Space Battleship Yamato

Space Battleship Yamato

aka Space Battleship ヤマト aka Supesu Batorushippu Yamato

2010
Written by Shimako Sato
Story by Yoshinobu Nishizaki
Directed by Takashi Yamazaki


With the remake trains heading at full speed down the tracks of the movie world, it is only natural that popular franchises like Space Battleship Yamato would become one of the train stations. Space Battleship Yamato (宇宙戦艦ヤマト) was an anime series begun in 1974, it features a continual story arc and was followed up by several sequel series and films and lawsuits. Released in the west as Star Blazers, the anime gained a faithful cult following overseas as well as home. I’ve never seen Star Blazers, though it’s popular enough I’ve become familiar with the concept. Earth under attack by powerful aliens, a lone ship sent on a desperate mission. And that ship just happens to be built in the hull of the infamous World War II battleship Yamato.

This reboot of Space Battleship Yamato takes some cues from the reboot of Battlestar Galactica. More than some cues. Okay, it’s almost a carbon copy of Battlestar Galactica. From the 9-11 inspired opening destruction of Earth’s fleet (which rings way more hollow and is an interesting look at 9-11 from a non-American country) to the characters with templates lifted wholesale (including gender swaps!) to the made up story of hope to inspire a journey across the galaxy, deja vu will deja vu your deja vu. Space Battleship Yamato owes almost its entire existence to Battlestar Galactica, which is odd considering it has a whole original canon to use.

The general concept of the original cartoon using the Yamato was a reference to the final mission of the battleship, which was generally seen as a brave but futile effort to defend Japan before the inevitable defeat. Yamato was seen as a metaphor for the Japanese Empire, double-downed by the name Yamato being a poetic name. Space Battleship Yamato borrows this line of thinking, even going so far as to spell it out to the audience. But the liberal borrowing of concepts and themes from Battlestar Galactica muddies the water. After the Yamato is launched, it becomes a series of episodes with the theme of sacrifice for the greater good. Susumu Kodai has a chip on his shoulder against Captain Okita, believing he abandoned his brother to die. Yuki Mori thinks Kodai leaving the military was abandoning his duty. Kodai violates orders to try to save crew members, endangering the entire ship, but later learns that you can’t avoid Kobayashi Maru forever and sometimes people have to die. Even the ending of the film works on this concept of sacrifice, from the cast thinning to the final actions of Kodai. Characters die, and the survivors will spend far too long thinking about the death in the middle of the action. Time is of the essence, people! These reactions are meant to emphasize the sacrifices, but are so overdone they become distracting. Oddly enough, this focus on duty and sacrifice above all else gives Space Battleship Yamato themes that mimic the thinking of the time of the real battleship Yamato.

The mixed messages cause Space Battleship Yamato to flounder around and lose the emotional punches it needed. I am not familiar enough with the original show to know if it was similarly muddled. The liberal borrowing from another source is also a big red mark against it. The visual effects are wonderful, especially considering the lower budget. It is a nice looking film. But looks are only skin deep, and Space Battleship Yamato is like one of those hollow chocolate bunnies. You know it should be filled with chocolate, but it just isn’t, and it’s not what you wanted.

Susumu Kodai (Takuya Kimura) – Former fighter squad leader (the Black Tigers) who left the service, only to come back into action for the Yamato mission. His best friend is an analyzer, basically an iPhone. Lost his brother in the Gamilas ambush. Definitely not Lee Adama.
Yuki Mori (Meisa Kuroki) – Expert Cosmos Tiger fighter pilot who is always prepared. Definitely not Starbuck. Meisa Kuroki was also in Assault Girls.
Captain Juzo Okita (Tsutomu Yamazaki) – Old grizzled captain of the Yamato. Gruff but recognizes potential in people. Able to make tough decisions. Lost his son to the Gamilas forces. Definitely not Bill Adama.
Gamilas (CGI and Masato Ibu) – Aliens who start attacking Earth for unknown reasons. Then tries to stop the humans when they fight back. Desla is the named Gamilas, who are both individuals and a collective mind.




Five years ago, alien jerks started bombing earth with radioactive meteors, filling Earth with not very delicious radiation. A prologue shows the Earth fleets getting wiped out by the aliens, called Gamilas, who pre-adapt to our super weapons and go all Battlestar Galatcia on us. One ship escapes, Captain Okita’s. Now, people live underground as the radioactivity and bombardment has made the surface uninhabitable. Some live by going to the surface in radiation suits and searching for scrap metal to sell to the military. Susumu Kodai is one such man, and on his final trip he makes a shocking discovery. A capsule from space, that not only contains a message, but somehow negates the radioactivity in the area it landed.

The United Nations of Space Administration decodes the message inside, claiming to be from beings from a planet called Iskandar, located in the Large Magellanic Cloud. It also contains instructions for a warp drive and wave cannon weapon. They do the logical choice and turn the sunk World War II battleship the Yamato into a spaceship to go to Iskandar. To keep up morale, Captain Okita spreads a rumor that the capsule also said an antiradiation device was on Iskandar.


Susumu Kodai signs up for military service at the announcement, which is good as he used to be a squadron flight leader. Thus he’s suddenly in charge of all the fighter squadrons on Yamato. Many of his old squadmates also show up on the ship, but he comes into conflict with Yuki Mori, who will be playing the Starbuck role as the hotshot female pilot who will always be wearing her yellow and black jacket to make her stand out more in crowd shots…I mean, to emphasize her fighter pilot persona.

We begin with Yamato even being shot at in launch, and continue as Yamato hits several episodes worth of plots one by one, including ambushes, capturing a Gamilas ship, Kodai rescuing Yuki Mori, Kodai getting thrown in the brig, a sick captain, and dilemmas of sacrificing a few of your crew to save the rest.

By the end, we reach Iskandar and discover the Terrible Secret of Gamilas, which even explains why their name is a plural even when there is only one of them, though it doesn’t outright say that. But can Yamato get back to earth and save the day and the planet before the Gamilas thin out the entire cast? Eh…probably.


Though Space Battleship Yamato largely follows the plot of the first season of the show, by the end it begins borrowing wholesale elements from the sequel film Farewell to Space Battleship Yamato, a film so beloved by Yamato fans that it was removed from continuity. That alone should tell you what happened to the final product. They didn’t deliver what the fans wanted, and they didn’t deliver what the casual viewer needs to be entertained. Instead, this muddled mess only gets modest praise for the visual effects, and then only because they remind me of something much better.

Rated 6/10 (Monkey bum, random cat, Analyzer, the spice must flow, blocking the hole, CHEEZ!)


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Written by Tars Tarkas

Tars Tarkas

Runs this joint!