Trip To Moon (Review)
Trip to Moon
aka Chand Par Chadayee

1967![]()
Written by Dr. P. Balakrishnan and T.R. Sundaram
Directed by T.P. Sundaram
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How you boys like my new goldfish bowl?
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Trip to Moon is another Dara Singh adventure, as the famous wrestler has become far too manly and powerful to be confined to foes just upon Earth, he has to search the stars for new enemies. Luckily the Moon and Mars both contain a sizeable amount of wrestlers and monsters for him to battle with, and then there is the little matter of the love of a Princess and adverting war between the Moon and Mars. As we get an experience that’s obviously heavily influenced by serials like Flash Gordon, the audience comes along for the ride in one of the few instances of Indian science fiction film. It’s also a bonus entry into the MOSS (Mysterious Order of the Skeleton Suit) Conspiracy Big Muscle Tussle, because I am awesome like that.
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Rise of the Moon of the Apes!
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Trip to Moon has several mysteries surrounding it. Though it was released in 1967, one of the actors – S. Nazir who plays a kidnapped scientist in the beginning – died earlier. He’s even listed as deceased in the credits. Theories abound as to when Trip to Moon was actually filmed, with guesses ranging from 1963-1967 – though it is possible additional scenes were added later. So why did it take so long for Trip to Moon to hit Indian theaters, if that was the case? Was it more distribution problems similar to what drove producers to start making stunt films in the first place, or was there something else going on? Or are these rumors all untrue and just made up by people with websites? Perhaps if you know Dara Singh, you can ask him. Tell him TarsTarkas.NET sent you! Then he won’t punch you as hard for bothering him.
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Only in India do you get crowd scenes with Devo and a herd of Phantoms from Krankor…
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Much like his other films King Kong and Samson, although he’s given a character and backstory, Dara Singh is just Dara Singh. Much like how Arnold Schwarzenegger is Arnold in every movie, even if he is a robot or a believer in Free Mars. By now Dara is headlining films himself, no need for pretty boys to share the spotlight. He still has a comic relief guy, because you can’t escape their goofy grasps. Dara’s wrestling opponents are less billed than before, and though some make appearances, many are under layers of makeup or costumes playing various space monsters. There is a feeling in the air that Trip to Moon is using whatever costumes the studio had lying around for use, along with possibly monster costumes.
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It’s lonely out in space on such a timeless flight
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The opening credits are filled with what look like stock scifi paintings as the credits role. Despite the trappings, there are relatively few Indian science fiction films. Others known or suspected to be (besides mythologicals or super hero films) include Dara Singh’s other film Rocket Tarzan (1963), Wahan Ke Log (1967), Rocket Girl (1962), Flying Circus (1965 – though that just has a robot), Flying Man (1965), Miss Chaalbaaz (1961), Atom Bomb (1949, dir. Homi Wadia), Kalai Arasi (1963), and Aditya 369 (1991). Thank MBarnum of Pedro the Ape Bomb for some of these titles. The either missing of unavailable status of many of those films prevents a good overview of older Indian science fiction. The more modern films are better known – Koi Mil Gaya, Krrish, Love Story 2050, Da.One, Aa Dekhen Zara, Endhiran (a Kollywood joint) and Krrish 2. But those are entries for new dawns and new days.
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I’ll be He-Man, and you’ll be Bee-rah, Princess of Honeypots!
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Yes, this unsubtitled, badly encoded vcd just doesn’t want us to know what is going on. But here at TarsTarkas.NET, we don’t need no stinking subtitles!

