The Coed and the Zombie Stoner (Review)
The Coed and the Zombie Stoner
2014
Written by Scotty Mullen
Directed by Glenn R. Miller
Zombies! Frat parties! Nude chicks! Drugs! Crass jokes! The Coed and the Zombie Stoner is a modern mish-mashterpiece of crazy that won’t settle for just being ridonkulous. Much as Dark Helmet sends Spaceball 1 into ludicrous speed, The Coed and the Zombie Stoner makes its own pattern of plaid, and thankfully is wearing its helmet!
The Coed and the Zombie Stoner begins with nude chicks and a zombie attack, and then backs up to the Warm Bodies-esque love tale, by way of the Mary Jane. Marijuana is the cause of and solution to the zombie menace, as the weed is partially responsible for the experiment gone awry that causes the zombies, as well as keeping the zombies calm so they don’t attack people.
Special breakout performances from Jamie Noel as Bambi, the sorority bitch from hell! In a most excellent scene she drops her own version of the cunt-punch email that made the internet rounds, and you believe in your heart of hearts that her character would gleefully threaten such a thing.
Lena Young and Dora Pereli as Bibi and Bunny, goofy sorority besties who can’t seem to keep their clothes on. I’ve been around enough to know you have to be very good to act that goofy and ditzy and energetic without it coming off a totally fake, and they nail their performances. Even Chrissy joins in on their sorority chants in the middle of crisis, it’s how infectiously charismatic these two are. Those suds in the opening scene? Spontaneously appeared because of how bubbly these two are!
Zombie purists will get annoyed that the Romero rules aren’t being enforced, but zombie purists are annoying, so good. The rules seem more like the Return of the Living Dead rules, except pot mellows the zombies out. The zombies retain much of their minds, and even stage elaborate scenarios and entertaining games as they devour their prey
The Coed and the Zombie Stoner is like the 1980s college flicks and zombie flicks crashed into each other, then were bathed in 2010s sensibilities. There are references all over the place to other films, and at times it seems we jump right into a scene from one of them. The Coed and the Zombie Stoner is a clearinghouse for toilet humor. Not just the actual humor involving toilets and bodily functions, but within the universe. The frats and sororities have provocative names like KY House, DIK Frat, and even ZBE Frat, the fraternity that foreshadows. Christine Nguyen cameos as a librarian, and Mindy Robinson has a bit part as Nurse Escandalo. So there is just so much fun going on, let the party begin!

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Categories: Movie Reviews, Ugly Tags: Aaron Caleb, Andrew Clements, Asylum, Ben Whalen, Catherine Annette, Christine Nguyen, Diane Chambers, Dora Pereli, Glenn Miller, Grant O'Connell, Jamie Noel, Josh Lee Aikin, Lena Young, Louis Dezsoran, Mindy Robinson, Scotty Mullen, softcore, Too many damn zombie movies
Lolita from Interstellar Space (Review)
Lolita from Interstellar Space
2014
Written and directed by Dean McKendrick
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This is the USS Vladimir Nabokov, we’re being chased by an unknown vessel and requesting assistance!
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Lolita from Interstellar Space is yet another erotic parody softcore feature from Synthetic Filmwerx, complete with science-fiction elements and featuring a load of the familiar actors and song queues you know and love from the Retromedia bunch. Despite the reins being handed over fully to Dean McKendrick, the films are still recognizably from the same production group, and Lolita feels like a comfortable pair of slippers.
An alien comes to Earth to learn all about humanity, and humanity’s favorite pastime – sex! Or killing each other, but that wouldn’t make a good late night cable movie, so that’s all thrown out in favor of the bumping of uglies. A good decision, in my opinion. Who knew that softcore films are more progressive than prime time television?
Lolita from Interstellar Space succeeds in having a group of characters who are flawed but still good people (except for Greg, who is just bad), lending some realism to their portrayals. Sarah, who likes fancy stuff, but likes honesty and not putting up with a bunch of crap more. Joe, who is aimlessly drifting through college, but stays away from dipping into the unscrupulous doings of his friend Greg. Brandy, who enjoys attention but is rather reserved. Lolita isn’t a super smart alien chosen for this unique mission, she’s a screw-up who goes because it’s a last-ditch effort to get a passing grade. And even then, she messes up and has to fix the problems.
