Housewives from Another World
Housewives from Another World
2010
Written and directed by Fred Olen Ray (as Nicholas Medina)
It’s been far too long. We need an application of Fred Olen Ray, STAT! Thankfully, Housewives From Another World is here to deliver us from the torment, the torment of not seeing one of Ray’s bikiniverse films on TarsTarkas.NET recently. Don’t laugh, this is a recognized medical condition. In that I edited it into a Wikipedia article on medical conditions before I was banned for “trolling”. But how is spreading knowledge trolling? Wikipedia is the true monster.
Housewives From Another World features invading aliens who possess some local women in hopes of sabotaging a satellite launch to prevent a war that ends up destroying their species. These women never regain control of their bodies, and are essentially dead. The aliens would declare that it’s all in the name of saving countless lives. So a moral choice is presented: Is it worth killing a few innocent people in order to prevent a genocide? Obviously, the aliens have made their choice. But did they really have to kill the women as they gain control of their bodies? And why not just gain control of Max, the designer of the satellite, and use his knowledge to sabotage all chances of it being launched?
It’s also interesting so see that the aliens travel back in time to Earth, instead of going to warn their own people to get them prepared. Or maybe they do, we just don’t see those characters. After all, some of the alien women leave at the end (with Max), and they must be going somewhere. The aliens may have advanced technology, but they have dubious planning skills (unless their technology only allows them to travel to Earth in the past!) and who knows what their time meddling may have done to history. Technology from the satellite may have saved the galaxy at some point, but the whole thing is tossed to save their skins. And let’s not even talk about how this would be a minor setback at best, human technology can easily catch up and eclipse the work of one man. Though that might mean the time sequence to discovery and war is very quick, perhaps enough that they will be able to develop defenses (heck, there might even be a Team B that is warning their own homeworld!) or even arming their own side, who may come to conquer Earth instead.
These ethical and mysterious quandaries add intrigue to Housewives From Another World. Also there are naked people who have sex.

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Categories: Movie Reviews, Ugly Tags: bikini movie madness, Billy Chappell, Christine Nguyen, Frankie Cullen, Fred Olen Ray, Heather Vandeven, Lesbians, Rebecca Love, Ron Ford, softcore, Ted Newsom, Tony Marino
New Bikini Movies inbound
Never fear, citizens, there will be more Fred Olen Ray Bikini movies! Straight from the word of Christine Nguyen’s Twitter account, we got word that the new batch is filming, and we even have tentative names for three of them. No confirmed number (I would guess four, the usual amount) and remember, the titles of these films change often between inception and cable premiere/DVD sales.
Christine Nguyen will play Betty in Super Sex Program, Zoey in After Midnight, and Mindy in All Babe Network. No further information is available at this time. We’ll keep you posted once these start airing on Cinemax!
Image from Dirty Blondes From Beyond
Categories: Movie News Tags: Christine Nguyen, Fred Olen Ray
Lady Chatterley’s Daughter
Lady Chatterley’s Daughter
aka Lady Chatterley’s Ghost
2011
Written and directed by Fred Olen Ray (as Nicholas Juan Medina)
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Look, it’s a magical butterfly! Flap flap flap!
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Despite a few interesting touches, Lady Chatterley’s Daughter is slow going and takes too long to get to the plot, what little plot their is. It’s not absolutely terrible, but it’s part of a pedigree of of Bikini films that everyone admires, so higher standards must be held. In that end, Lady Chatterley’s Daughter fails to deliver an interesting story, and will more likely end up with late night Cinemax watchers asleep on the couch.
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This ain’t how you bust ghosts!
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As the well-worn tome shown during the opening credits attests, D.H. Lawrence’s 1928 book Lady Chatterley’s Lover has had quite an influence on erotic literature (and other erotica!) And now it will vaguely influence this film! Senator Reed Smoot said of the original work: “I’ve not taken ten minutes on Lady Chatterley’s Lover, outside of looking at its opening pages. It is most damnable! It is written by a man with a diseased mind and a soul so black that he would obscure even the darkness of hell!” Needless to say, it’s import was banned before being fought over in the courts (where the book and others like it prevailed in 1959 and was allowed to both be imported without censor and published in the US.)
Lady Chatterley’s Daughter marks some of the transition between Retromedia and Synthetic Filmwerx, as Retromedia still has the opening production company clip, but Synthetic Filmwerx’s name appears as well in the title credits.
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Talk to the hand, because the face is busy boning a ghost actress who haunts a book to save my marriage!
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Windows 8 requires a constant wifi connection to your post-it notes!
