kim-fei had helped recover dragonroot to restore the sight of Suen. The first thing she sees when she regains her sight is his uniform, the same uniform as his sifu, Master Ku Hon-wan the Wicked God of Fiery Cloud and enemy of Suen. So she blasts Lung in the chest!
Buddha's Palm
This edition is unique in it is the only one of the Buddha’s Palm series that does not have the iconic opening credits sequence of Lung Kim-fei shooting palm blasts at a Buddha painting every ten seconds. But don’t fear, it will return for the next two parts of Buddha’s Palm. Part 2 finishes the story began in Part 1, while Parts 3 and 4 are their own story. Some of the monster costumes from the prior film return, along with a new surprise.
Buddha's Palm
Burdened by the story, there is less quest adventuring going on, and more of running and fighting adventuring. The next two chapters will attempt to balance the questing and the fighting, but for now we got a stream of action sequences. The plot is largely propelled by Suen’s anger, while Master Ku is given a moment to act all cocky like his character’s back story is supposed to be. But oddly enough, that saves the day. So the lesson is to be cocky, but explain yourself? Sure, whatever Buddha’s Palm!
Buddha's Palm

Lung Kim-fei (Walter Tso Tat-Wah) – This zero became a hero and got blasted in the chest for it! Luckily he’s saved by Kau Yuk-wah and his friends until things are set into motion and clans prepare to battle, unless Lung Kim-fei helps bring peace.
Kau Yuk-wah (Yu So-Chau) – Kung fu sister who falls for Lung Kim-fei and tries to save him. Spends part of the film racked with guilt when she thinks her sister died. Helps Lung rescue Luk Yu and then tries to help calm down the feuding clans.
Kau Yuk-kuen (Patricia Lam Fung) – Kau Yuk-wah’s younger sister who is believed killed early in the film, but is actually rescued by Master Ku and trained in the Buddha’s Palm Technique. Her being saved and welcomed helps calm the feud between Master Ku and Master Suen.
Master Ku Hon-wan (Ling Mung) – The Wicked God of Fiery Cloud, his sight was recently restored by Lung. Trains Kau Yuk-kuen in the Buddha’s Palm technique after Condor saves her.
Condor (Man in suit) – Master Ku Hon-wan’s magic condor who saves people all the time. And you can ride him!
But Ku (Ko Lo-Chuen) – The helmsman of the Cheung Lei Sect. Always announces himself via incredibly loud offscreen yelling. Helps rescue Lung and tries to calm the clan feuding that’s going on.
Luk Yu (Kwan Hoi-San) – Friend of the Kau sisters, a guy who gets kidnapped a lot and Lung Kim-fei keeps saving. Does he get kidnapped in this movie? Yes!
Suen Bik-ling (Yung Yuk-Yi) – Matriarch of the Kau’s clan. Was blinded in duel with Master Ku Hon-wan long ago, and just regained her sight. Wears a mask to hide her disfigured face. Is willing to start a war to get revenge on Master Ku.
Auyeung Ho (Siu Chung-Kwan) – A jerk guy who bullied Lung, but not he gets shown up by the kung fu trained Lung. So suck it, bully!
Auyeung Ho’s wife (???) – Auyeung Ho’s wife, she gets to watch her jerk husband be humiliated…again!

Buddha's Palm
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Buddha’s Palm (Part 1)

Buddha’s Palm (Part 1)