This film does raise the question on if the aliens are sending students to different planets all the time for extra credit, and what are the long term consequences of this action? Could thousands of planets in the galaxy be receiving visits from this race in the form of students who are in danger of failing? And where to the advanced students go? Once again, the viewer must answer these questions for themselves. I am fully confident that this will be the main avenue of discussion for Lolita from Interstellar Space, and not the sex scenes. I’m also fully confident you knew I was kidding about that last sentence!
You also need to know that Lolita from Interstellar Space is based on the classic tale by Jules Verne! Wait…WHAT??? Damn you, Jules Verne!
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Categories: Movie Reviews, Ugly Tags: Alec Knight, Anna Morna, bikini movie madness, Chad White, Christine Nguyen, Dean McKendrick, Karlie Montana, Lesbians, Nick Manning, Seth Gamble, softcore, Synthetic Filmwerx
Atomic Hotel Erotica (Review)
Atomic Hotel Erotica
2014
Written and directed by Dean McKendrick
A seemingly innocent hotel turns out to be the home of secret Satanists out to steal your soul in Atomic Hotel Erotica! There is also some drama about rival engineers after a big bonus and marital strife, but as that has little to do with worshiping Satan, let’s put that on the back burner for now.
Strangely, the film that Atomic Hotel Erotica might be closest to spiritually is Manos The Hands of Fate. Both feature a strange hotel with a mysterious master and guests that check in but don’t check out. Or maybe the closest relation is a roach motel. Or maybe the Hotel California, that hotel that you can never leave.
Remember that old believe by some tribes that taking a photograph would steal their souls and everyone laughed and felt culturally superior? Well, the smug is on the other foot here as souls are stolen using a camera! Dun dun DUN!
The hotel in Atomic Hotel Erotica is actually named Atomic Hotel Erotica, complete with sign that is totally not a cgi sign in front of someone’s house. The rooms look like they were decorated by children in the 1950s, and nothing has been updated since then, which fits in with the name of the hotel.
As Atomic Hotel Erotica is a softcore flick from Synthetic Filmwerx, it features a lot of the things we’ve come to expect from a Retromedia production. The familiar songs, familiar sets, and familiar casts. Heck, besides the mains, there are photograph cameos from Christine Nguyen, Voodoo, Chad White, and Karlie Montana!

Cowboys and rayguns? Perhaps this room is a commentary of how the space age destroyed the wild west in the hearts of children everywhere?
The plot is a bit thin and the film is caught trying to compensate for the tiny budget and cast, which keeps it from exploring just what is going on too deeply. This leaves things unsatisfied when the film does conclude, dropping Atomic Hotel Erotica down a bit in the rankings. The cast tries to make up for it, but are unable to work miracles. While disappointing, there are still a few things to like about Atomic Hotel Erotica, and plenty of speculative questions that only TarsTarkas.NET will be bold enough to inquire about the plot, as everyone else is just here for the nude people doing nude things to each other.
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Sexy Warriors (Review)
Sexy Warriors
2014
Written and directed by Dean McKendrick
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I’m so fancy!
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Sexy Warriors brings the Amazonian women of the Isle of Lesbos into the modern day, where two time travelers experience the modern world while on their respective quests. As usual for Bikini–>Retromedia–>Synthetic Filmwerx productions, things are a lot of fun and plenty of goofy stuff happens along the way.
There is plenty in this film to love. Things I am specifically glad about: The lesbian character Rita doesn’t get “turned” into a non-lesbian by having sex with one of the males. That there is a black character at all (rare as heck for a softcore film!) That the personal protection mentioned by Gail is mace and not a gun. That this is the only softcore I’ve even heard people discussing safe sex.
