Cazadores de Espías (Review)
Cazadores de Espías
aka Spy Hunter
1969
Story by Adolfo Torres Portillo
Screenplay by Rafael Baledón
Directed by Rafael Baledón
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Still more exciting than whenever Mantaur wrestled!
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In 1969, Mexico had noticed the whole secret agents thing has gotten a little ridiculous and thus ripe for parody. Enter Cazadores de Espías, a comedic film filled with secret agents, double crosses, identical twins, a carnivorous plant, a masked villain, a seductive villainess, a luchador, a mad scientist, and even a robot. There is plenty of goofy action across the board, lending Cazadores de Espías the power to potentially be something bigger than it is. Unfortunately, there is no subtitled version at all, and the first half of the film leans heavily on verbal jokes, leaving people like me to be forced to lean on their rusty Spanish. At TarsTarkas.NET, we don’t need no stinking subtitles, but they probably would have come in handy here! Despite the lack of clear understanding of a few plot points, the general gist was easy to get, and no one needs subtitles when a robot is running around! Cazadores de Espías is fun, but thanks to the language veil it isn’t as fun as it should have been.
Cazadores de Espías was filmed around the same time as Muñecas Peligrosas and Con Licencia Para Matar, which is pretty obvious. It features familiar sets and cast members, and all are directed by Rafael Baledón (though this time the original story is by Adolfo Torres Portillo). The sets usually used at the villain’s lair is now a hotel, a control room is now a villain lair, and the familiar nightclub returns, though there is now a big wrestling ring in part of it. The goons of the mysterious Mr. X were big X’s on their uniforms (instead of G’s or K’s!) Mexican villains are all sponsored by the same letters that sponsor Sesame Street!
As the film is rather obscure, please enjoy the longer film synopsis review. But as the film is hard to follow at parts, please forgive any errors that creep in due to confusion or language barriers. As usual, I blame those nefarious Spider Gnomes of Jupiter, who cause me no end of troubles. I will defeat you one day, Spider Gnomes of Jupiter! Fans of random Mexican song interludes will enjoy the performances by Los Rockyn Devil’s, The Shadow of the Beast, Manolo Muñoz, Rubin “Penjamo” Mendez, and Jose Antonio Zevala. Non-fans will find a convenient time to go to the bathroom. Now on with the show!
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Categories: Movie Reviews, Ugly Tags: Adolfo Torres Portillo, Carlos East, cool robots, Eleazar García "Chelelo", Héctor Andremar, Julián de Meriche, Leonorilda Ochoa, luchadores, Maura Monti, Mexico, Nathanael "Frankenstein" León, plants eating dudes, Rafael Baledón, Spies, We don't need no stinking subtitles
Santo y Blue Demon vs Drácula y el Hombre Lobo
Santo y Blue Demon vs Drácula y el Hombre Lobo
aka Santo and Blue Demon vs. Dracula and the Wolfman
1973
Written by Alfredo Salazar
Directed by Miguel M. Delgado
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We slept so long our clothes are in style again!
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Unlike the prior Santo and Blue Demon vs. The Monsters, Santo y Blue Demon vs Drácula y el Hombre Lobo is a slower paced and more methodological monster film. Instead of celebrating B movie creatures and having monsters inspired by Universal classics, Dracula and the Wolf Man here are more patterned after the Hammer horror films. The creatures are still deadly, there is still a huge body count, and even major side characters die! Things just go real.
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Rounders: The Lucha Years
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The lower budget causes more sets to be noticeably sets and not real locations. Santo y Blue Demon vs Drácula y el Hombre Lobo tries to offset this by having more things take place indoors or inside of caves. The few brief outside at night shots feature lighting of an unnatural blue, which eerily mimics to bright blue and red colors of the stadium backgrounds during the wrestling matches (which are also obviously on a stage and not in a real stadium!) The use of bright colors even extends to the opening credits, where bright red is the tone of choice. The atmospheric score is largely piano with some organ parts. The bright colors contrast with the black and white Santo films that gave off a more Gothic horror feel. The bright color but serious tones doesn’t match the campy drive-in approach of Santo and Blue Demon vs. The Monsters, moving vs Drácula y el Hombre Lobo in between the camp and the attempts at serious horror. The dichotomy gives an interesting feel to the film, making it just playful enough that you fall into a lull of disarmament, making the deaths of major characters more shocking.