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Categories: Movie Reviews, Ugly Tags: bikini movie madness, Cassandra Cruz, Fred Olen Ray, Holly Sampson, Jessie Lunderby, Lesbians, Nick Manning, Randy Spears, softcore, Synthetic Filmwerx
Jersey Shore Shark Attack
Jersey Shore Shark Attack
2012
Written by Michael Ciminera, Richard Gnolfo, Jeffrey Schenck, and Peter Sullivan
Directed by John Shepphird
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Jersey Shore Shark Attack – The Thinking Man’s Movie!
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A SyFy shark attack movie that has bite and legs. And no, not legs on the shark, that a different SyFy shark attack movie (or three). Jersey Shore Shark Attack has legs because people talk about it. Deservedly so. For Jersey Shore Shark Attack is more than just the run of the mill SyFy flick, it’s also a parody of a recognizable reality tv show brand. The Jersey Shore in the title is more than just a reference to the 1916 Jersey Shore shark attacks, it’s because all the main characters are based on real people from MTV’s Jersey Shore. We got a Snooki, a Situation, a J-WOW, and the rest of the crew that you have to think about for a minute to remember.
Not only is this a parody of Jersey Shore, they improve on the formula. The actors portraying the characters are much more real than the “real” people we see on the reality shows. They have hopes, dreams, and goals in life beyond getting drunk and laid. Mostly.
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Ecco the Dolphin was a chump!
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If anything, I hope Jersey Shore Shark Attack is the beginning of a new subgenre of SyFy flicks, the injecting of actors playing versions of more famous people. Who wouldn’t want to see a killer koala flick where they ravaged the Kardashians? Giant sloths very slowly menacing Brad Pitt and Angelina Jolie? 19 Kids and Count Dracula? Teen Moms vs. Mothman? John and Kate Plus 8 Legged Freaks?
Jersey Shore Shark Attack works because it’s fun. It’s fun to see people play exaggerated versions of other people, it’s fun to see people chomped by giant monsters, and it’s fun in that the film has fun. The bodies pile high, people get chomped left and right off of boats. There is even a class warfare element, the villains and their real estate plot are straight out of The Goonies! The odd mishmash of everything seems like it wouldn’t work, like the gimmick would get old. But the gimmick is there for the flavor, you could insert your regular SyFy stock characters (hot babe scientist, jaded lifeguard with a scarred past, Sheriff that the mayor won’t listen to) and this would still be a passable flick. But it is elevated to greatness thanks to the Shore. The Jersey Shore.
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It’s me on a typical Tuesday at 11 am!
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Jersey Shore Shark Attack even stylizes itself as a fun flick, from the title cards for the main characters to all the soundtrack songs being all about partying (most songs have “party” in the lyrics somewhere, so much so that Andrew WK should probably sue…) It’s hilarious. There is even some dumb “Shore” acronyms like “ASS = alcohol sun sex” or “Backdoor Nooki”. Each scene in the film has it’s own title.
The general tone of the Jersey Shore is copied, as characters bicker among themselves. While at a dock they see a derelict boat, and then argue about which particular guy named Vinny the boat belongs to. The character BJ is constantly saying randomly ridiculous things and being seconds away from being shark bait at any moment, forever making you think they might start taking out the main cast.
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This shark was obviously Wile E. Coyote in a previous life!
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Beyond the reality show ripping, there’s also the class warfare element as the working class Jersey Shore folks are in a heated territorial dispute with the rich 1% preps from the yacht club, whose stepfathers are the very ones in charge of the construction projects to “modernize” the shore and are attracting the sharks. The Complication’s father is also working class, but with authority, as a police officer. The business owner/developer Dolan (played by William Atherton, well known as villain Walter Peck in Ghostbusters) oozes sleaze and entitlement, while the Mayor Patrick Palantine (Paul Sorvino, who often plays mob characters) has his fingers in all of the pies. Heck, the mayor is even named after the evil Emperor from Star Wars! The entitled class elders are clearly villains with no hope of redemption. But…and this is an amazing but…their children, the very people that our Jersey Shore crew has direct confrontation and rivalries with, become friends with the heroes in the end. Lead by the example of The Complication and his friends to risk their lives to save both Nooki and the rich children (as TC says, because it’s the right thing to do) grants them friends for life among the upper class. Together, both rich and poor blow away albino sharks to save Jersey. The passion, the good character, and the heroism of the Jersey Shore crew make them respected heroes both because of and in spite of their origins. It’s the American dream.
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I’d take a Jersey Shore Red Dawn remake over the actual Red Dawn remake any day of the week.
