Shin Godzilla (Review)
Shin Godzilla
aka シン・ゴジラ aka Godzilla Resurgence
2016
Written by Hideaki Anno
Directed by Hideaki Anno and Shinji Higuchi
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New facial cleanses have gotten out of control!
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Godzilla was on one of his occasional breaks after his Final War while the US developed their own Godzilla franchise. But after that monster hit, Godzilla reawoke in Japan to return with a spiritual successor to the original Gojira that is also one of the most successful films in Japan. Godzilla is back as a force of nature, the appearance and response directly referencing the Japanese Fukushima earthquake/nuclear disaster. Much of the film is spent in a West Wing style series of high level government meetings, in which entrenched minsters and officials do little of consequence in order to avoid looking bad if their actions don’t have the desired effect. While that sounds like it could be terrible, it’s actually really good, the scenes are cut quickly and innovatively to keep things moving briskly along while still giving you the feeling that the characters were in long unproductive meetings.
Hideaki Anno and Shinji Higuchi were given free reign to tell their story, the pair having collaborated on Evangelion, with Anno subsequently directing cult live action films such as Cutie Honey and Higuchi doing effects work on the Gamera trilogy and directing the Attack on Titan features. Their strong pedigree promised that we would get something unique and entertaining, and the pair delivered with a strong entry.
The effects are a bit mixed, the final form of Godzilla is well done, but the earlier forms look goofy and some effects with them seem more rushed. While most of the music is new, there is some nice Akira Ifukube put in at the right time, with tanks driving around and blasting away that helped made the scene come together, you won’t care that everything is now CG instead of models and a guy in a suit. It really is modern mixed with the past, besides the retro tank fight, we have unmanned drones attacking Big G at one point, and the final sequence has a bunch of industrial and civilian vehicles that make up the heart of Japan’s economic might being used to save Japan.
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Categories: Bad, Movie Reviews Tags: Akira Emoto, Arata Furuta, Godzilla, Hideaki Anno, Hiroki Hasegawa, Issei Takahashi, Japan, Jun Kunimura, Kanji Tsuda, Keisuke Koide, Ken Mitsuishi, Kengo Kora, Kenichi Yajima, Kimiko Yo, Kyūsaku Shimada, Mansai Nomura, Mikako Ichikawa, Pierre Taki, Ren Osugi, Satomi Ishihara, Sei Hiraizumi, Shinji Higuchi, Shinya Tsukamoto, Takumi Saito, Tetsu Watanabe, Yutaka Takenouchi