aka 如來神掌(上集) aka The Young Swordsman Lung Kim-fei Part 1

1964HKMDB Link
Written by Sze-To On
Story by Shangguan Hong
Directed by Ling Yun

Buddha's Palm
In Kung Fu Hustle, Bruce Leung’s The Beast character’s name translates to Dark God of the Fire Clouds. While that name is awesome in it’s own right, it’s also borrowed from Buddha’s Palm (and the pulp wuxia serials that Buddha’s Palm is based on.) That is an example of the lasting influence the Buddha’s Palm films have had on Hong Kong entertainment, particularly wuxia and martial arts cinema.
Buddha's Palm
Though far far far from the first wuxia pian tale to be translated to the screen, the Buddha’s Palm series heavily influenced later films with the fantasy effects and memorable tales. Having seen about a dozen of the old black and white Cantonese wuxia films, I can say that the Buddha’s Palm series just feels bigger than the others. It’s like Star Wars compared to one of the cash in scifi flicks that finished out the 70s. Though some of the later wuxia films attempted to be as creative, they didn’t have the resources available to compete, and soon the whole deal was eclipsed by Shaw.

For some of this background information, I am handicapped by the lack of information in English about wuxia tales and their authors. So some of this is conjecture, and may be inaccurate. Feel free to drop some knowledge on me if things are wrong. That’s how we all learn.
Buddha's Palm
The tale is largely taken from two sources – Taiwanese author Liu Canyang’s Heavenly Buddha Palm (天佛掌) and Cantonese author Shangguan Hong’s Thousand Buddhas’ Fist. The general plot seems borrowed from Liu’s tale, while the characters are from Shangguan Hong’s stories (and he is the name listed in the credits.) Thousand Buddhas’ Fist was serialized in Ming Pao Daily, which was the place to be a serialized wuxia tale. It was founded by Louis Cha Leung-yung, better known to wuxia story lovers as Jin Yong (the author of the Condor Trilogy) How much the movies’ “borrowing” from Liu was legitimate, I cannot say, as there do not seem to be translations of the stories available. Some of the original stories have been adapted into comic novels.
Buddha's Palm
The Buddha’s Palm films work because they are a grand adventure. There are battles, but there are also a enormous amount of special effects. One of the memorable features are the hand-drawn effects as characters blast away at each other, or control rings and chains and beams that battle in the air. Art director Lo Ki-Ping was the man responsible for the look of the series and most of the hand-painted effects. He also designed the various monster costumes that help spice up Buddha’s Palm. While obviously men in suits, they have a level of B-movie appeal that lame CGI creatures will never match. The effects action enhances the choreography done by action director Simon Yuen Siu-Tin.
Buddha's Palm
Series director Ling Yun went on to direct the three followups The Furious Buddha’s Palm (1965), Buddhist Spiritual Palm (1968), and Buddhist Spiritual Palm Returned (1968). The latter two feature a largely new cast. The Buddha’s Palm franchise was updated in 1982 with Shaw Brother’s Buddha’s Palm, and there has been at least two television series based on the stories. Kung Fu vs. Acrobatic was also a detailed love letter to this series and similar films. With the current trend of remaking everything, I would not be surprised if someone dusted off the Buddha’s Palm tales to bring back to the big screen.
Buddha's Palm
The wonderful DVD set comes complete with no English subtitles. But here at TarsTarkas.NET, we don’t need no stinking subtitles! Some character names I used are taken from synopses that may or may not be a good translation. But that just adds to the fun!
Buddha's Palm