Any one of those things could be turned into a whole paragraph of praise by itself, but the combination is a win for everyone everywhere! All those points are things that make Sexy Warriors different from many of its contemporaries, even those from the same production house. Everyone is on point with the acting. Christine Nguyen fits right into the unsure girlfriend/mentor role, Jazy Berlin makes a hilarious fish out of water Amazon, Voodoo plays an arrogant loudmouth almost too well, Erica Jordan has fun playing the stern Amazonian lady, and Misty Stone better become a regular in these films after her awesome performance. It was also great to see cool dude Brandon Ruckdashel and cool dude Ted Newsom, even if both had little to do.
Diana and Athena come from different Amazon tribes: Diana is from the River Tribe, while Athena is Queen of the Mountain Tribe. The Mountain Tribe looks down on the River Folk, and are the presumed rulers of the Isle. This adds a culture conflict to the already differing goals of the two ladies. Athena always tries to assert her will over others, only going along with Rita and Mark’s plans because Rita is a woman, and summarily taking it over once she’s on television. She agrees to Gail’s solution for the conflict, both due to Gail being a woman, and because it involves not having lots of men around, thus leaving the culture still in control. Athena achieves her goals, while Diana acquires an acceptable substitute for her people’s wants. Everyone ends up happy, it’s a wonder the Amazonians aren’t still around. Maybe they are, lying in wait, preparing to strike the world when we least expect it. Which would be right after a movie features them. So…Look out!

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Look, let’s argue about which Police Academy sequel was the best later, it’s time for dinner! Also, it was definitely Police Academy 3: Back in Training!
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The Devil Wears Nada (Review)
The Devil Wears Nada
2009
Written and directed by Jim Wynorski (as Salvadore Ross)
Now this is some Jim Wynorski treasure! The Devil Wears Nada is a fantastic achievement of fun story and sexy content, while still being ridiculous and creative. Wynorski can produce magic if he’s into it, and from the creativity he gives behind and in front of the camera, you can tell he’s having a ball here
The Devil Wears Nada takes its name (obviously) from The Devil Wears Prada, and here we also have an overbearing boss at a fashion magazine lording over her newest assistant. Things go a bit further here, Julia Crimson is far worse of a boss than Miranda Priestley. The humiliation becomes more sexual, though Candy seems to have no problem having sex with her boss or a random male model even under threat of termination. It is revealed that Julia Crimson is blackmailing another character (via more sexual humiliation – incriminating photos) and gets a comeuppance that we never saw in the Glenn Close film. Turning the boss into more of a caricature does make things more fun and removes a bit of moral ambiguity.
The Devil Wears Nada gives another chance to go over the themes of its inspiration movie, with the overworked assistant at a magazine dealing with a nightmare boss and the promise of future rewards if she just sticks through all the crap she has to go through. Thanks to the job market in the US imploding, the scenario plays out like a lot of the unpaid internships that seems to be more of the rule than exception at magazines. These internships are often just unpaid 60 hour workweek jobs in expensive cities that only the rich can afford to go through, creating an artificial barrier in the magazine industry. These internships have become increasingly controversial and are technically illegal in some areas, but persist. In addition, they are often defended by those that have gone through them as a necessary part of magazine production, creating a self-feeding destructive cycle that causes many in the industry to turn a blind eye to its own failings (as rocking the boat might just cost your your job in a very competitive field!)
The Devil Wears Prada deals with the struggle that professional women tangle with, their careers or their personal lives. The Devil Wears Nada is of the opinion that you can have your cake and eat it too, and the terrible boss is just an obstacle to overcome. Candy’s defeat of Julia Crimson (and subsequent promotion to co-boss along with former assistant Becca Saperstein) is a result of playing by Julia’s own rules, but turning them around, and is accomplished by the various people Julia Crimson has wronged banding together. When Prada was released, it featured a lot of backlash from former employees of Anna Wintour condemning the book as a mean-spirited gotcha, and that author Lauren Weisberger did not appreciate the opportunities the job presented her. This circling the wagons to defend treating employees terribly is not conductive to a good business environment, and makes the defenders look like they need to justify their own abuse (and is mirrored by the aforementioned unpaid internship defenses!) Nada‘s rejects this in favor of a socialistic workers utopia where the workers team up with a money man to eliminate strife and bring peace to the land (and get rewarded!) Not only does this unionization bring strength to the workers, but Julia Crimson is such a threat that people team together regardless of class affiliation to eliminate her as a problem. Nada offers a vision where hard work and creativity are rewarded, and by working together more is accomplished than everyone suffering separately. In this spirit, Nada defeats Prada in the messaging.