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Things went ugly quickly when a robot played 7 aces during Fizzbin
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Costinha e o King Mong
Costinha e o King Mong is a 1977 Brazilian comedy film that features a gigantic ape running around Rio de Janeiro. The film stars Brazilian comedian Costinha
Costinha made his screen debut in the 1940s, and starred in a whole stack of comedies. By the 1960s he was also on television. He headlined several films that were pop culture parodies, making him sort of a minor Dolphy. His later comedy films were more of the adult comedy nature, featuring lots of naked chicks. That makes Costinha e o King Mong different, because it is relatively family friendly.
King Mong is a sequel to Costinha’s prior 1976 film, Costinha o Rei da Selva (Costinha, King of the Jungle), where he plays a Tarzan-ish character who is captured by leopard men that demand he marry their queen or be sacrificed to King Mong. I think we all know how that turns out, and suddenly King Mong is running around Rio de Janeiro and even climbs the Christ the Redeemer statue. I am unaware of any current way to see Costinha e o King Mong.
Costinha films that sound interesting not featuring naked women (as far as I know):
007 1/2 no Carnaval (007 1/2 at Carnaval) – 1966. Directed and written by Victor Lima, also starring Larry Carr, Costinha, Annik Malvil, Marivalda, and Rossana Ghessa.
Costinha o Rei da Selva (Costinha, King of the Jungle) – 1976. Directed by Alcino Diniz, written by Alcino Diniz and Roberto Silveira, and also starring Júlio César and Betty Saady
Costinha e o King Mong (Costinha and King Mong) – 1977.
O Homem de Seis Milhões de Cruzeiros Contra as Panteras (The Six Million Dollar Man cruises against Panthers) – 1978. Directed and written by Luiz Antônio Piá, also starring Nidia de Paula, Adele Fátima, Sandra Castro, Carvalhinho, and Floro Rodrigues
He also appeared on the Planeta dos Homens (Planet of the Humans) tv series, which was a Planet of the Apes-based sketch comedy show. More info here.
Categories: Movie News, Site News Tags: Adele Fátima, Alcino Diniz, Annik Malvil, Betty Saady, Brazil, Carvalhinho, Costinha, Costinha e o King Mong, Costinha o Rei da Selva, Floro Rodrigues, Júlio César, Larry Carr, mad monkey time, Marivalda, Nidia de Paula, Rare Movie Time, Roberto Silveira, Rossana Ghessa, Sandra Castro
Banglar King Kong (Review)
Banglar King Kong

2010![]()
Directed by Iftekar Jahan

The movie. The myth. The legend. Banglar King Kong! Yes, folks, we have an awesome treat for you today on TarsTarkas.NET! Straight from the heart of Bangladesh comes this Kong-tastic take on everyone’s favorite giant ape. The story of King Kong is timeless, and Kongs have appeared throughout the world, some more official than others. Is Banglar King Kong licensed and legal? Hell no! But it exists anyway and mirrors the plot of the King Kong films so closely that even without subtitles, you know exactly what is going on. The tale of King Kong will be one of those things that people 300 years from now will know. In future digi-hologram movies, Space Kong will climb to the top of the Space Elevator and toss around Starship Enterprises, and you know things will play out just like the 1933 classic. And it will be glorious.

Unofficial King Kong knockoffs have existed in foreign markets since 1933’s Wasei Kingu Kongu (和製キング・コング aka Japanese King Kong), which along with the 1938 King Kong Appears in Edo (江戸に現れたキングコング aka Edo ni Arawareta Kingu Kongu) are pre-WW2 tales that have not been seen since their initial theatrical runs. As we all know, Japan made two real King Kong films much later. Giant apes and Kong-ish story lines appear in such cinema classics as India’s Shikari, the Korean film A*P*E, the farcical Queen Kong, and the microbudget The Mighty Gorga. There might even be one in India’s 1953 film Gorilla. As far as I know, this is the first giant ape in Bangladeshi cinema.

The costume for Banglar King Kong is among the worst ape costumes ever put on film. I say among the worst, because there is no doubt a low budget Indian horror film (probably by Harinam Singh) that will have a worse ape costume. But it is by far the worse King Kong costume that ever existed. From the sneering mask to the visible spaces for socks, the whole thing is a Halloween disaster. Though I do give them props for the blinking eyes, that was a nice touch and made the ape have some actual feelings on display. We give credit where credit is due on TarsTarkas.NET.