Does Santo y Blue Demon vs Drácula y el Hombre Lobo fulfill the required Santo obligations? We have Santo and Blue Demon both wrestling opponents in matches that the movie shows in full. Instead of a mad scientist, we got a mad Satanist (some would argue that’s the same thing, but fuck those people!) Monsters? Check! Santo dating someone whose family is intertwined with the monsters in a complicated revenge plot? Check! Blue Demon knocked unconscious? Check! References to past heroic deeds of Santo and/or Blue Demon that aren’t from any film? Check! Blue Demon captured by the enemy and rescued by Santo? Check!
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When Satanists do the wave…
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One thing Santo y Blue Demon vs Drácula y el Hombre Lobo does different is the police don’t believe Santo’s crazy story. In any other film, Santo would be called in to deal with the monsters and the police would give him leeway to do whatever he or Blue Demon want. Here, the police laugh at their outlandish tales of Dracula and the Wolfman. Haven’t they paid attention for the last 20 Santo films???
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When will Blue Demon find…his endless love???
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All these boxes are filled with more Santo sequels!
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Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos (Review)
Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos
aka Santo and Blue Demon Against the Monsters
1970
Story by Jesús Sotomayor Martínez and Rafael García Travesi
Screenplay by Rafael García Travesi
Directed by Gilberto Martínez Solares
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The most popular hair salon in Transylvania…
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When it’s night time and fright time, and things are going bump in the night, the monsters come out to play. A whole football team full of monsters! Luckily, the world has Santo and Blue Demon to do what they do best: Kicking monster butt!
Santo films started out like Cerebro Del Mal where they were more low key and just science fiction influenced capers. Santo played more of a supporting role at first. Many of the Santo films that followed would feature influences from horror flicks of the drive in, as Santo battled female vampires, zombies, a spooky wax museum, and stranglers. But by the time Santo fought the Martians, the Santo films were emulating the 1950s and 60s American B movie pictures that were lighting up the night skies at drive ins across North America. Santo would become more science fiction, engaging in spy episodes, running around with famous comedians, and even battling a famous movie monster or two. Influences would continue, and Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos is no exception, the large amount of classic movie monsters present shows a clear influence from the Universal Monster movies.
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It’s hard for a super-intelligent brain alien like me to find a girl, what with being an abomination against nature and all…
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Even though there are influences, there are differences and odd themes. Wolfman, Vampire, and Cyclops all have big ears for some odd reason. And the Cyclops acts like the Creature from the Black Lagoon, acting as a surrogate for that missing member. Mummy barely appears in the film, wandering around and acting lazy. He also needs to eat a sandwich. Frankenstein looks like he’s tripping on mushrooms, which I think might have been how the film’s concept was dreamed up. The mad scientist Dr. Halder also has some green thugs that are called zombies but some sources, though I just dubbed them Frankenthugs. The large amount of monsters adds energy and a fast pace to the film, as it rushes to try to give everyone enough screentime, and the pace is rather quick for a Santo film.
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According to Jim….lives again?!?!?!
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Unfortunately there is a lot of cost cutting in this flick, it’s obvious what little budget there was went towards setting up the monster lineup. Most of the sets are sparse, and there is only one real scene that feels like it takes place at an actual place. There is even an extended sequence at that location that is obviously a stage play filmed for some other reason, and added here for padding and flavor. Santo and Blue Demon Against the Monsters features lots of shots that are shot in the daytime but set at night. Normally movies get around that by applying a blue filter to the movie, but that must have cost too much because they didn’t bother to do it all all.
Director Gilberto Martínez Solares was one of the best directors of early Mexican cinema, working often with Tin Tán, but his star began to fade and he soon was directing schlock like this and even worse things after. Though I think the Santo films and Santo el Enmascarado de Plata y Blue Demon Contra los Monstruos in particular are important features on the Mexican cinema landscape, they aren’t considered quality work, and Solares must have been phoning it in as his trajectory waned.
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The Vampire is too cheap to turn the AC on during July!
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Despite the budget woes and quality issues, Santo and Blue Demon vs the Monsters still ends up being a fun flick, and is among the Santo films you should see first just to get your toes wet. If you can handle Santo and Blue Demon punching their way through a castle filled with people in bad masks, you are ready to expand your journey. This is one of the easier titles to get, and is visual enough that even if your copy is minus subtitles, it won’t be a big loss.