But The Devil Wears Nada is not without its own problems. Candy is coerced into sexual relations in order to save her job, and male characters such as the model Michael are willing participants. And as mentioned, Candy and Becca’s eventual winning of the editors-in-chief job is awarded by a male money man, showing that despite all their work, things still resolve because a male decides. If these tradeoffs are enough to keep Nada as a strong and smart women get ahead film, or if they condemn it to an also-ran status is up to the viewer. I feel that Nada sends more postive messages than negative, and this is doubly so considering it is in the softcore genre, a section of film where far too often women are just treated as objects.
The cast list for The Devil Wears Nada is abysmal, with many people going uncredited. Luckily powerfred at SoftcoreReviews (NSFW link – http://www.sreviews.com/smf/index.php?topic=4619.0 ) confirmed most of the unlisted actresses (with some help from Jim!) So enjoy the mostly complete credits. Some actresses are unknown, and many characters don’t have spoken names. Wynorski packed The Devil Wears Nada to the gills with hot chicks, almost doubling the average cast size for one of these softcore flicks.

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The Super Sex Program
The Super Sex Program
aka The Big Bust Theory
2013
Written and directed by Dean McKendrick
Nerds attempt to discover the secret of love in The Super Sex Program (or The Big Bust Theory if you bought the DVD!) Alexandre Boizvert and Eric Masteron play big nerds and completely go 100% stereotypical goofy voices, like this is a lost Revenge of the Nerds chapter or an episode of The Big Bang Theory. But instead of being a bunch of jokes about nerd culture, instead we get what turns out to be a sweet story about finding out what love is, and learning to interact socially without being a loser.
We get the new logo for Synthetic Filmwerx, now abbreviated as SFW. Directed by Fred Ole— Dean McKendrick?!?!?! Yes, duty has been split between McKendrick and Ray with the latest batch of films (McKendrick wrote or cowrote many from years prior) But don’t fret, the same tone and style is still very evident in the latest batch of Bikini movies. If anything, this latest entry kicks things into a new level of story telling while still delivering naked people bumping uglies. Perhaps the tales from MRG’s brand of films are pushing the envelope into more complex storytelling, or perhaps this evolved independently (and until I watch the other films from this batch, I won’t know for sure)
At one point the characters develop a “love potion” that is supposed to drive women wild with passion. Normally in these films, the characters then use the potion on women and essentially rape them, or at least get the women to do things they wouldn’t normally do if they weren’t thinking straight. Here, the whole thing is thrown on it’s ear, one application doesn’t matter because the woman wants to have sex with the nerd, while the other nerd’s adventure turns out to all be in his mind and the woman rejects him (the potion also doesn’t work.)
Later, they build a woman that they’ve programmed to totally be attracted to them, like this is Weird Science or the Aerosmith video to “Hole in my Soul” Of course, this fails to work either, the robot woman is mysteriously reprogrammed to only like hot chicks. The nerds accept this programming and don’t try to program her back. The schemes of the nerds are orchestrated by their boss Dr. Carmichael, but there is a method to his madness that becomes abundantly clear.
The positive and fun film is a nice breath of fresh air, and shows you can tackle some of the relationship issues MRG films cover without being forced to be 100% serious all the time. The lessons mirror those from nerd and geek film, without feeling too much like they’re covering well-tread ground. The various story threads manage to play out not quite the way you expect. And Christine Nguyen in glasses making goofy faces? Points for that alone! Jazy Berlin also throws in a great performance as the robot Alice, turning what would be in many films a forgettable role into a memorable character.
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