aka Kei hei hup aka Kung Fu Cyborg: Metallic Attraction
2009 Directed by Jeffery Lau
Jeffery Lau declared he wanted to do Chinese Transformers, and have his robots be “the incarnation of Oriental wisdom and strength.” Okay. Lau is no stranger to science fiction, as anyone who has seen A Chinese Tall Story can testify. Kung Fu Cyborg was originally titled Robot, then the title was turned into the easier to remember Metallic Attraction: Kung Fu Cyborg. Except for when it was called Kung Fu Cyborg: Metallic Attraction! Or just Kung Fu Cyborg. D’Oh! So we’ll just call it Kung Fu Cyborg when we refer to it, even if we slip up later. Just ignore the slip ups. They are not the droids you are looking for.
This is a long movie, approaching Korean standard of length. One could easily trim 30 minutes and it would do nothing but help the film along. The length is because it seems like two movies smooshed together, an origin story and a second story. Unfortunately, that means things will be dragging. And dragging. And lots of side plots happen. And it takes forever for the freaking robots to do their robot thing. Which is sort of why I watched the movie in the first place. Before this introduction gets as long as the pre-robot fight scenes in Kung Fu Cyborg, let’s just get to the Roll Call!
Xu Dachun (Hu Jun) – Xu Dachun is a tough cop who wants to get out of his small town and be a famous big town cop. Instead, he has to babysit a robot who moves in on the girl he loves. Then he dies and gets robotted himself. Tough break.
K-1 (Alex Fong Lik-Sun) – K-1 is just your average robot cyborg disguised as a normal human sent undercover to work as a police officer while secretly using his powers in very obvious ways that should blow his cover 5 times a day. But they never do because everyone in the film is crazy. Good for the film. Alex Fong Lik-Sun was on the 2000 Olympics swimming team and is a singer. Don’t confuse him with Alex Fong Chung-Sun, who I now realize I have seen almost 2 dozen of his films.
Zhou Sumei (Betty Sun Li) – A police officer in the small town who takes a shine to K-1. But Dachun likes her already, thus leading to a love triangle. Further love triangle problems are because K-1 is not allowed to love. Basically, lots of love problems, none of which is resolved by giant robot fights. I didn’t realize I knew who Betty Sun Li was until I remembered she was in a music video with Rain that my wife has watched 1000 times on Youtube. She rescues animals and wrote a book called Take Me Home: The Stories of I and Stray Animals.
K-88 (Wu Jing) – aka Chen Long, a rogue robot who will give the few lines of philosophical mumbo-jumbo the film tries to pass off as in depth commentary on man’s place in the universe. And he fights, thus we get action!
Xiao Jiang (Ronald Cheng Chung-Kei) – A local teacher and computer expert who has a crush on Sumei. Ronald Cheng is pretty famous considering his smaller role.
Zhou Suqing (Gan Wei) – Sumei’s sister who was off in college and thus not in part of the film. Spends most of the film with her hair covering her face. This is Gan Wei’s first acting role, but she did marketing work on films like CJ7, Warlords, and Red Cliff 2. Gan Wei also rescues animals like Betty Sun Li.
Lin Xiang (Eric Tsang Chi-Wai) – Eric Tsang spends most of his scenes looking like he is a millisecond from crying, which is an odd acting choice. Okay. Lin Xiang is the dude who invents all the robots for the government and in charged with making sure they don’t go all Skynet on the general population.
aka Yit huet jui keung (literally: Hot Blood is the Strongest)
Eric Tsang Chi-wai as LuLu
Karen Mok as Shirley
Charlie Yeung as Fanny
Leo Ku as Rod Lin
Karen Mok is in this movie! Sure, some other things happened, but I wasn’t paying much attention to that, as Karen Mok is in this movie! Karen Mok makes anything better. Even movies like this, that come off like a pilot of a TV cop show. It also manages to be a romantic comedy when it’s not being an action comedy or police drama. This movie is a Jackson Pollock-type splattering of genres. The jumping into the lives of the minor characters (such as Karen Mok!) add to the film, and keep it from being another forgettable Hong Kong cop movie. There are a lot of those, but don’t ask me for examples, as I’ve forgotten them all! (I bet now you wish I’d forgot stupid jokes like that. One day, one day…)