My Kung Fu Sweetheart (Review)

My Kung Fu Sweetheart

aka Ye maan bei kup

2006
Starring
Cecilia Cheung as Phoenix Shangguan Lingfeng
Yuen Qiu as Mom
Yuen Wah as Dad
Wong Yat-Fei as Principal
Leo Ku as Dragon
Sammy Leung as Kiddie Kim
Hui Siu-Hung as Lincoln Lam
Ma Shuchao as White Eyebrows
Wong Jing as Uncle Itchiban
Directed by Wong Jing

Wong Jing directs another campy action-fest, and manages to score a hit. A send-up of kung fu films, Cecilia Cheung stars as the daughter of two kung fu masters, who learns the skills herself, but must fit into the modern world. Of course, we have an evil kung fu master, school rivalries, a guy in a falcon suit, and love to deal with. The parents are played by Kung Fu Hustle‘s own odd couple, Yuen Qiu and Yuen Wah. They seem to be making a good living acting together, besides this, they also have starred in two Kung Fu Mahjong films together. We also get a crop of campy actors mixed with many established actors, and even Wong Jing himself as Uncle Itchiban. For some reason this film rings better than most of Wong Jing’s recent fair, probably due to the cast working together well enough that you don’t notice when it drags. The gags flow fast, for the most part, and for once the campiness of Hong Kong cinema works out for the best. Though I’s still prefer that Hong Kong put out more stronger fair (and it has been trying recently), camp like this makes the wait between good films bearable.

We start in the distant past of 20 years ago. A young girl sees two people flying past the moon and rushes to tell her parents. Her parents are the smiling Yuen Wah and Yuen Qiu, who both tell her she’s seeing things. They are the Landlords from Kung Fu Hustle. Yuen Wah has been making films for 35 years, having the ability to duplicate the martial arts styles of many people. This let him be Bruce Lee’s double for a while. Yuen Qiu was an actress for a short time in the 1970’s before retiring, only to return after Steve Chow begged her to take the role of the Landlady in Kung Fu Hustle, and has since then done well for herself in the film industry. Their daughter is named Phoenix, and later a teenage Phoenix is awakened by storms, and a large snake and cat are loose in the house. These animals are really Kung Fu villains, who have arrived to kill her parents, which you should realize by now are really Martial Arts masters. They save her and have a neat fight with the villains, who morph from animal to person a few times during the battle (though we could always use more morphing shots.) Snake Man and Cat Girl are eventually taken down, with Phoenix aiding by slipping up some poles so Cat Girl can’t grip. Phoenix is eager to learn Kung Fu, and her parents are more than happy to tell her she’s old enough to go to Mount Hiu and learn. This is amazingly coincidental that she discovered their secret on the very day she became old enough to get lessons herself! Okay, it’s amazingly cheesy. But this is a cheesy film, so we’ll take it at what it is. Next thing we know, we’re hang gliding over Mount Hui as Phoenix looks down and sees all the Martial Artists training, including a girl in scarlet with pigtails who has a determined look on her face. She’s the main rival, Rouge, who will compete with Phoenix to be the best of the best. This is apparent when she doesn’t return Phoenix’s wave. So, if you ever want to hide that you are a villain, be friendly, it’s what politicians do all the time, as well as John Wayne Gacy, though I’d say anyone fooled by his clown costume deserves it. Clowns are evil, and always will be evil. Deal with it.

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Task Force (Review)

Task Force

aka Yit huet jui keung (literally: Hot Blood is the Strongest)

1997
Starring
Eric Tsang Chi-wai as LuLu
Karen Mok as Shirley
Charlie Yeung as Fanny
Leo Ku as Rod Lin

Karen Mok is in this movie! Sure, some other things happened, but I wasn’t paying much attention to that, as Karen Mok is in this movie! Karen Mok makes anything better. Even movies like this, that come off like a pilot of a TV cop show. It also manages to be a romantic comedy when it’s not being an action comedy or police drama. This movie is a Jackson Pollock-type splattering of genres. The jumping into the lives of the minor characters (such as Karen Mok!) add to the film, and keep it from being another forgettable Hong Kong cop movie. There are a lot of those, but don’t ask me for examples, as I’ve forgotten them all! (I bet now you wish I’d forgot stupid jokes like that. One day, one day…)



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