aka Tian shi xing dong aka Fighting Madam aka Iron Angels aka Midnight Angels
Directed by Raymond Leung Pun-Hei, Tony Leung Siu-Hung, and Ivan Lai Gai-Ming
Written by Teresa Woo
Angels has quite a laundry list of names. It is known in the UK as Iron Angels (as are the sequels), and the UK suffers from having a cut version of the film. Other names it has been released as include Fighting Madam, Midnight Angels, and the singular Angel.
Angels stands out from many of it’s imitators in several ways. One of the most noticeable is the fun montages set to music, complete with a bunch of quick cuts, that instantly introduce us to characters and tones. Moon Lee’s first appearance in the office is spectacular, showing her attempts to have fun and fit in with the office and work, but she still has to deal with an awful boss and is so eager to run off to shoot people she can’t wait. But those sequences aren’t as common as they should be, and with three directors running around, the film can’t become as good as it should be. That doesn’t mean it is bad or boring, just that there are brief moments of brilliance that are stifled by above averageness. If I could harness the power of wasted potential in the movies I watch, the world would never want for energy.
We know Yukari Oshima’s Madam Sue is evil because she’ll kill her coworkers to prove her point, and even kills her boss after he keeps her from getting her vision of revenge against the police force. Madam Sue laughs hysterically as cops are tortured in front of her, stopping only to lick off some blood that splatters on her. She’s having fun being the top dog of the underworld, switching cars, mocking the police who are chasing after her, even being sexually aggressive towards the DEA Agent Bill. Yukari is rarely presented as sexual in her films, and here she’s in a bathing suit, is sexually aggressive, and even has some body double nudity. Oshima embraces this role fully, and it’s among her best roles. It is a rare villain indeed that can keep up with just how evil and amoral she is.
So this version of Angels is a composite widescreen made from two different versions of the films, one edited for violence and one edited for nudity. So our copy is edited for nothing! The only drawback is it is still dubbed into English. But when a composite copy of Angels mysteriously ends up in your hands due to magic grouch fairies, you don’t look them in the mouth.