The director Iftekar Jahan has directed several other films, of which I can find little information thanks to a billion sites copying the same Banglar King Kong article and clogging up Google. The actors is even a bigger mess, despite some of them having names spelled different every time I saw it typed out, I can find little information on any of them. What we do know is that Banglar King Kong was produced by Sharmin Osman for the Bangladesh Film Development Corporation (BFDC), the main government body that overseas much of Banglar cinema, so this is some government funded B-grade fun! TarsTarkas.NET has encountered Banglar film once before, the actionfest Banglar Hero. And one of the stars of Banglar Hero, Tubby Buddy, has a role in Banglar King Kong playing another comic relief character. I still cannot figure out who is playing him. Of the cast list: Munmun, Danny Sedak, Shamim Osman, Afzal Sharif and Kazi Hayat, I was only able to identify Munmun as Milly and Kazi Hayat as the lead female tribeswoman Tubby Buddy pairs up with.

When you watch Banglar King Kong, try to keep in mind this film was made in 2010. But between the scratches on the print, the mistimed dubbing, and the blue screen effects that fan films put to shame, you could swear up and down that this is a product of 1961. Only the musical numbers, which were shot with some sort of HD camera and with professional lighting, look modern. But even those snippets are transferred from a film negative, and have scratches – though not nearly as much as the rest of Banglar King Kong, which looks like the print was shot up by helicopters and dumped off the top of a random tall building.

The non-singing soundtrack is 100% stolen. I recognized the themes from Gladiator, Empire Strikes Back, James Bond, King Kong 1976, Last of the Mohicans, and 2001 among those that were playing. I’m guessing they weren’t banking on an international release… The vcd must have been encoded by the anipal monkey Buntoo himself, because it is rife with errors and digital trash. The images suffer as well, with this 2 1/2 hour film compresses to just two vcds. I did my best to get clear shots, but as you can see, there is no refined BluRay clarity. Sometimes the discs have sounds problems so bad we might as well be getting the audio from the next theater over!


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Zone Fighter Episode 09 – Oe! Reddosupaidaa-no Himitsu
Zone Fighter Episode 09 – Oe! Reddosupaidaa-no Himitsu
aka Search for the Secret of the Red Spider! aka Find the Secret of the Red Spider!

1973![]()
Directed by Kengo Furusawa
Written by Juro Shimamoto

Zone Fighter is back and he’s on a murder spree! Zone Fighter and the rest of the Zone Family have come to kill innocent animals that the Garoga have infected. Curing them is not an option, only MUUUURDER!
We at TarsTarkas.NET do not condone murder, especially of innocent animals. We however do condone the murder of the Zone Family, and are officially Team Garoga! Now, if you’re reading these in chronological order, we’ve skipped a few. That’s entirely the fault of the disks, because technology is dumb. What happened in those missing two episodes? Probably nothing important. In any event, if you are confused as to who’s-who in the Zone Fighter universe, check out the Zone Fighter Splash Page for all your questions to be answered.

Hikaru Sakimori (aka Zone Fighter) still hasn’t bothered to kill all the Garoga, and instead is just sitting around Earth chasing Garoga signals. Lazy, lazy Zone.
Holy crap, a foot long red spider! Flying in the air on it’s web or something. It’s Creepies all over again! The spider floats to a truck just sitting at the side of the road…


Garoga agents! Hikaru gets into a big fight with them. The Zone Fighter theme plays, it’s all very Zone-ish. But Hikaru hasn’t bothered to turn into Zone Fighter, because he’s lazy, and although he’s kicking their butts, Zone realizes he needs to transform to sell more toys.
The Zone Family gets a signal and transform to go help. The Garoga attack with black and white candy cane weapons! Weapons they are too dumb to use properly and soon the Zone Family have grabbed their candy canes and are killing them with their own weapons.


The Garoga goons taunt that their spider is evil, and then run away. Why you would yell that as a taunt I have no idea, as it’s stupid! Way to spoil your plans, Team Garoga. We’re no longer Team Garoga, as both teams are stupid.
But the Zone family doesn’t bother to stop or attack the spider RIGHT IN FRONT OF THEM and instead they go back home to ask Grandpa Zone what is up. Okay, that’s so stupid we’re back on Team Garoga!
Categories: Movie Reviews, Ugly Tags: awful monster costumes, Garoga Gorilla, giant spiders, Japan, mad monkey time, Spideros, tokusatsu, Zone Fighter






















