Lung Kim-fei (Walter Tso Tat-Wah) – A scarred loser largely abandoned and mocked by his former master and fellow martial arts students. Until one day he’s rescued and trained by Master Ku to learn the Buddha’s Palm technique! Now this zero has become a hero!
Kau Yuk-wah (Yu So-Chau) – Kung fu sister who gets involved in the intrigue with Lung Kim-fei and his Master. She soon is also getting involved romantically with Lung Kim-fei. But first he has to save her and her sister a few times.
Kau Yuk-kuen (Patricia Lam Fung) – Kau Yuk-wah’s younger sister who often does more brash and brave deeds, partially because she’s just a more do-it-yourself person and partially to help her sister.
Master Ku Hon-wan (Ling Mung) – The Wicked God of Fiery Cloud who lives high in the mountains. Long ago, Master Ku slaughtered the heads of many martial arts schools during a sparring match, and has since lived in seclusion with his loyal servant, Condor. He was blinded in a duel with Suen Bik-ling long ago. Trains Lung Kim-fei in the Buddha’s Palm technique after Condor saves him.
Condor (Man in suit) – Master Ku Hon-wan’s magic condor that you can ride and knows kung fu.
But Ku (Ko Lo-Chuen) – The helmsman of the Cheung Lei Sect. Always announces himself via incredibly loud offscreen yelling. He teaches Lung the invincible Seven Spinning Gash after the two become friends via randomly encountering each other in the forest.
Luk Yu (Kwan Hoi-San) – A guy who gets kidnapped a lot and Kau Yuk-kuen and Lung Kim-fei keeps saving. He’s not really introduced, he’s just suddenly a main character after Kau Yuk-kuen stumbles across the first of his many kidnappings.
Suen Bik-ling (Yung Yuk-Yi) – Matriarch of the Kau’s clan and the grandmother to the sisters. Is called the Capricious Flying Ring. Was blinded in duel with Ku Hon-wan long ago. Wears a mask to hide her disfigured face. Is full of rage and thirst for vengeance.
Auyeung Ho (Siu Chung-Kwan) – A jerk guy who bullies Lung. He’s married to the woman who scarred Lung’s face.
Auyeung Ho’s wife (???) – Auyeung Ho’s wife, a kung fu student who scarred Lung’s face and then joins in on the mocking of him.

Buddha's Palm

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The Blonde Hair Monster (Review)

The Blonde Hair Monster

aka 黃毛怪人 aka Yellow Giant

Written and Directed by Wong Fung

The Blonde Hair Monster is a story from the pulp series Wong Ang the Flying Heroine Bandit. These tales originated in 1940’s Shanghai from intelligence worker Siu Ping (aka Xiao Ping), who used his stories to speak out against the social and economic injustices of the time, creating a hero to fight for the people. Siu Ping fled to Hong Kong as the Chinese Civil War intensified and the Communists declared victory. The Wong Ang character spoke to the citizens of Hong Kong just as she had to the citizens of Shanghai, and became big sellers in the 1950s. Wong Ang is a play on the word for Oriole, and thus is known as Oriole in several title translations.

Wong Ang fits the profile of the virtuous female fighter character. While not being a nuxia (swordswoman), she is set in modern day and works with modern tools to take on modern problems. The rich and the powerful who think they can get away with crimes meet their matches, and the innocent and forgotten find the justice they need in their lives.

Wong Ang’s popularity made it a natural that she would appear on the screen, with the first entries appearing in 1957 or 1958. The first known film was Shaw’s Oriole, the Heroine (also known as Miss Nightingale, the Flying Fencer), which starred Pearl Au Kar-wai as Wong Ang and Fanny Fan and Chiang Feng as her sidekicks. There is some uncertainty to the exact release date. Beginning in 1959, Yu So-Chow played her in a series of films, four featuring veteran female action star Wu Lizhu and Yam Yin as her two sidekicks. 1959 gave us How Oriole the Heroine Solved the Case of the Three Dead Bodies and How Oriole the Heroine Caught the Murderer. 1960 was the Year of the Oriole with four films: House No. 13, Apartment Murder, Miss Cranery Vs. the Flying Tigers, and The Story of Wong-Un the Heroine. The Breakthrough was released in 1961. The Blonde Hair Monster is the last of the Yu So-Chow Wong Ang films (and the last Wong Ang film period, unless you count Michele Yeoh’s Silverhawk!), though by now the focus had begun to shift to Connie Chan, who plays one of her sidekicks. Thanks to DurianDave from SoftFilm for his work compiling the list of films above.

