Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
aka Gojira, Mosura, Kingu Gidora: Daikaiju sokogeki
2001
Starring
Chiharu Niyama as Yuri Tachibana
Ryudo Uzaki as Admiral Taizo Tachibana
Masahiro Kobayashi as Teruaki Takeda
Shiro Sano as Haruki Kadokura
Eisei Amamoto (Hideyo Amamoto) as Professor Hirotoshi Isayama the Prophet
Mizuho Yoshida as Godzilla/Gojira
Akira Ohashi as King Ghidorah
Rie Ota as Baragon
Directed by Shusuke Kaneko
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack aka GMK aka Gojira, Mosura, Kingu Gidora: Daikaiju sokogeki aka Godzilla, Mothra, King Ghidorah: The Giant Monsters’ General Offensive (the literal title) has a reputation of being one of the better entries in the series. This couldn’t be further from the truth. GMK is one of the worst entries, in my opinion THE worst film of the whole series. Biollante? Megalon? The Smog Monster? They are three Citizen Kanes compared to GMK. Director Shusuke Kaneko became famous for making the highly regarded modern Gamera films, and was given a chance to make a Godzilla film. His original concept would have been far superior, but Toho screwed around with his monster choices, and that combined with stylistic touches I don’t really care for ended up melting into a nasty soup of disflavor. We shall go over some of the origins of the film before we get to the story, and deal with the problems in their appropriate areas.
Godzilla X Varan, Baragon and Anguilus: Giant Monsters All-Out Attack would have been a neat film. It would have eliminated one of my major criticisms of this film, the complete role reversals of several established monsters. It also would have provided a reappearance of Varan after many years (last seen briefly as a ratty costume in Destroy All Monsters), Anguirus returning (who hadn’t been seen since Godzilla vs. Mechagodzilla), and Baragon (who made it into the final film.) Varan was actually director Shusuke Kaneko’s favorite monster, but he ended up keeping Baragon in the final product, and changing Ghidorah’s face to resemble the old Varan costume. Also, rumor is the Gotengo from Atragon would have also appeared (it ended up reappearing in Godzilla: Final Wars, alongside Anguirus) and lots of maser tanks (the tanks with the satellite dishes that shoot lasers.) But as Varan and Baragon were not box office bankable, something Toho was more worried about after the failures of Godzilla 2000 and Godzilla vs. Megaguirus; and after Kaneko’s own friends had no idea who Anguirus and Varan were (I don’t know if they knew who Baragon was) he decided to drop them in favor of the pushed by the studio King Ghidrah and Mothra. This provided a small wrinkle storywise. Okay, a huge wrinkle. The plot of the film is about Godzilla attacking, being the souls of the dead from World War 2 out for revenge. Japan would then be defended by three guardian creatures, which were weaker than Godzilla but teamed up their power. Since Mothra and King Ghidrah can both hold their own against Big G, they had to modify them a bit to make them smaller and weaker looking. Also, that meant Ghidrah was a hero for the first time ever, something I do NOT agree with. The monsters end up not being much of team players, with only Mothra doing things to help anyone else.
So now Godzilla, instead of being treated like a force of nature, is now a malevolent force of destruction. He doesn’t even have pupils anymore, to give him a more sinister look. I kind of find that annoying, but it fits in with the intended storyline, so I let it go. He also has a hunched back and pot belly, which is a tad harder to let go. Hit the gym, Big G! As a film in the Millennium series, it is free to rewrite continuity however it sees fit. Still, some things shouldn’t change, like character allegiances. The success of the film prompted Toho to continue making a few more G films, so some good came out of it. Just because I like it the least doesn’t mean I won’t watch it, but when given a choice between chocolate and chocolate with peanut butter, you take the C&PB every time. Plus, I lied earlier, this cannot be the worst Godzilla film, as thanks to this and Godzilla Final Wars, the American Godzilla is now part of the canon, making it the worst film. Hopefully some enterprising young student makes their own fan film of Godzilla X Varan, Baragon and Anguilus: Giant Monsters All-Out Attack, with which we can live on vicariously until Toho decides to start pumping out more Big G films again.
