A Fairly Odd Movie: Grow Up, Timmy Turner!
A Fairly Odd Movie: Grow Up, Timmy Turner!

2011![]()
Directed by Savage Steve Holland
Written by Butch Hartman & Scott Fellows

When A Fairly Odd Movie: Grow Up, Timmy Turner! was first announced as a live-action feature film, it sounded like it would be terrible. Who needed yet another live action film for a cartoon? Haven’t we suffered enough? But, Grow up, Timmy Turner! instead turned out to be a good surprise, keeping the tone of the cartoon while delving into raging manchild territory with a plot so off the walls that it is brilliant. And yes, that means I liked it very much. I’m shocked, shocked, I tell you! Who knew that I would end up enjoying what appeared to be a terrible Disney Channel-type film? But Grow Up, Timmy Turner is much more than that, it’s fun, and sort of has a message about the need to grow up and move on with your life buried beneath the wacky antics of the hijinks that ensue.
For those of you out of the loop, The Fairly Oddparents is a cartoon series about a child named Timmy Turner’s fairly godparents who grant him wishes, and all the adventures that entails. The series’ bizarro humor helped earn it a cult following among more than little kids, with viewers of all ages tuning in. There has been sporadic tv-movie specials for The Fairly Oddparents, though this is the first live-action special.

Grow Up, Timmy Turner continues the same basic plot, except Timmy is now 23 years old, still in the same grade at school, still living at home, and still not grown up, because being grown up loses you your fairy godparents. It’s in the rules, trust us, they break out the rules to read during the movie!
Cameos from the cartoon show up all over the place. Jorgen Von Strangle (Mark Gibbon), the strongest fairy and the boss of all fairies, appears repeatedly throughout the film to threaten Timmy. He’s an obvious Arnold Schwarzenegger parody. Timmy’s childhood friend Chester McBadBat and A.J. (Chris Anderson and Jesse Reid) appear sporadically as adults assuming the still-childlike Timmy is jealous of their “successes”, though the successes are never elaborated on.

Director Savage Steve Holland was an 80s genius with such classic films as Better Off Dead, One Crazy Summer, and How I Got Into College. He got into tv with The New Adventures of Beans Baxter and the Encyclopedia Brown series on HBO, but his greatest television creation was Eek! the Cat (and accompanying cartoons.) He’s since been making a living directing episodes of family fare tv series, making him perfect for this film packed with Nickelodeon teens.


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The Smurfs
The Smurfs

2011![]()
Directed by Raja Gosnell

As someone who grew up with The Smurfs on tv and in comic books, I can say that I enjoyed them very much. I fondly remember watching the smurf cartoons over the years, and reading the various comics (favorite one – Astronaut Smurf, where all the other smurfs became Swoofs and it was a big wish fulfillment fantasy to help some random Smurf.) So like most young adults, I looked at the upcoming live-action Smurfs movie with trepidation – would yet another thing from my youth be turned into an embarrassment? Maybe even make me feel blue? (Sorry, was forced by law to add that joke!)
Thanks to the fact I’m awesome as smurf, the wife and I got to go to a free advanced screening of The Smurfs in 3D! But I’m not going to let a little thing like free tickets turn my review to a positive, any positive remarks are earned by the film the hard way: entertaining me. So sit back and enjoy TarsTarkas.NET’s first foray into reviewing a mainstream film that isn’t even out yet! Next up: Reviewing a film that doesn’t even exist yet (It Stinks!)

The Smurfs first appeared in Johan and Peewit stories from the Belgian cartoonist Peyo (Pierre Culliford) in 1959, and they proved popular enough they were headlining their own stories and soon an industry. Smurfs are called Schtroumpfs in their native Belgium, so keep that in mind. The Smurfs are usually hunted by their main adversaries Gargamel and Azrael, Gargamel is a wizard who is after them for reasons that don’t remain consistent (originally it was to create the philosopher’s stone from them, then it became to eat them, then to turn them to gold, and then just pure revenge for the years of failure.)
The best parts of The Smurfs are when there are a whole pack of Smurfs. The opening sequence (also one of the few instances where the 3D is worth it) is awesome enough you want a whole movie set in the magical Smurf village and ancient kingdom. The village feels alive and like you could easily stmble across it in the woods one day and have magical adventures with your new three-apple-high blue friends. But soon enough we are sucked to modern New York City with only six Smurfs keeping us company.

Like the Masters of the Universe film, Beastmaster 2: Through the Portal of Time, and Aliens vs. Predators, budget restraints forces the film to bring the action to modern day USA. This concept has happened enough it’s been lampooned (in Disney’s great Enchanted), but it also disappoints those expecting a sweeping story set in the world of the Smurfs. And though Smurfs is a kids movie, there will be plenty of adults in the audience bringing those kids, many who grew up watching those same Smurfs Tra-la-la-la-la-la they’re way across their tv screens. Raja Gosnell has experience bringing cartoons to the silver screen, having directed the first two Scooby-Doo films (along with Beverly Hills Chihuahua!)
The main focus of The Smurfs is a bit muddled. Besides the Fish Out of Water story, he script tries to graft a Hero Arc into the film (with Clumsy), but it’s also competing with a Coming of Age Story, Proving Yourself to your Jerk Boss, and Realizing You Should Spend Time With Family and Not Work stories. So it’s sort of all over the place.