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No, keep your eye on the BALL, not the bat! Ball, BALL!!
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Will Santo and Blue Demon defeat the monsters? I’m on the edge of my seat!!!
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Categories: Bad, Movie Reviews Tags: Alejandro Cruz, awful monster costumes, Blue Demon, Carlos Ancira, David Alvizu, El Santo, Elsa María Tako, Fernando Rosales, Gerardo Zepeda, Gilberto Martínez Solares, Jesús Sotomayor Martínez, luchadores, Manuel Leal, Mexico, Rafael García Travesi, Santanón, vampires, Vicente Lara, were-things
Cerebro Del Mal (Review)
Cerebro Del Mal
aka Santo contra cerebro del mal
1959
Written by Fernando Osés and Enrique Zambrano
Directed by Joselito Rodríguez
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After three weeks of decorating, Santo finally got his bedroom the way he wanted it. Now to sit back and enjoy.
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Before Santo el Enmascarado de Plata became the international super star that punched every monster who ever monsted, he has to start in the beginning of the movie world. Already an established wrestler, by 1952 Santo was now featured in a comic book (which ran for 35 years) and was offered a role in the serial El Enmascarado de Plata. Santo turned down the role (sources vary, but him believing the film wasn’t going to be a hit is the most common reason given.) The serial featured another actor in a silver mask (who became the villain to a white-masked wrestler hero) and was released in an edited into a movie form. But by 1958, the time was ripe for Santo to actually jump into movies himself.
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If I catch that drunk Incognito passed out on the job again, he’s fired!
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Cerebro Del Mal and Hombres Infernales were both filmed in Cuba in 1958 just before the revolution. They feature the same Mexican director (Joselito Rodríguez) and main cast (Santo, Joaquín Cordero, and Fernando Osés), with Cuban supporting actors and crew. Because this is an early Santo flick, it doesn’t feature many of the common lucha libre film tropes that we’ve all grown to love. Heck, Santo isn’t even the focus of the picture! The plot is more of a crime caper with science fiction elements. Santo barely talks, he’s usually called “the Masked One” by most of the bad guy crew, and both he and the other wrestler El Incognito are the best agents of the police force (while also being citizens of the world or something…) There are no shots of Santo driving around in his convertible, and Santo is even easily defeated by random thugs. Santo isn’t dating a girl, nor do any women even find him or El Incognito desirable.
Of Santo’s 52 films, these first two are the most unlike any of the others. But even still, the seeds of future efforts are planted here. Santo is a figure of justice, this time even working for the police force that will often call on him in later films. There is a mad scientist, hence the title of the film, Cerebro Del Mar. People are hypnotized/mind controlled, which happens a lot in subsequent Santo flicks. And masked people running around Mexico is not considered odd enough for anyone to make comments about it. Cerebro Del Mal is an interesting quaint film, and though it doesn’t achieve the crazed excesses of its progeny, it does hold the promise of more to come.
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Breaking Bad: The Lucha Years
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Evil scientist and Hallmark store patron!
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La Mujer Murciélago
La Mujer Murciélago
aka The Batwoman
1968
Written by Alfredo Salazar
Directed by René Cardona
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Even the corpse is checking her out!
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Someone took a luchador film and a Eurospy film, blended them together, dressed it in a Batman costume, and flicked the gender bender switch. Thus was born La Mujer Murciélago (The Batwoman)! Gloria/Batwoman is a heroine who is heroic just because she wants to be, like most of the lucha movie family. Thankfully, there is a healthy love of monster movie magic and a case for her to solve and a monster to punch. But we suffer from some feminism that isn’t really feminism, Batwoman’s girl power is lacking. Although Batwoman is better than everyone at everything, she still faints and needs to be rescued by men from time to time. Girls, am I right?
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Pisces got sick of taking crap from those Fry Guys and next thing you know he was on the run and the McDonaldLand Coroner was getting woken at 3am!
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Like so many of the cool wrestling flicks, there is a mad scientist doing diabolical things, namely he’s trying to create fish people! He’s doing so by killing wrestlers and using their gland juices to power fish into becoming a gillman. So, yes, we do get a bargain basement Creature from the Black Lagoon, who is named Pisces and sort of takes orders from the evil doctor. This is the second Mexican flick I’ve seen with a fish man creature, the prior one is The Swamp of the Lost Monster (though there is a twist on that one…)
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I give up! I won’t compete with you any more, Walter White!