My favorite part of Blonde Hair Monster is how the vcd is missing an entire reel of the film! Luckily for me, I tracked down a guy on YouTube who uploaded the middle chunk of a TVB broadcast of the film for some reason, and that middle chunk has the missing reel! That’s also why some of the screencaps look different. TarsTarkas.NET goes the extra mile to give you the review you deserve, because we care, when we’re not being lazy! What is even more weird is the TVB broadcast is also missing pieces that the vcd had. So I’ve put together an extended edition of The Blonde Hair Monster that just might be the most complete copy of the film in the world. And yet there still is no title card…

Because this film is obscure as frak and I had to composite it together, this review will be detailed and long. So, sorry if you aren’t into that sort of thing, but bully if you are! And for more, much more on the Jane Bond films that this is a prototype of, listen to the Jane Bond Infernal Brains Podcast!

Wong Ngan (Yu So-Chau) – The champion of the people and solver of mysteries. Wong Ngan the Oriole fights for justice, and for just being there when stuff goes down. She and her girls will solve any mystery that comes along and won’t take any crap while doing so, though Wong Ngan is more likely to dispense with the villains with a polite smile than her sidekicks.
Heung Ngan (Connie Chan Po-Chu) – Wong Ngan’s younger sidekick, who is sassy and tough, and not afraid to fight a gigantic yellow-haired monster on occasion. Or a lady in a skeleton costume. Or a jerk homeowner keeping her from having a banana. The film is well aware Connie Chan will be the cat’s meow in another year or two, and makes sure to keep her on screen.
Wu Nga (Chan Hiu-Kau) – Wong Ngan’s other sidekick, who wears a K on her jacket (for Krazy!) She’s more reserved than Heung Ngan, but isn’t afraid to kick some butt if need be.
Inspector To (Walter Tso Tat-Wah) – Walter Tso shows up as his Inspector character that he played from time to time when not starring in a period piece. It’s a good thing Inspector To let these women wander around and solve his case for him, because he’s wrong on just about everything until Wong Nang politely explains what happened.
Cheung Yan-Lei (Sek Kin) – The framed younger brother of Cheung Yan-Chuen who spent years in jail and recently escaped. He’s plotting revenge, but a jerk like Cheung Yan-Chuen has so many enemies Yan-Lei is going to have to get in line.
Cheung Yan-Chuen (Ling Mung) – The evil brother who framed his brother for murder and screwed over a lot of people in his life. A list of his enemies would just be a copy of the phone book (Cheung Yan-Chuen wouldn’t be there, as he’d have an unlisted telephone number just to be away from everyone else!) Learns why you should never turn your back on your enemies, especially the ones with knives.
Cheung Kai-Ting (Cheung Ying-Tsoi) – Son of Cheung Yan-Chuen who now has to deal with his idiot father’s enemies coming to cause problems. You think you have dad problems.
Yau Tin Lung (Lam Liu-Ngok) – The servent to Cheung Yan-Chuen who is listed here because she’s a major character with a secret. And just ignore the fact there is a mystery character who is obviously female…
Sifu (Lok Gung) – A one-eyed sorcerer who helps Cheung Yan-Lei after his escape from jail and just happens to have a giant manservant and an orangutan on hand in his lab. So did Cheung Yan-Lei escape from jail into a pulp novel? You’d be surprised, because this film is based on a pulp novel!
Blonde Hair Monster (Siu Gam) – Was originally Sifu’s servant Mo Mo before a horrible accident and the addition of orangutan blood turned him into the fearful Blonde Hair Monster! Is that blonde hair real? Only his hairdresser knows for sure!
Ghost Lady (It is a mystery!) – Who could this mysterious ghost lady be? And why is she wearing a skeleton head when she is a ghost?

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Jane Bond – Infernal Brains Podcast Episode 10

The Infernal Brains are back again, this time with a special Guest Brain, duriandave from Softfilm, Soft Tofu Tumblr, and Connie Chan Movie Fan Princess!