Despite the mish-mash, the film isn’t a total loss, and I ended up liking it. Neil Patrick Harris is still charming despite some of his character’s bad writing, and Gargamel and Azrael help save large stretches of the film with both scenery chewing and cartoon antics (this is a cartoon-turned live-action film, after all!) The kids in the audience were paying enough attention at the end that they were really invested in the final battle.

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Categories: Movies, Ugly Tags: Alan Cumming, Anton Yelchin, B.J. Novak, cartoons to film, Frank Welker, Fred Armisen, Gary Basaraba, George Lopez, Hank Azaria, In Glorious 3D!, Jayma Mays, Jeff Foxworthy, Joan Rivers, Joel McCrary, John Kassir, John Oliver, Jonathan Winters, Katy Perry, Kenan Thompson, Mr. Krinkle, Neil Patrick Harris, Paul Reubens, Raja Gosnell, Sofía Vergara, Tars sells out!, Tom Kane, Wolfgang Puck
13 Assassins
13 Assassins
aka Jusan-nin no shikaku aka 十三人の刺客

2010![]()
Directed by Takashi Miike

Takashi Miike can make any type of film imaginable. He loves cinema, he loves to work, and his output is legendary. Miike crosses genres like they’re T’s, smearing the lines and creating unique works. His pattern of excesses give his films a tone that cannot be matched by other directors, even as the tones differ based on which excesses he is exercising for the film. From family-friendly fare to ultra-violent yakuza film, Miike puts his heart into everything he does. He pushes limits, test boundaries, and kicks butt.

Due to Miike’s initial popularity in cult movie circles in the West due to movies like Ichi The Killer, Audition, Fudoh, and Dead or Alive, people naturally assumed that he only made ridiculously violent films. I’m sure watching The Great Yokai War, Zebraman, or Yatterman blew their minds to smithereens. 13 Assassins has returned Miike to notice in the international scene, but again it is for a film that features a lot of violence. Most of the violence waits until the end of the film, and instead we go through samurai life, political drama, honor, and journey and preparation. I could say that I was one of those people who like to watch samurai films and am totally into the whole samurai code blah blah blah thing, but I actually don’t like samurai films (nor other period dramas known as jidaigeki.) Frankly, I don’t really care to watch stodgy guys sit around worrying about their honor for 90 minutes until a brief swordfight happens. This probably makes me a bad nerd and bad movie reviewer, but, whatever. I’ve avoided other recent samurai films, and only saw this one as Miike is attached to it. Miike manages to keep things interesting better than I hoped, preventing what could have been a dry and slow buildup with good characterization, planning, and the fallout when things don’t go according to plan and you end up wandering around the woods. There are even supernatural elements hinted throughout the film, the more you pay attention the more you realize where they are.
13 Assassins is a remake of 1963′s Jusan-nin no shikaku (The Thirteen Assassins), a film many (including myself) haven’t seen. In fact, my favorite part of the reviews for this is everyone bringing up Seven Samurai (including this review) while hardly anyone mentions the original version of 13 Assassins. It actually took a while to find a good site comparing the two films, and from what I can see Miike follows the original’s story fairly faithfully, but brings it down to a more human level.


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Categories: Good, Movies Tags: Arata Furuta, Goro Inagaki, Hiroki Matsukata, Iseya Yusuke, Japan, Koji Yakusho, Masachika Ichimura, samurai, Takashi Miike, Takayuki Yamada
I Love Hong Kong
I Love Hong Kong
aka Ngo oi Heung Gong: Hoi sum man seoi aka 我愛香港

2011![]()
Directed by Chung Shu-Kai and Eric Tsang Chi-Wai

I Love Hong Kong is another Shaw/TVB backed Lunar New Year comedy coming on the heals of 2010′s 72 Tenants of Prosperity. It is also deeply tied to Hong Kong nostalgia, and growing up in Hong Kong. Thus, a lot of the charm of the film does not translate well to overseas markets. And while parts of the film are funny and interesting, it feels like you are at your roommate’s family reunion. This isn’t to say that I Love Hong Kong is a bad film, but if you didn’t spend time living in Hong Kong, it is probably impossible to fully appreciate it. And I say that as someone who’s never lived in Hong Kong.

During the Lunar New Year in Hong Kong, it has become tradition for the studios to release comedy films. And that tradition dates back to 1937′s Bloom and Prosper, a film that doesn’t exist any more. Lunar New Year’s films generally have huge casts bursting to the brims with everyone famous they can cram in, wacky plots, romance, and lampooning cultural targets. And while the modern age may have lessened the impact of the box office, the tradition is alive and well. Besides starring a whole host of people, I Love Hong Kong has two directors, three script writers (Chung Shu-Kai, Heiward Mak Hei-Yan, Wong Yeung-Tat), and is based on an original story by 8 people (Eric Tsang, Chung Shu Kai, Heiward Mak, Wong Yeung Tat, Manho Mok, Chan Cheuk Wah, Ming Wong, and Louis Ng)! That’s almost as many people as who write the average terrible Hollywood blockbuster. Some of the cameos include Tenky Tin Kai-Man, Michelle Lo Mik-Suet, and even Maggie Cheung!
The theme song repeats the “I Love Hong Kong” phrase a lot, and by the end of the song you are reassured that everyone on the planet loves Hong Kong. So get with the program! There are several other songs in the films, usually during flashback sequences, and they are classic songs well enough known that my wife was singing along.


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