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As is obvious, La Mujer Murciélago lifts imagery from the Adam West Batman tv series, namely the costume. Batwoman wears a batmask for most of the film, and when she’s wrestling, she does it in a copy of the Batman costume. Otherwise, she’s running around in a blue bikini and a cape. How much the news of Batgirl’s introduction to the tv series during the third season influenced this film I do not know, but her costume does not indicate any of the stylings of Barbara Gordon’s. Batwoman even drives around in a black convertable that is similar in look to the Batmobile.
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Hey, keep those hands at 10 and 2, Batwoman! And where is your seat belt???
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Don’t be expecting this to be some sort of girl power flick. The entire thing an excuse to get women in skimpy clothes. Batwoman parades around most of the film in her bikini action outfit, including scenes of her diving and swimming around, and sneaking around in enemy hideouts. There are plenty of other women in bikinis for a few scenes on the beach. When Gloria isn’t Batwoman, she still wears stylish outfits including négligée that shows off her body. Oddly enough, the wrestling matches are least female exploiting of any of the sequences. Batwoman is in control, except for the several key scenes (and mean final joke) where she is not. Her biography given is one of a woman of great wealth trying to help against injustice, but her actual on screen showing is of a woman who runs around wearing little, attracting attention to herself. It’s an odd translation of the Eurospy stuff, her character is one of those secret agents, except a female version, but the transformation isn’t complete. They make her just tough enough to get the job done. And even then, fishman lust is the true hero.
Maura Monti specialized in these roles that were revealing but not entirely revealing. The Italian born actress spent much of her life growing up overseas and eventually settled in Mexico. Her better known genre roles before The Batwoman include La muerte en bikini (1967) and Santo contra la invasión de los marcianos (1967), and later she also appeared in genre pics El tesoro de Moctezuma (1968), Blue Demon, destructor de espías (1968), Las vampiras (1969), and Cazadores de espías (1969). She retired around 1971 for a decade or so, then returned first in theater and then to television.
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I would be a millionaire if I sold women handles to movie monsters!
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Do I…or don’t I??? I don’t even know anymore!
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Categories: Movie Reviews, Ugly Tags: Alfredo Salazar, Armando Silvestre, Batmania, Crox Alvarado, David Silva, Héctor Godoy, Jorge Mondragón, luchadores, Maura Monti, Mexico, René Cardona, Roberto Cañedo
The Wrestling Women vs. The Aztec Mummy (review)
The Wrestling Women vs. The Aztec Mummy
aka Las Luchadoras contra la momia
1964
Starring
Lorena Velázquez as Gloria Venus (Loretta)
Armando Silvestre as Armando Rios
Elizabeth Campbell as Golden Rubi (Ruby)
Ramón Bugarini as Prince Fujiyata
Víctor Velázquez as Dr. Luis Trelles (Prof. Tracy)
Nathanael “Frankenstein” León as Fujiyata’s bald henchman
Mexico has a proud tradition of Los Luchadoros movies, from Santo fighting Martians to Blue Demon fighting Infernal Brains. Even the women get into the act, this is the second film featuring Las Luchadoras Gloria Venus and Golden Rubi, as well as the forth featuring the title villain, the Aztec Mummy (Earlier film Robot vs. the Aztec Mummy was featured on Mystery Science Theater 3000.) It’s the Mexican version of Aliens vs. Predator, except from the 1960’s and thousands of times better. Like most of the Mexican Wrestling movies, it’s got lots of campy fun. However, this film has a dark side that scars it’s appeal this day. There is a gang of villains in the movie who are an Asian gang. Being that Mexico has like 2 Asian people in the 1960’s, they are all played by Mexicans. So the villains are a yellow-face stereotype similar to anti-Japan films made during World War II. The Yellow-faceness can be argued that they didn’t give the actors false slanted eyes, such as horrible examples on Sean Connery in You Only Live Twice and John Wayne as Genghis Khan in The Conqueror, but they just had actors who looked vaguely Asian. Very vaguely. If you were drunk. And blind. And high on ‘shrooms. Barring that, the film holds together pretty well. Just view it for what it is, an artifact of the times. Sit back, relax, and pull a half-Nelson on your opponent while your tag-team partner distracts the ref so you can hit them with a chair.
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