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Categories: Movies, Ugly Tags: Akira Ohashi, Baragon, Chiharu Niyama, Eisei Amamoto, Godzilla, Japan, King Ghidorah, Masahiro Kobayashi, Millennium Series, Mizuho Yoshida, Mothra, Rie Ota, Ryudo Uzaki, Shiro Sano, Shusuke Kaneko
Godzilla vs. Megaguirus
Godzilla vs. Megaguirus
aka Gojira tai Megagirasu: Ji shometsu sakusen aka Godzilla vs. Megaguirus: The G Annihilation Strategy
2000
Starring
Misato Tanaka as Kiriko Tsujimori
Shosuke Tanihara as Hajime Kudo
Masato Ibu as Motohiko Sugiura
Yuriko Hoshi as Yoshino Yoshizawa
Toshiyuki Nagashima as Takuji Miyagawa
Tsutomu Kitagawa as Godzilla
Minoru Watanabe as Megaguirus
Directed by Masaaki Tezuka
Godzilla fights a giant bug! Sound familiar? Because most of this movie is, and has been done before much better. There are a few nice scenes, but for the most part the movie is just a pale imitation of its forbearers, a legacy it can never hope to be part of. The second film of the “Millennium” series (Shinsei series), where the story can ignore continuity at will to make things however they want. Sure, that allowed this movie to potentially do some neat things, but in the end, they just floundered with them, and the whole thing fizzled.
Godzilla attacks the mainland periodically, but as they only follow the first film, Godzilla can attack whenever they want him to. Godzilla’s main foe is Megaguirus, who is one of the lamest monsters. So far, the Millennium series does have one point of continuity: they all created crappy new villains for Big G. Eventually they just gave up and went back to reusing older monsters, for much better effect. Until then, we have to deal with this Megaguirus. Megaguirus is a large, prehistoric dragonfly. Sure, prehistoric dragonflies were lizard-looking giant monsters who never had to flap their wings. They probably fought Anguilusaurus all the time during the time of the Fire Monsters. Megaguirus’s little henchbugs are the Meganula, who are the smaller, only people sized prehistoric dragonflies, which have a wingless and mature winged form. They like to snack on tasty people.
Good ideas, bad execution, tired story. A few good points, outshadowed by the many bad. Not the hallmarks of a film you want to see, but at this point we have no choice, for the DVD is bought, and the play button has been activated! Read more…
Dragon Dynasty
Dragon Dynasty
2006
Starring
Federico Castelluccio as Marco Polo
Aaron Hendry as Giovanni Polo
Dion Basco as Gao Ling
Stana Katic as Ava
Peter Kwong as Shang Sei
James Hong as Emperor
Directed by Matt Codd
Welcome to the second run of the team-up between TarsTarkas.NET and FantasyFilmscapes.com known as The Dragon Slayers. Today, we will be taking on the 2006 SciFi Channel original movie Dragon Dynasty, because we can. The original team-up was Dragon. Also, before we begin, check out this cool graphic whipped up to celebrate the event:
As usual, the beginning section is co-written between Tars Tarkas and Iain Norman, and then the movie is divided into 15 minute chunks, alternating between each other, where our contributions are color coded. Iain’s version on his site is located here
Dragon Dynasty is one of the more recent SciFi Channel Original movies to air. Like many of their other films this ones features some big CGI monsters and a basic chase and hunt monster scenario – in this case the settings range from China to Italy in the late 13th century A.D. Usually SciFi puts about $1 million USD each into their ‘originals’ and uses Bulgaria for locations because it costs next to nothing to produce a film there. While not sure of the exact nature of the Bulgarian tax setup it is probably made quite affordable for foreign products to use the country in their shoots by way of tax credits in return for employing local actors and related industries. They usually drag over a few actors who are looking to make house payments and sleepwalk through their roles, but the supplemental local actors have been known to do bang up jobs.
Godzilla 2000
Godzilla 2000
aka Gojira ni-sen mireniamu
1999
Starring
Takehiro Murata as Professor Yuji Shinoda
Hiroshi Abe as Mitsuo Katagiri
Naomi Nishida as Yuki Ichinose
Mayu Suzuki as Io Shinoda
Shirô Sano as Professor Shiro Miyasaka
Directed by Takao Okawara
The first of the Godzilla Millennium Series of films, where all previous continuity was thrown out again, and writers were allowed to make things however they bloody well wanted. This was also the first Godzilla film produced after the horrifying 1998 US Godzilla, with Matthew Broderick and the most useless giant monster ever. So, it was with great joy that in 1999 Toho made their own Godzilla film, to make up for the terrible, terrible mistake they made in letting that moron Emmerich get his grubby mitts on their franchise. Now, when Godzilla 2000 premiered in theaters, I dragged my best friend and off we went, opening night. A grand total of eight people were in the audience, including 7 with Y-chromosomes (one guy managed to bring his girlfriend as well as his best friend.) The low theater count was an omen of things to come, as the following 90 minutes of mediocrity were less than a satisfying evening. Still, it was more enjoyable than Emmerich’s effort, but then so is soaking your genitalia in boiling cooking oil!