Actual photo of duriandave

Join Tars, Todd, and Dave as we discuss one of our collectively favorite world movie subgenres, Cantonese female focused action films that became known as Jane Bond films! We chat about Connie Chan, Josephine Siao, Suet Nei, So Ching, Fanny Fan, Lily Ho, Chor Yuen, masked heroines, James Bond influences, theater singing, the genesis of the genre, and many films that you’ll be hunting down for the next few years! It’s an infotainment explosion of knowledge that will pack your brain with so many cool facts that they’ll start leaking out your ears and drip on the carpet! The Infernal Brains are not responsible for any carpet cleaning bills.

As usual, we got more listening choices than you can shake an unsubtitled vcd at: downloadable mp3, embedded flash with slideshow, embedded audio player, and iTunes feed link. So many choices, you’ll have to call in your secret evil gang to select them all!

Download the mp3 (right click, save as)

Watch in slideshow form:

Subscribe to the Infernal Brains on YouTube!

Click the graphic for Podcast Feed:

Click here for iTunes Feed

Films Discussed:
Black Rose – Tars Review, Todd Review, Dave Review
Spy With My Face
The Blonde Hair Monster – Dave Review
Lady Black Cat – Tars Review, Dave Review
Lady Black Cat Strikes Again
The Black Killer
The Professionals
Golden Skeleton
Dark Heroine Muk Lan-Fa – Tars Review, Todd’s series overview
Dark Heroins Muk Lan-Fa Shatters the Black Dragon Gang
Lady in Black Cracks the Gates of Hell
Gold Button
Temptress of 1000 Faces
Angel with Iron Fists
Angel Strikes Again
Wong Ang vs the flying tigers part 1 part 2

Jane Bond overview
More Cantonese Cinema information

Site Links:
Soft Tofu Tumblr
SoftFilm Blog
Connie Chan Movie Fan Princess
The Lucha Diaries
Die, Danger, Die, Die, Kill!

Prior Infernal Brains:
Taiwanese Giant Monster Films Part 1
Taiwanese Giant Monster Films Part 2
Polly Shang Kuan
Turkish Pop Cinema Part 1
Turkish Pop Cinema Part 2
Dara Singh
Infernal Brains Podcast – 07 – Insee Daeng
Infernal Brains Podcast – 08 – Worst Podcast Ever
The Mummies of Guanajuato – Infernal Brains Podcast Episode 09

The Furious Buddha’s Palm (Review)

The Furious Buddha’s Palm

aka 如來神掌怒碎萬劍門

1965HKMDB Link
Directed by Ling Yun

Welcome to another adventure down 1960s Cantonese cinema lane! There are no subtitles, of course, unless you count the Chinese subtitles. But we don’t need no stinking subtitles! The character names are translated by my wife. They may not perfect, but all information about the film is in Chinese so this is the best you will get in English.

This is the 5th film in the Buddha’s Palm series, takes up right after the previous films (Buddha’s Palm 1-4.) For an overview of the Buddha’s Palm series, read this article I wrote that accompanies this review. That’s what happens when I get efficient and do research on the films, they spawn additional articles. The film is only sold in a vcd boxed set, but my wife’s parents managed to get a copy from a Chinatown video store that was selling off stock, thus they have this one but none of the other ones. Don’t ask me why, I have no idea. I should try to acquire the set, photos on the internet show that Buddha’s Palm (Part 2) has robot-looking guys, a bird character, and a guy with metallic paint on his face. There is not much other information on the other three parts so I don’t know if they have cool visuals as well.

One highlight of the film is it has both of the teen queen sensations of 1960s Cantonese cinema, Connie Chan Po-Chu and Josephine Siao Fong-Fong. We also have Sek Kin as his usual role as being the villain. This is a Cantonese film in the 1960s, mind you! The rest of the regular players from 1960s Cantonese cinema are present, many of which popped up in How the Ape Girl Stole the Lotus Lamp or Lady Black Cat. Since the last go-round with 1960’s Cantonese cinema, Sek Kin has passed on. He will not be forgotten, nor will this be the last thing he shows up on TarsTarkas.NET in (considering he made hundreds of films, we could be reviewing his films until the end of time!)