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You can even argue the sharks are ghost white because they represent the old rich white males that populate most of the upper class. Their deaths both by the working class and the children of the old rich white males is a shedding of the previous norms. Joey Fatone’s quick appearance both as a Jersey native who returns only to be devoured, because he didn’t return to improve the community, he returned because he had been devoured by the music industry and he was reduced to doing concerts in Jersey. His intentions were not pure, and he had to go. Ergo, the sanitized Jersey Shore representatives as characters are also better than their actual representatives in reality programming. Both because it’s easier to be of pure ideals when you are a fictitious character, but because the story demands that there be characters of pure heart and intention leading the charge. The Shore cannot be saved by those who care about themselves first.
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Justin Timberlake actually acknowledged the rest of ‘N Sync???!?!
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Get lost, Megalodon! No one is jumping into your mouth today.
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Categories: Bad, Movie Reviews Tags: Alex Mauriello, Audi Resendez, Daniel Booko, Dylan Vox, Fred Olen Ray, Gabrielle Christian, Grant Harvey, Jack Scalia, Jeffrey Schenck, Jeremy Luc, Joey Fatone, Joey Russo, John Shepphird, Melissa Molinaro, Michael Ciminera, Paul Sorvino, Peter Sullivan, Richard Gnolfo, SciFi Channel, shark attack mania!, Ted Monte, Todd Senofonte, Tony Sirico, William Atherton
The Teenie Weenie Bikini Squad
The Teenie Weenie Bikini Squad
2012
Written by Dean McKendrick
Directed by Fred Olen Ray (as Nicholas Medina)
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Did I leave the Bikini Frankenstein machine on?
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Whenever there is trouble, and it is double (double-Ds, that is!), the Teenie Weenie Bikini Squad will be there! Three girls solve cases and bust bad guys while wearing outfits that will make you blush…if they bother to wear outfits, that is! Charlie may have his angels, but those films were terrible and let’s not even talk about the reboot series. The Teenie Weenie Bikini Squad does more than just be a Charlie’s Angels knockoff with a title borrowed from a hit novelty song, it’s also a commentary on the decline of the Playboy enterprise.
The Tony Tefler character and the Playpen magazine and empire are clearly based on Hugh Hefner and Playboy (duh!), and they lampoon both Hef’s old age and his dalliances with a series of younger women (seen most famously on The Girls Next Door show, but also pretty famous without the show.) In the beginning, Hefner arose from his magazine creation beginnings to become a free speech advocate, largely due to photographing naked women being considered obscene in many parts of the US back in the furious 50s. Playboy grew into a classy and hip thing that world-minded trendy people read while listening to jazz and hosting serious parties where the civil rights movement and women’s lib were discussed by people in berets. At least that is how I imagine the 60s and 70s, though there was probably awesome music and piles of drugs. Playboy even had their own TV show.
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YOU vaccum the living room!
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But the rise of the moral majority, Reagan’s America, the resurgance of conservatism, it threw that hip stuff out the window. In addition, there was also the rise of pornography, in the 70s porn films were playing in mainstream art house theaters. Things came crashing down, the rise of the video culture and late night cable took some of the wind out of the sails. Playboy became replaced by men’s mags such as Maxim and their copycats in the 90s, while at the same time they were losing out online as porn became freely available with but a click and a lie about being over 18. Playboy lost the innovation it had, it’s place as the figurehead for a movement eclipsed.
Is there a place for classy pictures in the age of internet pornography? I’m sure there is, but by not getting ahead of the game, Playboy is fighting an uphill battle. The reality show boosted their stock more than anything recently, but that ended like all good things must. And with it, Playboy’s current cultural impact. It remains to be seen what the future of Playboy will hold, especially as Hefner clocks up there in years and will eventually clock out. Playboy always hold a fond memory for millions of pervs around the world. I remember even buying an issue of Playboy for the article, an interview with Jesse Ventura right after he was elected governor.
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On the guy’s shirt? Elvis!
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The Teenie Weenie Bikini Squad hits all of the notes that critics of the Playboy brand have been hinting at. From the producer who wants to make more harder stuff, to the legions of ex-girlfriends of Hefner, to even Hef’s viagra usage, the points are all laid out. Fear not, as the film is not overly preachy, the Hefner character is even the victim, despite being portrayed in an unsympathetic light. If anything, that makes The Teenie Weenie Bikini Squad more realistic than many episodes of Law & Order.
The Teenie Weenie Bikini Squad is another Synthetic Filmwerx joint! Werx it if you got it.
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Occupy Teenie Weenie Bikini Street!
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This Harry Potter and the Goblet of Fire remake is weird!
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