Godzilla 2000 featured a revamped Godzilla costume, and the first fully CGI Gojira Godzilla during some swimming scenes. Thankfully, all the rest of the shots are full man in suit. G2K also features some neat composite shots, with zooms and background renders, that really puts Godzilla in a real-world environment. He looks more like he’s really in the background or in the cities in this film than any before it. Sadly, the people plot is uninteresting, and the villain is even more uninteresting. Orga, the evil monster who doesn’t even get his named mentioned on screen, first shows up as a spaceship before he turns into a goofy jellyfish, then finally some freaked out version of Godzilla. Many of the opponents of Big G have evolving forms, especially in the Heisei and Millennium Series of films. But many of them also suck, thus why Toho played it safe for the last Millennium films and went with tried and true monsters.
The casts are some of the most important parts of the films, and even if they are dubbed you can still gauge the strength or weakness of their acting. The cast here is filled with several actors who are better than the roles they have been stuck with. Toho decided to have some fun with the dubbing, the American version makes several scenes more embarrassing, even altering the perception of some of the characters and the actors playing them. The worst line in G-History will be uttered later in the film, so stay tuned!
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Categories: Movies, Ugly Tags: Annoying Kenny kid, Godzilla, Hiroshi Abe, Japan, Makoto Ito, Mayu Suzuki, Millennium Series, Naomi Nishida, Orga, Shiro Sano, Takao Okawara, Takehiro Murata, Tsutomu Kitagawa
Gigantis, the Fire Monster
Gigantis, the Fire Monster
aka Godzilla Raids Again aka Gojira no gyakushuu
1955
We start out the second March of Godzilla with the second Godzilla movie, Godzilla Raids Again! Or Gigantis, the Fire Monster, as it is known in the US. What a mess the American version of this film is. A complete an utter destruction of cinema. The Japanese version suffering from some of the faults of films of the time, but the American distributors just completely butcher the entire film. Most noticeably, Godzilla is not called Godzilla, but instead Gigantis. Now, he is technically not the original Godzilla, they make reference to the fact Godzilla Number One was disintegrated in Tokyo Bay. This new Godzilla is his brother, Marvin Godzilla, and he is actually the Godzilla that the next several movies in the series follow, as they are loosely connected. But in America, they just called him “Gigantis” because of reasons mentioned later. Joining Godzilla is the first fellow daikaiju, a creature named Anguirus. He’s loosely based on Ankylosaurs, and has a shell armored with many spikes all over his back. Crawling on four legs, Anguirus was stylistically different from Godzilla and made a good contrast for a first foe. Later monsters would get beam weapons, wings, multiple forms, but Anguirus fights with just one thing: guts!
There are some familiar faces in this film as well. Most notably, main character Shoichi Tsukioka is played by Hiroshi Koizumi, who has been previously seen here in Godzilla vs. Mothra and Ghidrah, playing Dr. Miura. I’ve met Hiroshi Koizumi, which I also mention each time he pops up in a Godzilla movie. Another big name is Takashi Shimura, playing Dr. Yemane, who he also played in the original Godzilla. He is probably best known for Seven Samurai or other Kurosawa films. Another Kurosawa veteran is Minoru Chiaki, who was another of the Seven Samurai, and here plays fellow pilot Kobayashi. All Godzilla movies need a girl, and actress Setsuko Wakayama makes her only Godzilla series appearance as Hidemi Yamaji. Directing this time is Motoyoshi Oda, who is also making his only appearance in G-history.
Both the US and Japanese versions will get reviewed simultaneously here. This is made possible because the US version is not chopped out of order, but follows the same pathway. They both deviate from the set path, as the US distributors added and removed footage, sometimes seemingly at random. The most obvious aspect aside from the Gigantis name is that the US version has narration. Lots of narration. The entire film is narrated. Every second someone is not speaking, the narrator has to talk. The Japanese version has no narrator, so is full of long moments of no dialogue, and little to no sound as the score only drops in randomly. We will note that the US version was produced by Paul Schreibman, who has expressed regrets for ruining the movie so badly. He claims responsibility for renaming Godzilla, as it was his desire to make Americans think they were getting a new monster. Other problems we will experience along the way, including the education film that makes me think Paul Schreibman must be insane.
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