Lung Kim-Fei (Walter Tso Tat-Wah) – His father was a great kung fu master who defeated Half-Metal Face and a bunch of other bad guys. He may be the subject of the other four films, I haven’t seen them. Husband knows the 9 Buddha Palm technique, but refuses to use it to harm people after an oath to his departed father/master. This oath gets tested when old family rival Half-Metal Face returns wanting revenge.
Kau Yuk-wah (Yu So-Chau) – wife of Lung Kim-Fei and master of magic rings. She can capture people and fight off flying swords with the rings. Doesn’t want her husband to be branded a coward. Is captured by the evil Half-Metal Face, but saved by Monkey Kid and Dragon Girl.
Monkey Kid (Connie Chan Po-Chu) – Connie Chan is the half-ape child Monkey Kid. We could not figure out if she was supposed to be a boy or a girl, but since no one in their right mind would think Connie Chan was a boy, we’re going to just use “she” as the pronoun. Monkey Kid likes causing trouble, eating fruit, and being loyal to her saviors, Husband and Wife, who adopt her after her parents die.
Dragon Girl (Josephine Siao Fong-Fong) – Student of Half-Metal Face who begins to realize her sifu is a very bad man. Her attempts to turn him good only result in her being tortured by centipedes in her body and sent to do even more evil stuff. Luckily she makes a friend in Monkey Kid and is helped to turn good. Dragon Girl is armed with magic swords that multiply and fly around under her command. Her kung fu powers are so good her master fears her.
Half-Metal Face (Sek Kin) – Sek Kin dons long white hair all over to be evil baddie Half-Metal Face. HMF (as his friends call him) lost a leg battling Husband’s father years ago, and has spent all this time planning his revenge. Now with a giant foot, Half-Metal Face will dominate the kung fu world, unless Husband stops him.

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Buddha’s Palm Part 1-4 and related films

One famous set of films from the heyday of Cantonese cinema is the Buddha’s Palm series of films, the main four parts were released in 1964 as Buddha’s Palm Part 1-4. (They are also known as The Young Swordsman Lung Kim-fei Part 1-4)

Starring Walter Tso Tat-wah as Lung Kim-fei and Yu So-chau as Kau Yuk-wah (mentioned because they reprise the roles in The Furious Buddha’s Palm, the 1965 film we are reviewing and thus inspiring this companion article!)

The Buddha’s Palm films are based on Shangguan Hong’s serial novel ‘Thousand Buddha’s Palm’ that was printed in ‘Ming Pao Daily News’. Series director Ling Wan went on to direct the three followups The Furious Buddha’s Palm (1965), Buddhist Spiritual Palm (1968), and Buddhist Spiritual Palm Returned (1968).

The first four parts all in 1964
Buddha’s Palm Part 1

Lung Kim-fei is disfigured and abandoned by his female junior disciple before running into an ambush sprung by her husband Auyeung Ho. The mythical condor of Wicked God of Fiery Cloud, Ku Hon-wan, flies the man in distress to safety. The master imparts his adopted son the skill of the Buddha’s Palm. A vicious duel six decades ago with Suen Bik-ling, dubbed the Capricious Flying Ring, left both challengers blind. To pay his debt of gratitude, Lung sets out to obtain the cure—treasure of the golden dragon—and wrestles to save Suen’s granddaughters Kau Yuk-wah and Yuk-kuen who come under the attack of a unicorn while seeking the cure. The unicorn blood that splashes onto his face miraculously restores his features. Taking a detour back, Lung chances on But Ku, the helmsman of the Cheung Lei Sect, who teaches the gifted young man the invincible Seven Spinning Gash. Regaining his eyesight, Ku instructs his disciple to return the treasure when he again runs into the sisters and offers aid to help Luk Yu to sever ties with a cult faction. Suen sees, to her shocked dismay, the Fiery Cloud armour that Lung is wearing and strikes him down with a lightning bolt.


Buddha’s Palm Part 2

Distressed by her sister Yuk-wah’s sacrifice for lover Lung Kim-fei, Kau Yuk-kuen pacifies their granny Suen Bik-ling with the scheme to lure out Wicked God of Fiery Cloud, Ku Hon-wan, using Lung as bait while devising a strategy with Luk Yu. The duo secure help from But Ku in their rescue plan but before they can reach Lung, he has already broken free despite sustaining an injury. Garbed in the Fiery Cloud armour, Yuk-kuen beguiles the guards into a futile chase but is struck down the cliffs by the elder. The mythical condor delivers her to Ku who takes her in as his foster daughter. Luk, however, is captured by Twin Talents of Kunlun. Having perfected four styles of the Buddha’s Palm, Yuk-kuen is aided by Yuk-wah and Lung to rescue Luk. Suen follows on their heels and allies with other adversaries to subdue the disciple with the Capricious Flying Ring. The master administers the ninth style of the Buddha’s Palm, ‘Ten Thousand Buddhas Paying Court’ to defeat his bitter foe and lays their feud to rest.


Buddha’s Palm Part 3

Lung Kim-fei and Kau Yuk-wah seal their nuptials following the reconciliation between their masters, Ku Hon-wan and Suen Bik-ling, but the auspicious day is marred by the assassination of Suen. Eager for revenge, Kau Yuk-kuen visits Ten Thousand-hand Lohan who reveals the killing weapon to be a silver thunderbolt shuttle and supplies a list of martial arts suspects. On her way to track down Lau Piu-piu, the helmswoman of Heavenly Fragrance Sect, Yuk-kuen is abducted by Auyeung Ho and the protege of the Three Invincible Palm. It is learned that Lau and the deceased are sworn sisters and the real culprit is still at large. Ku follows the leads which reveal the murderer to be the Three Evils, Auyeung’s conspirators, and apprehends the trio with the Buddha’s Palm. Nursing a wound inflicted by Auyeung in an intrigue, Ku flees into a temple where he imprints the ninth style of the Buddha’s Palm onto six tripods to bequeath to his protege with the enemies hot in pursuit.


Buddha’s Palm Part 4

Kau Yuk-kuen is delivered to safety by the mythical condor with one of the tripods while her foster father, Ku, continues the fight until his last breath. The Three Evils brutally beat and cripple Auyeung to intercept his scheme to appropriate the tripods but fail to prevent him from shoving two of them down into the deep valleys in frustration. Finding themselves no match for the Three Devils, the fellowship seek help from Lau Piu-piu. But the master declines out of a grudge against Suen Bik-ling with whom she was locked in a bitter love triangle which resulted in disfigurement of her face. Undaunted, they embark on a perilous journey in quest of the tongue of a mythical dragon and eyes of a crimson python for her cure. Meanwhile, Kau Yuk-wah has retrieved the two tripods from the deep valleys. Lau engages the Three Devils in battle while the sisters recover the remaining three tripods. Nonetheless, the missing palm print on the last tripod baffles Lung Kim-fei. As the Three Devils overwhelm Lau and But Ku to clinch the tripod, Lung shatters the vessel to find the palm imprint inside and vanquishes the devils with the ninth style of the Buddha’s Palm.


Three cool images of Buddha’s Palm Part 2 from HKMDB

Bird Guy:

Metal Dude:


Robot Kung Fu?!?!:

Buddhist Spiritual Palm (1968), and Buddhist Spiritual Palm Returned (1968) have nothing at all written about them except a few almost blank database entries. I didn’t even find any surviving ads. They don’t seem to star Walter Tso Tat-Wah, so I am not sure how they are related.

The 1982 Shaw Brothers film Buddha’s Palm even had Walter Tso Tat-Wah as the older master who passed on the scroll about the Buddha’s Palm that eventually resurfaced and started the film going crazy. I haven’t seen this one, but here are some reviews of it: Teleport City, LoveHKfilm